Write My Name: Authorship in the Poetry of Thomas Moore is the first monograph devoted to Moore’s poetry. The focus of the book is on Moore’s poetry and differing formulations of authorship therein. Its scope comprises poetic publications from Moore’s early career, from his Romantic Orientalist writings, and from selected musical works, and political and satirical verse. It shares the strong historicist awareness of much previous scholarship on Moore, but combines this with a range of new and interdisciplinary contexts that are of increasing interest to scholarship in the twenty-first century, and which are rarely adopted as frameworks for viewing Moore’s work: digital humanities, book history, legal history, and textual theory. Ultimately, the book argues for the value of attending to neglected aspects of Moore’s work through analysis of his shifting modes of authorship and their various motivations

In Original Self, spiritual pioneer Thomas Moore guides readers back to their God-given personalities through fifty heart-lifting meditations. This inspiring collection offers fresh interpretations of living with originality rather than conformity, presenting multidimensional portraits of the creative self and different angles from which to top one's primal emotions and possibilities. Learn what it means to live from the burning essence of the heart, with the creativity that comes from allowing the soul to blossom in its own colors and shapes. With his usual grace and insight, Moore counters the prevailing assumptions of the day and offers strikingly unorthodox views on what is virtuous and healthy, opening up possibilities for a renewal of the way we live socially and in our private lives.

Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The New York Times bestselling author and trusted spiritual adviser offers a follow-up to his classic Care of the Soul. Something essential is missing from modern life. Many who’ve turned away from religious institutions—and others who have lived wholly without religion—hunger for more than what contemporary secular life has to offer but are reluctant to follow organized religion’s strict and often inflexible path to spirituality. In A Religion of One’s Own, bestselling author and former monk Thomas Moore explores the myriad possibilities of creating a personal spiritual style, either inside or outside formal religion. Two decades ago, Moore’s Care of the Soul touched a chord with millions of readers yearning to integrate spirituality into their everyday lives. In A Religion of One’s Own, Moore expands on the topics he first explored shortly after leaving the monastery. He recounts the benefits of contemplative living that he learned during his twelve years as a monk but also the more original and imaginative spirituality that he later developed and embraced in his secular life. Here, he shares stories of others who are creating their own path: a former football player now on a spiritual quest with the Pueblo Indians, a friend who makes a meditative practice of floral arrangements, and a well-known classical pianist whose audiences sometimes describe having a mystical experience while listening to her performances. Moore weaves their experiences with the wisdom of philosophers, writers, and artists who have rejected materialism and infused their secular lives with transcendence. At a time when so many feel disillusioned with or detached from organized religion yet long for a way to move beyond an exclusively materialistic, rational lifestyle, A Religion of One’s Own points the way to creating an amplified inner life and a world of greater purpose, meaning, and reflection.