A penetrating analysis of the real-photo postcard phenomenon of the early 1900s. These cards depict the now vanished world of small-town America, but also represent a pivotal stage in the evolution of photography. Their head-on style inherits something of the plain aesthetic of the Civil War photographers, while anticipating the great 1930s documentary artists such as Walker Evans. Fusing his skills as a chronicler of early 20th-century America, a historian of photography and a keen critic, Sante shows how these postcards offer a revealing 'self-portrait of the American nation'.

'Snapshot Chronicles' is a visual exploration of the creative outpouring made possible by the camera.

Fifty photographers chronicle moments in the lives of a wide diversity of American women--their daily lives, challenges, and roles in society--in a compilation accompanied by essay-length personal profiles, narrative captions, and quotations.

The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs

This book of photography represents National Geographic's Photo Ark, a major cross-platform initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals -- especially those that are endangered. His message: to know these animals is to save them. Sartore intends to photograph every animal in captivity in the world. He is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. He has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the prose of veteran wildlife writer Douglas Chadwick, this book presents an argument for saving all the species of our planet.

American Origami? is the result of six years of photographic research by Andres Gonzalez. The project closely examines the epidemic of mass shootings in American schools, interweaving first-person interviews, forensic documents, press materials, and original photographs. The book takes its reader through a visual journey of shared grief and atonement to illuminate moments of beauty and pose moral questions embedded in acts of collective healing. Bound in a unique way, the varied elements repeat and fold into each other, creating a parallel world of past and present, and showing the silenced landscape together with the personal artefacts created by those left behind.

A personal search for belonging, as well as a commentary on the rural small towns in the U.S.