'A glorious green adventure story.' Ann Treneman, The Times 'Books of the Year' 'The most enthralling historical book I’ve read this year.' Claire Tomalin, New Statesman 'Books of the year' Daringly innovative when it opened in 1848, the Palm House in Kew Gardens remains one of the most beautiful glass buildings in the world today. Seemingly weightless, vast and yet light, the Palm House floats free from architectural convention, at once monumental and ethereal. From a distance, the crowns of the palms within are silhouetted in the central dome; close to, banana leaves thrust themselves against the glass. To enter it is to enter a tropical fantasy. The body is assaulted by heat, light and the smell of damp vegetation. In Palace of Palms, Kate Teltscher tells the extraordinary story of its creation and of the Victorians’ obsession with the palms that filled it. It is a story of breathtaking ambition, of scientific discovery and, crucially, of the remarkable men whose vision it was. The Palm House was commissioned by the charismatic first Director of Kew, Sir William Hooker, designed by the audacious Irish engineer, Richard Turner, and managed by Kew’s forthright curator, John Smith, who battled with boilers and floods to ensure the survival of the rare and wondrous plants it housed.

Early in the 1900s, one-time oil baron Henry Morrison Flagler took interest in the Southern coast of Florida and began developing an exclusive resort community. Establishing a railroad that would allow easier access to the area, he went on to build two hotels—his hope was that America’s first families would come to populate the area. This modest community would later evolve into an iconic American destination, hosting British royalty, American movie stars, and becoming the home-away-from-home to some of the country’s leading families. As the century continued, Palm Beach established itself as a luxury hideaway synonymous with old-world glamour and new-world sophistication. In this splendid volume, longtime resident and Palm Beach social fixture Aerin Lauder takes us through her Palm Beach. From favorite restaurants like Nandos and Renatos, to favorite houses like La Follia and Villa Artemis, she takes us to the elite shopping of Worth Avenue and the scenic walkways of the Lake Worth trail, all the while relating to us the histories, faces, and places that have become so identified with Palm Beach.

Glass House of Dreams celebrates the City of Baltimore's landmark Victorian glass palace, one of the surviving architectural treasures in historic Druid Hill Park. An extensive collection of original lithographic postcards illustrate the history of this 1888 botanical conservatory, the second oldest glass house in America. The book's author, Margaret Haviland Stansbury, is founder of the non-profit Baltimore Conservatory Association that worked with the City to bring this Victorian jewel back to life. The original Palm House featuring 175 glass windows, many of them curved, is once again packed with exotic flora from around the world. The real excitement of this book is a portfolio of stunning new photographs by David Simpson. Simpson's cutting-edge photographs not only capture the elegance of this architectural gem, but also present us with intimate images that portray the beauty of its individual plants and flowers. This book, celebrating the past, present and future of The Howard Peters Rawlings Conservatory and Botanic Gardens, will be released in Fall 2010.

This early childhood book is written from a mother's point of view with the purpose of helping children with hearing loss and their families at the critical mainstream stage. There is an emphasis through the different components in the book for broader understanding of hearing loss such as how classroom tactics and facilitation of communication at the educational level help. When young children get exposed to differences in others, they learn tolerance, empathy and create new ways of learning. For the educators, they will have in their hands a tool to start conversations with their students about hearing loss.

Bestselling author and journalist Sathnam Sanghera explores the global legacy of the British Empire, and the ways it continues to influence economics, politics, and culture around the world. 2.6 billion people are inhabitants of former British colonies. The empire's influence upon the quarter of the planet it occupied, and its gravitational influence upon the world outside it, has been profound: from the spread of Christianity by missionaries to the shaping international law. Even today, 1 in 3 people drive on the left hand side of the road, an artifact of the British empire. Yet Britain's idea of its imperial history and the world's experience of it are two very different things. ­­Following in the footsteps of his bestselling book Empireland: How Imperialism Has Shaped Modern Britain, Empireworld explores the ways in which British Empire has come to shape the modern world Sanghera visits Barbados, where he uncovers how Caribbean nations are still struggling to emerge from the disadvantages sown by transatlantic slavery. He examines how large charities--like Save the Children and the World Bank--still see the world through the imperial eyes of their colonial founders, and how the political instability of nations, such as Nigeria, for instance, can be traced back to tensions seeded in their colonial foundations. And from the British Empire's role in the transportation of 12.5 million Africans during the Atlantic slave trade, to the 35 million Indians who died due to famine caused by British policy, the British Empire, as Sanghera reveals, was responsible for some of the largest demographic changes in human history. Economic, legal and political systems across the world continue to function along the lines originally drawn by the British Empire, and cultural, sexual, psychological, linguistic, demographic, and educational norms originally established by imperial Britons continue to shape our lives. British Empire may have peaked a century ago, and it may have been mostly dismantled by 1997, but in this major new work, Sathnam Sanghera ultimately shows how the largest empire in world history still exerts influence over planet Earth in all sorts of silent and unsilent ways.

Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how people, over many centuries and in many lands, have expressed their originality by devoting themselves to cultivation and conservation. During a visit to the Abby Aldrich Rockefeller Garden in Seal Harbor, Maine, Deitz first came to appreciate the notion that landscape architecture can be as intricately conceived as any major structure and is, indeed, the means by which we redeem the natural environment through design. Years later, as she wandered through the gardens of Versailles, she realized that because gardens give structure without confinement, they encourage a liberation of movement and thought. In Of Gardens, we follow Deitz down paths of revelation, viewing "A Bouquet of British Parks: Liverpool, Edinburgh, and London"; the parks and promenades of Jerusalem; the Moonlight Garden of the Taj Mahal; a Tuscan-style villa in southern California; and the rooftop garden at Tokyo's Mori Center, among many other sites. Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."

Surrey's architecture is a constantly surprising mix of the rural and urban with many of its most important buildings, such as the seventeenth-century Ham House, found amongst the outgrowth of London itself. The landscape gardens of Painshill and Claremont attest to Surrey's popularity in the eighteenth century and the county's enthusiasm for follies and remarkable garden buildings. More recent architecture includes notable early works by Lutyens, with gardens by Gertrude Jekyll, inspired by the rich stock of late medieval farmhouses and tile-hung cottages in the county's southern villages. Among interwar suburban housing there are some exceptional Modernist homes, such as The Homewood by Patrick Gwynne. Church architecture in Surrey includes work by all of the great names of the Gothic Revival; not least of its surprises is the luminous and spacious interior of Guildford Cathedral.

The Vital Landscape explores the arrival of the biological sciences - most notably the sciences oflife entailed in studies of botany and zoology, ecology and evolutionary science, physiology and psychology - in the nineteenth century and their impact on architecture and landscape architecture in Great Britain. Specifically, the book explores the idea of the contrived or artificial environment as an object of both scientific speculation and aesthetic reflection. Unlike specialist histories of biological science or environmental thought, this book is unique in locating one source for present-day concerns for the environment and human well-being in debates over proper housing and the growing popularity of domestic and public gardens in the nineteenth century. The book skilfully interweaves architecture and garden history, the history and philosophy of science, plant and animal physiology and human psychology, works of literature, popular science and domestic economy in a story that opens new opportunities for the study of architecture and gardens.

In this "raucous, moving, and necessary" story by a Pulitzer Prize finalist (San Francisco Chronicle), the De La Cruzes, a family on the Mexican-American border, celebrate two of their most beloved relatives during a joyous and bittersweet weekend. "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank. "Epic . . . Rambunctious . . . Highly entertaining." -- New York Times Book Review"Intimate and touching . . . the stuff of legend." -- San Francisco Chronicle"An immensely charming and moving tale." -- Boston GlobeNational Bestseller and National Book Critics Circle Award finalistA New York Times Notable BookOne of the Best Books of the Year from National Public Radio, American Library Association, San Francisco Chronicle, BookPage, Newsday, BuzzFeed, Kirkus, St. Louis Post-Dispatch, Literary Hub

London 2: South is a uniquely comprehensive guide to the twelve southern boroughs. Its riverside buildings range from the royal splendours of Hampton Court and Greenwich and the Georgian delights of Richmond, to the monuments of Victorian commerce in Lambeth and Southwark. But the book also charts lesser known suburbs, from former villages such as Clapham to still rural, Edwardian Chislehurst, as well as the results of twentieth-century planners' dreams from Roehampton to Thamesmead. Full accounts are given of London landmarks as diverse as Southwark Cathedral, Soane's Dulwich Picture Gallery and the arts complex of the South Bank. The outer boroughs include diverse former country houses - Edward IV's Eltham Palace, the Jacobean Charlton House, and the Palladian Marble Hill. The rich Victorian churches and school buildings are covered in detail, as are the exceptional structures of Kew Gardens.