In "The Man of the Crowd" by Edgar Allan Poe, the narrator becomes obsessed with following a mysterious old man through the bustling streets of London, intrigued by his enigmatic presence. This pursuit reveals the complexity of human nature and the impenetrability of urban anonymity.

"We tend to think of Edgar Allan Poe as a loner, living in a world of his own imagination and detached from his physical environment. Poe might seem like a Nowhere Man, but of course he was always somewhere - just not at the same address for very long. The Man of the Crowd chronicles Poe's rootless life, focusing on the American cities where he lived the longest: Richmond, Baltimore, Philadelphia, and New York. The Poe who emerges in The Man of the Crowd is a man whose outlook and career were shaped by his physical environments - mostly urban and almost entirely American. His career was tied closely to the rise of American magazines, so he lived in the cities that produced them and wrote not just stories and poems but journalism and editorials with an urban magazine-reading public in mind. For years he witnessed urban slavery up close, living and working within a few blocks of slave jails and auction houses in Richmond. In Philadelphia, he saw an orderly, expanding city struggling to contain its own violent propensities. And at a time when suburbs were just beginning to offer an alternative to crowded city dwellings, Poe tried living cheaply on the then-rural Upper West Side of Manhattan and, later, in what is now the Bronx. Though Poe rarely provided "local color" in his fiction, his urban mysteries and claustrophobic tales of troubled minds and abused bodies reflect his experience living among soldiers, slaves, and immigrants"--

An investigation of the phenomenon of the framed formal center in literature of the last 180 years, illuminating both the works and correspondences among works of different genres, periods, and nations.

Winner of the 2020 Medici Prize for Foreign Novel From the award-winning author of the Man Booker Prize finalist Like a Fading Shadow, Antonio Muñoz Molina presents a flâneur-novel tracing the path of a nameless wanderer as he walks the length of Manhattan, and his mind. De Quincey, Baudelaire, Poe, Joyce, Benjamin, Melville, Lorca, Whitman . . . walkers and city dwellers all, collagists and chroniclers, picking the detritus of their eras off the filthy streets and assembling it into something new, shocking, and beautiful. In To Walk Alone in the Crowd, Antonio Muñoz Molina emulates these classic inspirations, following their peregrinations and telling their stories in a book that is part memoir, part novel, part chronicle of urban wandering. A skilled collagist himself, Muñoz Molina here assembles overheard conversations, subway ads, commercials blazing away on public screens, snatches from books hurriedly packed into bags or shoved under one’s arm, mundane anxieties, and the occasional true flash of insight—struggling to announce itself amid this barrage of data—into a poem of contemporary life: an invitation to let oneself be carried along by the sheer energy of the digital metropolis. A denunciation of the harsh noise of capitalism, of the conversion of everything into either merchandise or garbage (or both), To Walk Alone in the Crowd is also a celebration of the beauty and variety of our world, of the ecological and aesthetic gaze that can, even now, recycle waste into art, and provide an opportunity for rebirth.

»A Tale of the Ragged Mountains« is a short story by Edgar Allan Poe, originally published in 1844. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.

Scott Peeples here examines the many controversies surrounding the work and life of Poe, shedding light on such issues as the relevance of literary criticism to teaching, the role of biography in literary study, and the importance of integrating various interpretations into one's own reading of literature.

Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly

The Edgar Allan Poe Collection (2020) compiles several iconic works of short fiction and poetry by an icon of American literature. Recognized as a foundational figure of nineteenth century fiction, Poe has inspired generations of readers and writers with his craftsmanship and taste for tragedy and terror. His brief but meteoric career shaped the trajectory of American literature forever, forming a legacy without which science fiction, horror, and detective writing would surely be shells of themselves. In “The Fall of the House of Usher,” a man receives a distressing letter from an old friend requesting his presence at his family estate. There, Roderick Usher and his twin sister Madeline are found suffering from an unknown illness, and the narrator struggles to comfort them as signs of paranormal activity lead him to believe that the house itself is a living entity. “The Masque of the Red Death” is a timely work of Gothic fiction set in the abbey of a powerful prince. As the world outside suffers from a deadly plague, the prince decides to hold a masquerade for his wealthy friends and fellow nobles, unwittingly bringing death to his own fortunate doorstep. In “The Murders in the Rue Morgue,” a French detective summons the powers of analytical reasoning to investigate the deaths of two young women. Included in this collection are some of Poe’s most iconic poems, including “A Dream Within a Dream,” “The Raven,” and “Ulalume,” all of which remain indelible classics of Romantic verse, masterpieces of mystery, beauty, and slow-burning fear. With a beautifully designed cover and professionally typeset manuscript, this edition of The Edgar Allan Poe Collection is a classic of American literature reimagined for modern readers.