The Naturalist on the River Amazons, subtitled A Record of the Adventures, Habits of Animals, Sketches of Brazilian and Indian Life, and Aspects of Nature under the Equator, during Eleven Years of Travel, is an 1863 book by the British naturalist Henry Walter Bates about his expedition to the Amazon basin. Bates and his friend Alfred Russel Wallace set out to obtain new species and new evidence for evolution by natural selection, as well as exotic specimens to sell. He explored thousands of miles of the Amazon and its tributaries, and collected over 14,000 species, of which 8,000 were new to science. His observations of the coloration of butterflies led him to discover Batesian mimicry. The book contains an evenly distributed mixture of natural history, travel, and observation of human societies, including the towns with their Catholic processions. Only the most remarkable discoveries of animals and plants are described, and theories such as evolution and mimicry are barely mentioned. Bates remarks that finding a new species is only the start; he also describes animal behaviour, sometimes in detail, as for the army ants. He constantly relates the wildlife to the people, explaining how the people hunt, what they eat and what they use as medicines. The book is illustrated with drawings by leading artists including E. W. Robinson, Josiah Wood Whymper, Joseph Wolf and Johann Baptist Zwecker. On Bates's return to England, he was encouraged by Charles Darwin to write up his eleven-year stay in the Amazon as a book. The result was widely admired, not least by Darwin; other reviewers sometimes disagreed with the book's support for evolution, but generally enjoyed his account of the journey, scenery, people, and natural history. The book has been reprinted many times, mostly in Bates's own effective abridgement for the second edition, which omitted the more technical descriptions. the best book of Natural History Travels ever published in England — Charles Darwin

Science always raises more questions than it can contain. These acclaimed and challenging essays explore how ideas are transformed as they come under the stress of unforeseen readers. Using a wealth of material from diverse nineteenth- and twentieth-century writing, Gillian Beer tracks encounters between science, literature, and other forms of emotional experience. Her analysis discloses issues of chance, gender, nation, and desire. A substantial group of essays centres on Darwin and the incentives of his thinking from language theory to his encounters with Fuegians. Other essays include Hardy, Helmholtz, Hopkins, Clerk Maxwell, and Woolf. The collection throws a different light on Victorian experience and the rise of modernism, and engages with current controversies about the place of science in culture.

This is the epic, true and long overdue story of the young explorer who put forward the first ever case for the creation of a new species, providing what Charles Darwin called the "beautiful proof" for Natural Selection. The major discovery of Batesian Mimicry was developed from Bates's fascinating 11-year journey and study of butterflies in the Amazon rainforest. He noted how certain animals adopt the look of others to deceive predators and gain an advantage to survive. Little known to the public, Bates made other crucial contributions to biology: he collected over 14,000 specimens, of which over 8,000 were new to science at the time. He went on to become the administrator for the Royal Geographical Society and transformed it into an institution which combined exploration with academic research, and was responsible for placing geography on the school curriculum. This important book reassesses Bates's life and finally places both the man and his work in their rightful place alongside the other greats.

Winner of the 2000 American Studies Network Prize and the Literature and Language Award from the Association of American Publishers, Inc. Early American naturalists assembled dazzling collections of native flora and fauna, from John Bartram’s botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale’s museum to P. T. Barnum’s American Museum, infamously characterized by Henry James as “halls of humbug.” Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America’s rich biodiversity. They also turned to writing and art, from John Edward Holbrook’s forays into the fascinating world of herpetology to John James Audubon’s masterful portraits of American birds. In this groundbreaking, now classic book, Christoph Irmscher argues that early American natural historians developed a distinctly poetic sensibility that allowed them to imagine themselves as part of, and not apart from, their environment. He also demonstrates what happens to such inclusiveness in the hands of Harvard scientist-turned Amazonian explorer Louis Agassiz, whose racist pseudoscience appalled his student William James. This expanded, full-color edition of The Poetics of Natural History features a preface and art from award-winning artist Rosamond Purcell and invites the reader to be fully immersed in an era when the boundaries between literature, art, and science became fluid.