A comprehensive selection from Ferlinghetti's famed City Lights Pocket Poets Series, published on the 60th anniversary of its founding.

It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul. Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.

La Loca is at a high pitch in these confessional and ecstatic outbursts made famous by her performances on tour from New York to Australia. She was one of four American writers chosen to represent the United States at the 1988 Winter Olympics Arts Festival in Calgary, Canada. La Loca grew up in impoverished Chicano districts of Los Angeles and now lives in Hollywood, California. "To watch this kinetic portrait of sass and blood and fire and gentle weeping is to wonder if an eggshell shaved translucent could be more fragile then her soul." Itabari Njeri, Los Angeles Times "What this dynamite young woman does is use her keen intelligence, lacerating wit and bold sincerity to transform the ugly, the mundane, the painful into a poetry of substance and joy. Simply wonderful." Wanda Coleman

This rousing anthology features the work of more than twenty-five writers from the great twentieth-century countercultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

Poets from around the world celebrate the universal appeal of the comforts of home in this unique anthology. Whether inhabited or remembered, whether solitary or teeming with family, whether a refuge from the world or a connection to a community, home is essential to the self. The poems in this anthology invite us into urban apartments and cozy cottages, stately mansions and hermits’ huts. We watch a medieval housewife explain how she has spent her day; we join with Robert Herrick as he gives thanks for his “humble roof . . . weatherproof”; we peep in on Amy Lowell in the bath and John Donne in his bed, and join Joy Harjo at the kitchen table. Home can mean many things: from Horace’s rural farm to Billy Collins’s favorite armchair, from Milton’s “blissful bower” in Paradise to Imtiaz Dharker’s “Living Space” in the slums of Mumbai. Mary Oliver imagines her dream house, Emily Dickinson dwells in possibility—"a fairer House than Prose," and a wide range of displaced poets long for their home countries: Ovid, Joachim du Bellay, Kapka Kassabova, Mahmoud Darwish, and even Jules Supervielle feeling “Homesick for the Earth.” Wherever you happen to dwell or whatever your idea of domestic bliss, you are sure to find visions that resonate in No Place Like Home. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

"A rhapsodic follow-up to Tongo Eisen-Martin's Heaven is All Goodbyes, this collection further explores themes of love and loss, family and faith, refracted through the lens of Black experience. These poems honor intellectual tradition and ancestral knowledge while blazing an entirely new path, recording and replaying the poet's sensory travels through America, from its packed metropolises to desolate anytowns. Packed with politically astute and clear-eyed takes on race and class, filled with wisdom and great humanity, these poems perform mind-bending leaps and wander down back alleys to arrive at their moment of ultimate truth"--

Here are 200 irresistible love letters from over the centuries, love letters both historic and fictional, love letters by poets and by princes, love letters enchanting, tragic, comic, superbly selected, beautifully printed, conveniently portable, to have with you wherever and whenever you're in the mood for love.

Expanded 50th anniversary edition of the City Lights classic of eco-feminist-Zen Beat poetry, featuring fifteen new poems. Simultaneously released with Diane di Prima's Spring and Autumn Annals on the one-year anniversary of her passing.