Jeffrey Meyers tells the extraordinary story of Samuel Johnson one of the most illustrious figures of English literary tradition. Johnson was famous as a poet, novelist, biographer, essayist, critic, editor, lexicographer, conversationalist and larger than life personality. After nine years of work Johnson's, 'A dictionary of the English Language, was published in 1755. He overcame great adversity to achieve success. 'The Struggle' is a masterful portrait of a brilliant and tormented figure.

Uncovers African influences on the Western imagination during the eighteenth century, paying particular attention to the ways Ethiopia inspired and shaped the work of Samuel Johnson.

The first new biography for a generation of one of the great figures of English literature Poet, essayist, biographer, lexicographer, critic, conversationalist and wit, Dr Johnson is one of the great figures of English literature, perhaps the most quoted English writer after Shakespeare. Our view of Johnson has been overwhelmingly shaped by James Boswell's Life of Samuel Johnson, published in 1791, the most famous biography in the English language. But invaluable as Boswell is as a source, he should not be the last word. This new biography illuminates the Johnson that Boswell never knew: the awkward youth, the unsuccessful schoolmaster, the eccentric marriage, his early years in London in the 1740s scratching a living, the epic struggle to produce the Dictionary. Very much the outsider, rather than the supremely confident dispenser of robust common sense. Using material unknown to previous biographers, Peter Martin describes the psychological knife-edge on which Johnson felt he lived, caused by his severe melancholia and his physical diseases. He explores Johnson's role in the publishing and printing world of the time and he reveals how important women were to Johnson throughout his life. The Samuel Johnson that emerges from this enthralling biography is still the foremost figure of his age but a more rebellious, unpredictable and sympathetic figure than the one that Boswell so memorably portrayed.

European literary history teems with prejudices. Nowhere perhaps is bias more evident than in the field of Anglo-French relations of the eighteenth century. In England looms the formidable figure of Samuel Johnson, while the French-speaking world is dominated by Rousseau, Voltaire, and Diderot. Samuel Johnson thought little of Voltaire and never mentioned Diderot. That he wanted to banish Rousseau to the American colonies is well known. All three men were, in Johnson's mind, infidels to the Christian order of society. In Samuel Johnson and Three Infidels, Mark Temmer reevaluates dogmatic views and critical commonplaces that have encrusted these relationships by comparing representative works of the three Continental authors to corresponding works and realities embodied and created by Samuel Johnson. After reviewing existing harmonies and dissonances between France and England, Temmer turns to the lives of Johnson and Rousseau, interpreting them as ontological masterpieces made visible mainly in Rousseau's Confessions and in biographies of Johnson by James Boswell and Hester Piozzi, both of whom insist on remarkable affinities between the two men. In the words of Mrs. Piozzi, they were "alike as sensations of frost and fire." Despite their opposing doctrines, Temmer reveals a pietism in Rousseau that often matches in intensity Johnson's otherworldly yearnings. Temmer moves from this comparison into a discussion of Candide and Rasselas, works published within months of each other in 1759. Integrating Voltaire's satire and Johnson's moral tale into the philosophical history of the age, Temmer goes on to uncover shared moments of laughter and music, ringing out against the gray background of a life in which, for both men, "much is to be endured and little to be enjoyed." Finally, exploring Johnson's Life of Richard Savage and Diderot's Le Neveu de Rameau, Temmer suggests the strong possibility that Diderot's masterpiece may have been influenced by Johnson's biography as well as by Savage's own An Author to be Lett. In this book, Temmer moves beyond the boundaries that have traditionally defined eighteenth-century scholarship on either shore of the English Channel. Creating a cross-cultural conversation bounded only by the lives and interests of his subjects, Temmer relates Johnson to Continental literature and defines his innovative role in a tradition that leads to Hegel, Dostoevsky, and Nietzsche.

A one-volume collection of the prose and poetry of eighteenth-century Britain’s pre-eminent lexicographer, critic, biographer, and poet Samuel Johnson Samuel Johnson was eighteenth-century Britain’s preeminent man of letters, and his influence endures to this day. He excelled as a moral and literary critic, biographer, lexicographer, and poet. This anthology, designed to make Johnson’s essential works accessible to students and general readers, draws its texts from the definitive Yale Edition of the Works of Samuel Johnson. In most cases, texts are included in full rather than excerpted. The anthology includes many essays from The Rambler and other periodicals; Rasselas; the prefaces to Johnson’s Dictionary and his edition of Shakespeare; the complete Lives of Cowley, Milton, Pope, Savage, and Gray, as well as generous selections from A Journey to the Western Islands of Scotland. Some parts are arranged thematically, allowing readers to focus on such topics as religion, marriage, war, and literature. The anthology includes a biographical introduction, and its ample annotation updates and enlarges the commentary in the Yale Edition.

Samuel Johnson is a writer of such significance that his era — the second half of the 18th century — is known as the Age of Johnson. Starting out as a Grub Street journalist, he made his mark on history as a poet, author, moralist, literary critic, political commentator, and lexiconographer. We, as moderns, need to know this man, and W. Jackson Bate's formidable biography, with its uncanny depth and empathy, is the book that makes that happen. Professor W. Jackson Bate is a lyrical writer who deftly explains the effect Johnson has had on scholars, critics, and readers of all kinds through the past 200 years: "The reason Johnson has always fascinated so many people of different kinds," Bate writes, "is not simply that [he] is so vividly picturesque and quotable . . . The deeper secret of his hypnotic attraction, especially during our own generation, lies in the immense reassurance he gives to human nature." Bate delves deep into the character that formed Johnson's intellect and fueled his prodigious contribution to literature, religion, politics, and our understanding of the nature of humankind, revealing the fascinating nature — both odd and adored — of this literary luminary.

Lackbrain, oysterwench, wantwit, clotpoll--Samuel Johnson's famous dictionary of 1755 contained some of the ripest insults in the English language. In Samuel Johnson's Insults, Jack Lynch has compiled more than 300 of the curmudgeonly lexicographer's mightiest barbs, along with definitions only the master himself could elucidate. Word lovers will delight in flexing their linguistic muscles with devilishly descriptive vituperations that pack a wicked punch. Many of these zingers have long lain dormant. Some have even come close to extinction. Now they're back in all their prickly glory, ready to be relished once more.