Many scholars are convinced that The Holy Chalice of Valencia is the Holy Grail, celebrated in medieval legends as it was venerated by monks in the secluded Monastery of San Juan de la Peña, built into a rocky outcropping of the Spanish Pyrenees. The tradition of Aragón has always insisted that the flaming agate cup of the Holy Chalice was sent to Spain by St. Laurence, the glorious Spaniard martyred on a gridiron during the Valerian persecution in Rome in 258 AD. Now there is new evidence: A sixth-century manuscript written in Latin by St. Donato, an Augustinian monk who founded a monastery in the area of Valencia, provides never-before-published details about Laurence, born in Valencia but destined for Italy, where he became treasurer and deacon of the Catholic Church under Pope Sixtus II. It explicitly mentions the details surrounding the transfer of the Holy Cup of the Last Supper to Spain. Janice Bennett acquaints the reader with the enthralling story of the Holy Chalice, the renowned relic that embarked from the Last Supper on an amazing pilgrimage that providentially ended in the Cathedral of Valencia, a miraculous odyssey that has been characterized by danger, greed, martyrdom and fire. It is a fascinating and captivating account that will dispel forever the erroneous notion that the famous relic was ever lost. The mythical Quest for the Holy Grail is now over. Includes 20 pages of color illustrations.

Towards the end of the twelfth century, powerful images of laughing kings and saints began to appear in texts circulating at the English royal court. At the same time, contemporaries began celebrating the wit, humour, and laughter of King Henry II (r.1154-89) and his martyred Archbishop of Canterbury, Saint Thomas Becket (d.1170). Taking a broad genealogical approach, Laughter and Power in the Twelfth Century traces the emergence of this powerful laughter through an immersive study of medieval intellectual, literary, social, religious, and political debates. Focusing on a cultural renaissance in England, the study situates laughter at the heart of the defining transformations of the second half of the 1100s. With an expansive survey of theological and literary texts, bringing a range of unedited manuscript material to light in the process, Peter J. A. Jones exposes how twelfth-century writers came to connect laughter with spiritual transcendence and justice, and how this connection gave humour a unique political and spiritual power in both text and action. Ultimately, Jones argues that England's popular images of laughing kings and saints effectively reinstated a sublime charismatic authority, something truly rebellious at a moment in history when bureaucracy and codification were first coming to dominate European political life.

Best known for his historical writings ('Deeds of the Bishops' and 'Deeds of the Kings of England'), William of Malmesbury was also a biblical commentator, hagiographer and classicist. He was probably the best read of all 12th century men of learning; this work studies his intellectual achievement.

"Jesus never existed." "The Bible is a book of fairy tales." "Accounts of Christian persecution are fables." Christians of today face ridiculous claims of this type on a regular basis. These charges gain traction in the modern world because the average person has practically no knowledge of the Church's ancient past. I Am A Christian: Authentic Accounts of Christian Martyrdom and Persecution from the Ancient Sources aims to remedy this deficiency. The works collected in this book represent some of the most trustworthy first-hand accounts of the triumphs and travails of the early Church that have survived antiquity. These include several authentic transcripts of Roman legal proceedings against Christians, along with obscure but fascinating historical works that are unfamiliar to even the most informed Christians of today. In several cases, readers will be presented with the actual words of the martyrs themselves. In others, they will read accounts penned by eye-witnesses or authors writing within the living memory of the events themselves. Taken together, these works form a glorious record of early Christian zeal and fortitude in the face of aggressive state persecution. When reading them, one notices a common refrain: when questioned, the accused would cry out: “I am a Christian,” which was the equivalent of saying, “I am guilty as charged.” In an era when such an admission carried a death sentence, these authentic testimonies provide a convincing answer to modern skeptics who will find them as baffling as did the ancient Roman emperors, proconsuls and magistrates of nearly two millennia ago.

Deepen your journey into the unforgettable film, The Passion of The Christ. In this authorized, behind-the-scenes look at the movie, Fr. John Bartunek, L.C., provides biblical, historical, and theological insights gleaned from hours spent on the set and interviews with the director, actors, and filmmaking crew. Inside The Passion is the most complete and thorough commentary on the movie you will read.

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In 1921, Anton Baumstark delivered two lectures on the development of the Roman Rite to a gathering at the Abbey of Maria Laach. Abbot Ildefons Herwegen offered to publish those lectures, but Baumstark decided to write a book on the topic instead, which was published two years later as On the Historical Development of the Liturgy. It would be another sixteen years before he produced Comparative Liturgy, for which he is better known. Together the two books lay out Baumstark's liturgical methodology. Comparative Liturgy presents his method; On the Historical Development of the Liturgy offers his model. For nearly a century, On the Historical Development of the Liturgy has been valued by specialists in the field of liturgical studies, both for its description of comparative liturgy and for the portrayal of patterns Baumstark discerns in liturgical development. Also significant are the hypotheses Baumstark proposes and the evidence he brings to bear on problems in liturgical history. In this annotated edition, Fritz West provides the first English translation of this work by Anton Baumstark.