This text originated as a lecture delivered November 20, 1984, at Queen's University, in the undergraduate colloquium series established to honour Professors A. J. Coleman and H. W. Ellis and to acknowledge their long-lasting interest in the quality of teaching undergraduate students. In another colloquium lecture, my colleague Morris Orzech, who had consulted the latest edition of the Guinness Book oj Records, reminded me very gently that the most "innumerate" people of the world are of a certain tribe in Mato Grosso, Brazil. They do not even have a word to express the number "two" or the concept of plurality. "Yes Morris, I'm from Brazil, but my book will contain numbers different from 'one.' " He added that the most boring 800-page book is by two Japanese mathematicians (whom I'll not name), and consists of about 16 million digits of the number 11. "I assure you Morris, that in spite of the beauty of the apparent randomness of the decimal digits of 11, I'll be sure that my text will also include some words." Acknowledgment. The manuscript of this book was prepared on the word processor by Linda Nuttall. I wish to express my appreciation for the great care, speed, and competence of her work. Paulo Ribenboim CONTENTS Preface vii Guiding the Reader xiii Index of Notations xv Introduction Chapter 1. How Many Prime Numbers Are There? 3 I. Euclid's Proof 3 II.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

In 1991, Snezana Zabic lost her homeland and most of her family's book and record collection during the Yugoslav Wars that had been sparked by Slobodan Milosevic's relentless pursuit of power. She became a teenage refugee, forced to flee Croatia and the atrocities of war that had leveled her hometown of Vukovar. She and her family remained refugees in Serbia until NATO bombed Belgrade in 1999. After witnessing the first nights of NATO's bombing, Zabic took flight again. She moved from country to country, city to city, finally settling in Chicago. She realized - reluctantly, because she didn't want to relive the past - that she had to write about what had happened, what she had left behind, and what she had lost. Broken Records is the story of this loss, told with unflinching honesty, free of sentimentality or sensationalism. For the very first time, we learn how it felt to be first a regular teenager during the breakup of Yugoslavia and the ensuing wars, and then a 30-something adult, perennially troubled by one's uprooted existence. Broken Records is not a neat narrative but a bit of everything - part bildungsroman, part memoir, part political poetry, part personal pop culture compendium. And while Zabic represents a Yugoslav diasporan subject, her book also belongs to an international generation whose formative years straddle the Cold War and the global reconfiguration of wealth and power, whose lives were spent shifting from the vinyl/analog era to the cyber/digital era. This generation knows that when they were told about history ending, they were told a lie.

This history of the LP is a must-have for any music connoisseur! When vinyl LP records took over the music industry in the late 1950s, a new era began. No longer bound by the time constraints of the shellac 78s that had been in use since the 1910s, recording artists could now present an entire album—rather than a lone three-minute single—on a vinyl LP, giving listeners a completely new way to experience their music. In recent years, vinyl has found a second life as an art form, collected and appreciated by music connoisseurs across the world. Vinyl: The Art of Making Records examines the origins of the vinyl format and its evolution throughout the 20th century, and also provides an in-depth look at how vinyl LPs are manufactured and packaged—often with striking artwork that makes them beloved by music enthusiasts today. Also included are four removable art prints, each representing a sample of album covers from the 1960s, 1970s, 1980s, and 1990s.

This text originated as a lecture delivered November 20, 1984, at Queen's University, in the undergraduate colloquium senes. In another colloquium lecture, my colleague Morris Orzech, who had consulted the latest edition of the Guinness Book of Records, reminded me very gently that the most "innumerate" people of the world are of a certain trible in Mato Grosso, Brazil. They do not even have a word to express the number "two" or the concept of plurality. "Yes, Morris, I'm from Brazil, but my book will contain numbers different from ·one.''' He added that the most boring 800-page book is by two Japanese mathematicians (whom I'll not name) and consists of about 16 million decimal digits of the number Te. "I assure you, Morris, that in spite of the beauty of the appar ent randomness of the decimal digits of Te, I'll be sure that my text will include also some words." And then I proceeded putting together the magic combina tion of words and numbers, which became The Book of Prime Number Records. If you have seen it, only extreme curiosity could impel you to have this one in your hands. The New Book of Prime Number Records differs little from its predecessor in the general planning. But it contains new sections and updated records.

"Resurrection: How Record Store Day Led to the Most Improbable Comeback of the 21st Century provides the official inside story on how Record Store Day managed to revive the vinyl format from oblivion over the past fifteen years. Based on original reporting of more than fifty record industry professionals, this is the first full account of how a global holiday prompted vinyl to grow exponentially since 2008 and was not deterred by a two-year pandemic. Resurrection is sure to appeal to record collectors who line up the night before in a quest to snare limited-edition collectibles on vinyl, and also captures the important role that independent record stores play in their communities"--

A Hudson Booksellers Best Non-Fiction Book of the Year, with foreword by Wilco's Jeff Tweedy High Fidelity meets Killing Yourself to Live when one man searches for his lost record collection. As he finds himself within spitting distance of middle-age, journalist Eric Spitznagel feels acutely the loss of… something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records: The Bon Jovi record with his first girlfriend's phone number scrawled on the front sleeve. The KISS Alive II he once shared with his little brother. The Replacements Let It Be he’s pretty sure, 20 years later, would still smell like weed. As he embarks on his hero's journey, he reminisces about the actual records, the music, and the people he listened to it with—old girlfriends, his high school pals, and, most poignantly, his father and his young son. He explores the magic of music and memory as he interweaves his adventures in record-culture with questions about our connection to our past, the possibility of ever recapturing it, and whether we would want to if we could. "Memories are far more indelible when married to the physical world, and Spitznagel proves the point in this vivid book. We love vinyl records because they combine the tactile, the visual, the seeable effects of age and care and carelessness. When he searches for the records he lost and sold, Spitznagel is trying to return to a tangible past, and he details that process with great sensitivity and impact."—Dave Eggers, New York Times bestselling author of The Circle

"Largest collection of American private press vinyl ever amassed and presented, featuring over one thousand cover reproductions. Ranging from Lesbian Folk to Psychedelic Disco, Awkward Teen Pop Combos to Pizza Parlor Organists, Religious Cult Leaders to Swank Sinatra Imitators, the sincerity and vulernability of the artists on display unifies them as a forceful American cultural experience standing in juxtaposition to mainstream."--(p.4) of cover.

Features the "defaced" art of vinyl record covers gathered from bargain bins in and around Los Angeles. Presented here as an expression of "folk art" in the form of altered commercial art in wide range of subcategories, from really thought-out artful to just blatently disrespectful