When a violent storm levels his sleepy Middlewest town, Abel and his childhood companion, Fox, must hastily flee into a world of mystical carnies and soothsayer hobos, bridge trolls and wilderness spirits, endless forests and forgotten children. SKOTTIE YOUNG (Strange Academy, I HATE FAIRYLAND) and JORGE CORONA (NO. 1 WITH A BULLET, Feathers), with colorist JEAN-FRANCOIS BEAULIEU and letterer NATE PIEKOS, collect the complete Eisner Award-nominated tale of Abel, a boy who must navigate a strange and mysterious land in order to discover who he can become. Collects MIDDLEWEST #1-18, with exclusive bonus features!

During the American colonial period, what would become the Midwest was the "backcountry," or the area behind the coastal population centers. It was rural and rough, the sort of place that fueled populist resistance to the federal taxation of whiskey. At the time of the Revolution, it was The West, often undifferentiated between north and south and largely associated with Kentucky. In the early years of the republic, however, the regional differentiation deepened and grew until the latter half of the 19th century, when the Midwest emerged as a fully formed region. The essays in this book help explain this process of region-making. Contributors: Christa Adams Brie Swenson Arnold Terry A. Barnhart Michael Leonard Cox Wayne Duerkes Sara Egge Nicole Etcheson Edward O. Frantz Jacob K. Friefeld A. James Fuller Kenyon Gradert Joshua Jeffers Jason Lantzer David C. Miller Marcia Noe C.A. Norling Lisa Payne Ossian Barton E. Price Eric Michael Rhodes Gregory S. Rose Michael J. Sherfy Jason Stacy

America's first superheroes lived in the Midwest. There was Nanabozho, the Ojibway man-god who conquered the King of Fish, took control of the North Wind, and inspired Longfellow's The Song of Hiawatha. Paul Bunyan, the larger-than-life North Woods lumberjack, created Minnesota's 10,000 lakes with his giant footsteps. More recently, Pittsburgh steelworker Joe Magerac squeezed out rails between his fingers, and Rosie the Riveter churned out the planes that won the world's most terrible war. In Folktales and Legends of the Middle West, Edward McClelland collects these stories and more. Readers will learn the sea shanties of the Great Lakes sailors and the spirituals of the slaves following the North Star across the Ohio River, and be frightened by tales of the Lake Erie Monster and Wisconsin's dangerous Hodag. A history of the region as told through its folklore, music, and legends, this is a book every Midwestern family should own.

University of Iowa legend Willard L. “Sandy” Boyd is a proud middle westerner. His decades of service to the university began in 1954, when he arrived as a law professor. He later became president of the University of Iowa from 1969 to 1981, and led the school through times that were fraught not just for the university but for the country. During the intense polarization of the late sixties and early seventies, Sandy’s compassion and steady leadership ensured that dissent on campus would be honored and would not stop the university’s educational mission. He quickly became admired, not simply for his professional achievements but also for his personal integrity. His memoir, interspersed with personal wisdom gleaned over more than six decades of service and leadership, encapsulates Sandy’s shrewd yet optimistic view of the public university as an institution. At every stage in his life—in the U.S. Navy during World War II, while practicing law or teaching, and in leadership positions at Chicago’s Field Museum and the University of Iowa— Sandy relied on his principles of open disclosure, inclusiveness, and respect for differences to guide him on issues that matter. This chronicle of Sandy’s experiences throughout his life shows us the evolution both of the University of Iowa and of the nation writ large. More importantly, this book gives us a lens through which to examine our present situation, whether debating free speech on campus, the role of the arts and humanities in civil society, or the importance of funding for educational and cultural institutions.

The Midwest's one-room schools were, Fuller observes, the most democratic in the nation. Located in small, independent school districts, these schools virtually wiped out illiteracy, promoted democratic values, and opened up new vistas beyond the borders of their students' lives. Entire communities, Fuller shows, revolved around these schools. At various times they were used as churches, polling places, sites of political caucuses, and meeting halls for local organizations. But as America urbanized and the movement to consolidate took hold in rural counties, these little centers of learning were left at the margins of the educational system. Some were torn down, some left to weather away, some sold at auction, and still others transformed into museums. Despite its demise, Fuller argues, here was a school system that worked. His book offers a timely reminder of what schools can accomplish when communities work closely together to educate their children.

In the century preceding World War I, the American Middle West drew thousands of migrants both from Europe and from the northeastern United States. In the American mind, the region represented a place where social differences could be muted and a distinctly American culture created. Many of the European groups, however, viewed the Midwest as an area of opportunity because it allowed them to retain cultural and religious traditions from their homelands. Jon Gjerde examines the cultural patterns, or "minds," that those settling the Middle West carried with them. He argues that such cultural transplantation could occur because patterns of migration tended to reunite people of similar pasts and because the rural Midwest was a vast region where cultural groups could sequester themselves in tight-knit settlements built around familial and community institutions. Gjerde compares patterns of development and acculturation across immigrant groups, exploring the frictions and fissures experienced within and between communities. Finally, he examines the means by which individual ethnic groups built themselves a representative voice, joining the political and social debate on both a regional and national level.

New York Times Bestseller A hilarious full-color guide to Midwestern culture, from comedian and journalist Charlie Berens, creator of the viral comedic series "The Manitowoc Minute" Have you ever had a goodbye lasting more than four hours? Do you lack the emotional capacity to say “I love you” so you just tell your loved ones to “watch out for deer”? Have you apologized to a stranger because she stepped on your foot? If you answered yes to any of these questions, there’s a good chance you’re a Midwesterner—or a Midwesterner at heart. Even if you answered no, you probably know someone who held the door for you from two football fields away. He likely waved at you and said, “Hey there,” like you organized the church bar crawl together. That was a Midwesterner in the wild. We understand that your interaction was strange—but it’s likely to get stranger. Don’t wait until they stick their head in your second-floor window to invite you over for a perch fry because they climbed on your roof to clean your gutters. There’s no need to pull the pepper spray; this species is helpful by nature. And the relationship could be very symbiotic—but only if you let it happen. And that’s where this book comes into play. Inspired by my comedy tours across the Midwest and life growing up in Wisconsin, this book is an exploration into my favorite region on Earth. Some may think the Midwest is just a bunch of bland flyover states filled with less diversity than a Monsanto monoculture. But scratch that surface with your buck knife and you’ll find rich cultures and traditions proving we’re more than just fifty shades of milk. So whether you’re a born-and-bred Midwesterner looking to sharpen your skill at apologies or a costal elite visiting the in-laws for the holidays, this book will help you navigate the Midwest, with everything from the best flannel looks to dating and mating rituals (yes, casserole is involved) to climbing the corporate corn silo to how to handle a four-way stop—and every backyard brat fry in between. And for those of you who don’t like reading, don’t worry—we’ve got pictures! Toss in illustrations, sidebars, quizzes, and jokes worthy of a supper club stall and The Midwest Survival Guide is just the walleye-deep look into this distinctive, beautiful, and bizarre American culture you’ve been looking for.

How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.

Winner of The Believer Book Award for Nonfiction "Meghan O'Gieblyn's deep and searching essays are written with a precise sort of skepticism and a slight ache in the heart. A first-rate and riveting collection." --Lorrie Moore A fresh, acute, and even profound collection that centers around two core (and related) issues of American identity: faith, in general and the specific forms Christianity takes in particular; and the challenges of living in the Midwest when culture is felt to be elsewhere. What does it mean to be a believing Christian and a Midwesterner in an increasingly secular America where the cultural capital is retreating to both coasts? The critic and essayist Meghan O'Gieblyn was born into an evangelical family, attended the famed Moody Bible Institute in Chicago for a time before she had a crisis of belief, and still lives in the Midwest, aka "Flyover Country." She writes of her "existential dizziness, a sense that the rest of the world is moving while you remain still," and that rich sense of ambivalence and internal division inform the fifteen superbly thoughtful and ironic essays in this collection. The subjects of these essays range from the rebranding (as it were) of Hell in contemporary Christian culture ("Hell"), a theme park devoted to the concept of intelligent design ("Species of Origin"), the paradoxes of Christian Rock ("Sniffing Glue"), Henry Ford's reconstructed pioneer town of Greenfield Village and its mixed messages ("Midwest World"), and the strange convergences of Christian eschatology and the digital so-called Singularity ("Ghosts in the Cloud"). Meghan O'Gieblyn stands in relation to her native Midwest as Joan Didion stands in relation to California - which is to say a whole-hearted lover, albeit one riven with ambivalence at the same time.

The American MidwestEssays on Regional History Edited by Andrew R. L. Cayton and Susan E. Gray Is there a Midwest regional identity? Read this lively exploration of the Midwestern identity crisis and find out. "Many would say that ordinariness is the Midwest's 'historic burden.' A writer living in Dayton, Ohio recently suggested that dullness is a Midwestern trait. The Midwest lacks grand scenery: 'Just cornfields, silos, prairies, and the occasional hill. Dull.' He tries to put a nice face on Midwestern dullness by saying that Midwesterners '[l]ike Shaker furniture... are plain in the best sense: unadorned.' Others have found Midwestern ordinariness stultifying. Neil LaBute, who makes films about mean and nasty people, said he was negative because he came from Indiana: 'We're brutally honest in Indiana. We realize we're in the middle of nowhere, and we're very sore about it.'" -- from Chapter Five, "Barbecued Kentuckians and Six-Foot Texas Rangers," by Nicole Etcheson. In a series of often highly personal essays, the authors of The American Midwest -- all of whom are experts on various aspects of Midwestern history -- consider the question of regional identity as a useful way of thinking about the history of the American Midwest. They begin with the assumption that Midwesterners have never been as consciously regional as Western or Southern Americans. They note the peculiar absence of the Midwest from the recent revival of interest in American regionalism among both scholars and journalists. These lively and well-written chapters draw on personal experiences as well as a wide variety of scholarship. This book will stimulate readers into thinking more concretely about what it has meant to be from the Midwest -- and why Midwesterners have traditionally been less assertive about their regional identity than other Americans. It suggests that the best place to find Midwesternness is in the stories the residents of the region have told about themselves and each other. Being Midwestern is mostly a state of mind. It is always fluid, always contested, always being renegotiated. Even the most frequent objection to the existence of Midwestern identity, the fact that no one can agree on its borders, is part of a larger regional conversation about the ways in which Midwesterners imagine themselves and their relationships with other Americans. Andrew R. L. Cayton, Distinguished Professor of History at Miami University in Oxford, Ohio, is author of numerous books and articles dealing with the history of the Midwest, including Frontier Indiana (Indiana University Press) and (with Peter S. Onuf) The Midwest and the Nation. Susan E. Gray, Associate Professor of History at Arizona State University, is author of Yankee West: Community Life on the Michigan Frontier as well as numerous articles about Midwest history. Midwestern History and CultureJames H. Madison and Andrew R. L. Cayton, editors July 2001256 pages, 6 1/8 x 9 1/4, index, append.cloth 0-253-33941-3 $35.00 s / £26.50 Contents The Story of the Midwest: An Introduction Seeing the Midwest with Peripheral Vision: Identities, Narratives, and Region Liberating Contrivances: Narrative and Identity in Ohio Valley Histories Pigs in Space, or What Shapes American Regional Cultures? Barbecued Kentuckians and Six-Foot Texas Rangers: The Construction of Midwestern Identity Pi-ing the Type: Jane Grey Swisshelm and the Contest of Midwestern Regionality "The Great Body of the Republic": Abraham Lincoln and the Idea of a Middle West Stories Written in the Blood: Race, Identity, and the Middle West The Anti-region: Place and Identity in the History of the American Middle West Midwestern Distinctiveness Middleness and the Middle West