The Toby Edition brings together the earliest and last editions of Leaves of Grass, together with other major works of the writer, including such seminal works as Song of Myself, I Sing the Body Electric, and Democratic Vistas. It includes an introductory essay and chronology by the editor, Shira Wolosky, Professor of English and American Literature at the Hebrew University of Jerusalem. --Toby Press.

Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers.

In which Marinetti used the language of machines and explosions to express his view of poetry as reportage from the front: "Words in Freedom," in which he declared war on poetry by destroying syntax and spelling and by experimenting with typography; and finally love poems to his wife, Benedetta, in which he returned in part to subjects and forms that he had previously rejected.

With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.

Thoughts concerning art and experience by layering in one volume, the poet's fragments of dreams, lists, games, conversations, poems, and excerpts from notebooks, as a way of looking into the writing practice.

Poetry. Literary Criticism. A wide-ranging gathering of 34 brief essays and 66 prose poems by distinguished practitioners, THE ROSE METAL PRESS FIELD GUIDE TO PROSE POETRY is as personal and provocative, accessible and idiosyncratic as the genre itself. The essayists discuss their craft, influences, and experiences, all while pondering larger questions: What is prose poetry? Why write prose poems? With its pioneering introduction, this collection provides a history of the development of the prose poem up to its current widespread appeal. Half critical study and half anthology, THE FIELD GUIDE TO PROSE POETRY is a not-to-be-missed companion for readers and writers of poetry, as well as students and teachers of creative writing.

In 'Selections from the Prose Works of Matthew Arnold', readers are treated to a collection of insightful essays and criticism that showcase Arnold's unique literary style characterized by clarity, elegance, and intellectual depth. Arnold, a prominent Victorian poet and critic, reflects on topics such as poetry, literature, culture, and education, providing readers with thought-provoking perspectives that are still relevant today. His prose is marked by a blend of classical allusions, philosophical insights, and social critique, making this book a valuable resource for scholars and students of Victorian literature. Through his engaging prose, Arnold reinforces the importance of culture and intellectual pursuits in a rapidly changing world. His works serve as a bridge between the Romantic and Victorian literary traditions, offering a nuanced view of the era's cultural and social dynamics. 'Selections from the Prose Works of Matthew Arnold' is a must-read for those interested in the intersection of literature, society, and intellectual thought in the Victorian age.