A Century of X-Rays and Radioactivity in Medicine: With Emphasis on Photographic Records of the Early Years celebrates three great discoveries-x-rays (1895), radioactivity (1896), and radium (1898)-and recalls the pioneering achievements that founded the new science of radiology and changed the face of medicine forever. Over 700 historical illustrations with full and informative captions are supported by short introductory essays to illuminate the fascinating radiological past in an easy-to-read style. The focus of this book is on the historically more interesting early years of discovery, invention, diagnosis, therapy, dosimetry, risk, and protection. Interspersed with a variety of radiological anecdotes, the photographic record is complemented by archival accounts of the pioneer scientists and physicians and their early patients. In the chapters on diagnostic techniques, radiotherapy, and nuclear medicine, the author contrasts old methods with newer technologies. He also includes two fascinating chapters on museum and industrial applications of radiography. The book is comprehensively indexed for easy retrieval of the wide variety of people, techniques, apparatus, and examples featured throughout this radiological journey.

In 1890, Professor Arthur Willis Goodspeed, a professor of physics at Pennsylvania USA was working with an English born photographer, William N Jennings, when they accidentally produced a Röntgen Ray picture. Unfortunately, the significance of their findings were overlooked, and the formal discovery of X-rays was credited to Wilhelm Roentgen in 1895. The discovery has since transformed the practice of medicine, and over the course of the past 130 years, the development of new radiological techniques has continued to grow. The impact has been seen in virtually every hospital in the world, from the routine use of ultrasound for pregnancy scans, through to the diagnosis of complex medical issues such as brain tumours. More subtly, X-rays were also used in the discovery of DNA and in military combat, and their social influence through popular culture can be seen in cartoons, books, movies and art. Written by two radiologists who have a passion for the history of their field, The History of Radiology is a beautifully illustrated review of the remarkable developments within radiology and the scientists and pioneers who were involved. This engaging and authoritative history will appeal to a wide audience including medical students studying for the Diploma in the History of Medicine of the Society of Apothecaries (DHMSA), doctors, medical physicists, medical historians and radiographers.

In his Baptist History in England and America, David Beale illuminates numerous topics, including Baptist origins, their search for the ancient manner of immersion, and even the way they acquired the name Baptist. His book annotates key beliefs and practices in Baptist confessions of faith. Multiple chapters describe persecutions Baptists suffered, and contributions they made toward religious freedom and liberty of conscience. Striking a balance between brief and exhaustive, the author aims to inspire and to encourage, as well as to inform, in a precise and accurate manner. He provides in-depth coverage of numerous topics never mentioned in average surveys. Beale refutes the oft-repeated charge that key Baptist leaders were once Seekers, Levellers, Ranters, and Fifth Monarchists. The book is unique in the extent of its usage of local church records and numerous manuscripts in libraries at home and abroad. David Beale taught Baptist History (college and seminary) twice a year for thirty years at Bob Jones University and Seminary. Currently residing in Simpsonville, SC, he is active in his local church and dedicates his time to writing, speaking in churches, and conducting academic modules and seminars.

Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.

A full-scale study of the destruction of Oradour and its remembrance over the half century since the war. Farmer investigates the prominence of the massacre in French understanding of the national experience under German domination.

In Baghdad, an enormous monument nearly twice the size of the Arc de Triomphe towers over the city. Two huge forearms emerge from the ground, clutching two swords that clash overhead. Those arms are enlarged casts of those of Saddam Hussein, showing every bump and follicle. The "Victory Arch" celebrates a victory over Iran (in their eight-year-long war) that never happened. This text is a study of the interplay between art and politics - of how culture, normally an unquestioned good, can play into the hands of a power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism and shows how art can become the weapon of dictatorship. Under Saddam Hussein, culture connived in his evil - this text explains how. It should be useful reading for anyone concerned with the power of culture and the culture of power.