Raised in Egypt, the son of an English lord returns to London for revenge but instead finds love when he meets an enchanting beauty in a brothel. Original.

In this action-adventure fantasy, young Prince Sing must overcome monstrous obstacles to help his clan return to their homeland. The Wong Clan must leave their ruined homeland for a better life in the mythical Old Land, but to get there they must follow the dragon path, where their sworn enemies, the Dragon Tribe, rule. During a surprise attack, Prince Sing is separated from his clan. With the help of Ming, a powerful mystic from the Old Land, and Midnight, a monstrous warrior beast, Prince Sing must do all he can to save both his family and the Dragon Tribe from mutual destruction.

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.

Everything Vero has trained for in the Ether has led to this. In the third and final book of Laurice E. Molinari’s Ether series, the young guardian angel Vero is given the quest of locating the Book of Raziel—which was lost when Adam was forced to leave the garden of Eden. And not even Raziel himself knows where the book is now. It soon becomes clear, however, that Lucifer is intent on finding the book for his own means. When the C.A.N.D.L.E. library in the Ether is missing the information he needs, Vero, his sister, and his best friend, Tack, discover the clues to the book’s whereabouts may be right in front of them on Earth—and that Vero’s father’s new assignment in Sri Lanka may be no coincidence. As their quest begins in earnest, the lines between good and evil begin to blur. Vero will need to use every ounce of his training to take on not only the Devil and his hordes, but also Lilith, who may be lurking closer than anyone thinks.

A collection of essays on the Deresthai culture with accompanying extracts from the Dragon Court archives comprising the official history of the Dragon peoples.

From the fire-breathing beasts of North European myth and legend to the Book of Revelation’s Great Red Dragon of Hell, from those supernatural agencies of imperial authority in ancient China to the so-called dragon-women who threaten male authority, dragons are a global phenomenon, one that has troubled humanity for thousands of years. These often scaly beasts take a wide variety of forms and meanings, but there is one thing they all have in common: our fear of their formidable power and, as a consequence, our need either to overcome, appease, or in some way assume that power as our own. In this fiery cultural history, Martin Arnold asks how these unifying impulses can be explained. Are they owed to our need to impose order on chaos in the form of a dragon-slaying hero? Is it our terror of nature, writ large, unleashed in its most destructive form? Or is the dragon nothing less than an expression of that greatest and most disturbing mystery of all: our mortality? Tracing the history of ideas about dragons from the earliest of times to Game of Thrones, Arnold explores exactly what it might be that calls forth such creatures from the darkest corners of our collective imagination.

Thousands of years ago four brothers were born to the demi-god Perseus. A prophecy recovered from the ruins at Delphi bears the last remaining inscription of their existence: Water-Alecto, Earth-Xenophon, Wind-Idus, and Fire-Irgen. One final word was scratched and worn, almost to the point of oblivion. It answered the question-what happens when Earth, Wind, Water, and Fire rise up against the gods? What happens when demi-gods gain the power of the gods? And what happens now that the fate of the world is to be decided by two young brothers? The answer-Chaos.

An entertaining tour of Old English words for animals, from the author of The Wordhord: Daily Life in Old English, which Neil Gaiman called “a delightful book” Many of the animals we encounter in everyday life, from pets and farm animals to the wild creatures of field and forest, have remained the same since medieval times. But the words used to name and describe them have often changed beyond recognition, starting with the Old English word for “animal” itself, deor (pronounced DAY-or). In The Deorhord, Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling. From gange-wæfran or walker-weavers (spiders) and hasu-padan or grey-cloaked ones (eagles) to heafdu swelce mona or moon-heads (historians still don’t know!), The Deorhord introduces a world both familiar and strange: where ants could be monsters and panthers could be your friends, where dog-headed men were as real as elephants, and where whales were as sneaky as wolves. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago. A delightful journey through the weird and wonderful world of Old English, The Deorhord is a magical menagerie of new creatures and new words for the modern englisc reader to discover.

Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years. The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies. This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.