300 years ago, in April 1721, a smallpox epidemic was raging in England. Lady Mary Wortley Montagu knew that she could save her 3-year-old daughter using the process of inoculation. She had witnessed this at first hand in Turkey, while she was living there as the wife of the British ambassador. She also knew that by inoculating - making her daughter the first person protected in the West - she would face opposition from doctors, politicians and clerics. Her courageous action eventually led to the eradication of smallpox and the prevention of millions of deaths.But Mary was more than a scientific campaigner. She mixed with the greatest politicians, writers, artists and thinkers of her day. She was also an important early feminist, writing powerfully and provocatively about the position of women.She was best friends with the poet Alexander Pope. They collaborated on a series of poems, which made her into a household name, an 'It Girl'. But their friendship turned sour and he used his pen to vilify her publicly.Aristocratic by birth, Mary chose to elope with Edward Wortley Montagu, whom she knew she did not love, so as to avoid being forced into marrying someone else. In middle age, her marriage stale, she fell for someone young enough to be her son - and, unknown to her, bisexual. She set off on a new life with him abroad. When this relationship failed, she stayed on in Europe, narrowly escaping the coercive control of an Italian conman.After twenty-two years abroad, she returned home to London to die. The son-in-law she had dismissed as a young man had meanwhile become Prime Minister.

Lady Mary Wortley Montagu was born on 26th May 1689 to, the soon to be titled, Earl of Kingston and Mary (Fielding) Pierrepoint. At age 3 Mary's mother died and so her Grandmother became responsible for her upbringing in her early years. Unfortunately, a few years later, when Mary was 9, her grandmother died and so she went back to live with her father at Thoresby Hall, in Nottinghamshire. Women were not formally educated at this time so Mary educated herself in her father's library, teaching herself Latin and devouring many classical texts. She was expected to attend to several of her father's needs however, including presiding over his dinner table where she became a sort of 'good luck charm' for many of his influential guests. During her teenage years, her true character began to reveal itself. She had already written several volumes of poetry and was intent on challenging social attitudes towards women which stifled their intellectual and social growth. Defying her father's wishes, she eloped in August 1712, to marry Edward Wortley Montagu. The following year she gave birth to a boy. Unfortunately, her husband, like her father was possessive and jealous. The marriage would not be as successful as she hoped. Now further tragedy was to strike. Her brother, only 20 years old, contracted and died from smallpox. Mary herself was to catch the disease two years later. Her survival led to her interest in the Turkish procedure of inoculating against the disease by introducing a small amount of the virus in order to build the body's immunity to the disease. She used this method with both of her children and encouraged its' widespread use in London despite resistance and scepticism by British doctors and prevailing medical opinion. In 1714 Edward Montagu was appointed to the Treasury which allowed Mary to shine at court. Her charm, wit and beauty was appreciated by George I, the Prince of Wales and many other influential and important London figures who soon became friends. Mary also met the famed poet Alexander Pope who was smitten with her beauty, elegance and wit. Although these feelings were not reciprocated, the two of them did correspond frequently. Her husband was next appointed as Ambassador to Istanbul (then called Constantinople), for several years. She also gave birth to her daughter, Mary at this time and continued to develop her flamboyant style sporting Turkish inspired clothes which she wore back in the UK contributing further to her distinctive appearance and aristocratic eccentricity. Her voyage home together with her other travels resulted in her writing sparkling prose in the form of Letters from Turkey. Although at the time many were circulated in manuscript form, as per her wishes, they were not published until a year after her death. Her letters to Pope were fewer now, although they provide part of the Embassy Letters for which she is so well known. Their subsequent estrangement and enmity now spilled over as each feuded with the other in clever and entertaining poems and publications. Mary understood that being a woman gave her a unique perspective, allowing her greater access to many places and customs barred to men. As she noted: "You will perhaps be surpriz'd at an Account so different from what you have been entertaind with by the common Voyage-writers who are very fond of speaking of what they don't know." In 1736, Mary met and fell in love with Francesco Algarotti. By 1739, besotted, she arranged to live with him in Italy, telling her husband and friends she needed to go abroad for her health. Their relationship fell apart in 1741 and Mary would now spend most of her remaining years travelling through Italy and France, putting down roots in several cities. In 1761, hearing that her husband had died, she returned home to England. She arrived in London in January 1762. It was to be her final journey. Lady Mary Wortley Montagu died on 21st August 1762 in London.

This book is the first to look at Lady Mary Wortley Montagu's achievement as a vital figure in the women's literary tradition. Robert Halsband's book on her life, the sixth this century and published in 1956, was the first to apply scholarly techniques to establishing the facts. The inaccurateaccounts given before Halsband testify to Lady Mary's compelling interest as a woman who wrote, travelled, campaigned publicly for medical advance, gossiped, and was involved in high-profile literary quarrels. Knowledge of her life has made considerable gains since Halsband, as understanding of theissues involved in trying to move between the roles of proper lady and woman writer has increased enormously. This life fruitfully exploits the tension between literary history and feminist reading. Isobel Grundy highlights Montagu's adolescent longing for literary fame, her growing understandingof the implications of this for gender and class imperatives, the frustrations and concessions involved in her collaborations with male writers, the punitive responses of society, the gaps at every stage of her life between her ascertainable circumstances and her construction of herself in lettersand other writings. The book situates those writings in relation to her own theorizing and her very wide reading in women's texts as well as men's. Finally, it looks at a range of contemporary and near-contemporary responses.

Travelling through the wartorn Balkans with her husband on what proved to be a wholly useless diplomatic mission to Constantinople, Mary Wortley Montagu (1689-1762) left a vivid, informative, clever account of her adventures in the mysterious, sophisticated culture of Ottoman palaces, bathing places and courts which - even as her husband's career was falling apart - she could not have enjoyed more. Great Journeys allows readers to travel both around the planet and back through the centuries – but also back into ideas and worlds frightening, ruthless and cruel in different ways from our own. Few reading experiences can begin to match that of engaging with writers who saw astounding things: Great civilisations, walls of ice, violent and implacable jungles, deserts and mountains, multitudes of birds and flowers new to science. Reading these books is to see the world afresh, to rediscover a time when many cultures were quite strange to each other, where legends and stories were treated as facts and in which so much was still to be discovered.

Immensely learned, self-educated in an era when formal schooling was denied to women, Mary Wortley Montagu was an admired poet, a consistently scandalous doyenne of eighteenth-century London society, and, in a period when letter-writing had been elevated to an art form, one of the greatest letter writers in the English language. Her epistles, meant for both public and private consumption, are the product of a mind distinguished by its adventurousness, its indifference to convention, and its eagerness not only to acquire knowledge but to convey it with unmitigated style and grace. (Book Jacket Status: Not Jacketed)

Chosen by Choice Magazine as an Outstanding Academic Title Until recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history. Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.

The Second Sight of Zachary Cloudesley is a sparkling historical novel of wild and wonderful mechanical automata, love in a variety of forms, and gentle themes of identity, with a cast of fabulous characters. In 1755, Abel Cloudesley, a London watchmaker and creator of remarkable mechanical automata, is mourning his wife, Alice, who died giving birth to their son, Zachary. Six years later, Abel is further devastated when a freak workshop accident takes Zachary’s eye. With his new eye made of gold and lapis by Abel’s soft-spoken apprentice Tom, Zachary, now with an astonishing gift of second sight, is sent to live with his eccentric Aunt Franny in the country. Abel buries himself in work until he is coerced by shadowy figures into designing a chess-playing automaton and delivering it to Constantinople to spy on the Sultan of the Ottoman Empire. After meeting the Sultan, Abel is not heard from again. Years later, teenage Zachary receives a letter suggesting that his father is still alive, a prisoner of the Sultan. Zachary sets off on a perilous journey to the Levant, determined to find Abel and bring him safely home. A BBC Between the Covers Book Club pick and London Sunday Times Historical Fiction Book of the Month, for fans of Pandora, The Essex Serpent, and The Night Circus. Longlisted for the Walter Scott Prize for Historical Fiction 2023 and the Goldsboro Books Glass Bell Award 2023.

The Speckled Monster tells the dramatic story of two parents who dared to fight back against smallpox. After barely surviving the agony of smallpox themselves, they flouted eighteenth-century medicine by borrowing folk knowledge from African slaves and Eastern women in frantic bids to protect their children. From their heroic struggles stems the modern science of immunology as well as the vaccinations that remain our only hope should the disease ever be unleashed again. Jennifer Lee Carrell transports readers back to the early eighteenth century to tell the tales of Lady Mary Wortley Montagu and Dr. Zabdiel Boylston, two iconoclastic figures who helped save London and Boston from the deadliest disease mankind has known.