The official illustrated companion book to the winner of five Academy Awards, including Best Picture, Best Actor (Russell Crowe), Costume Design, Sound, and Visual Effects. Director Ridley Scott (Blade Runner, Thelma and Louise, Alien) brings the glorious battles of the ancient Roman arena back to the big screen. Set against the splendor and barbarity of the Roman Empire in AD 180, Gladiator tells an epic story of courage and revenge: The great Roman general Maximus (Russell Crowe) has been forced into exile and slavery by the jealous heir to the throne, Commodus (Joaquin Phoenix). Trained as a gladiator, Maximus returns to Rome, intent on avenging the murder of his family by Commodus, now emperor. The one power stronger than that of the emperor is the will of the people, and Maximus knows he can attain his revenge only by becoming the greatest hero in all the Empire. Russell Crowe heads up an international cast that includes Joaquin Phoenix, Connie Nielson, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Directed by Ridley Scott from a script by David Franzoni and John Logan, Gladiator is produced by Franzoni, Douglas Wick, and Branko Lustig, with Walter F. Parkes serving as executive producer. This is the official full-color companion book, featuring excerpts from the screenplay, historical sidebars and illustrations, details on period costumes and epic set designs, behind-the-scenes photographs from the location filming, and interviews with the screenwriters, actors, and director.

Maurice Wiles was Regius Professor of Divinity at the University of Oxford from 1970-1991. To celebrate his seventieth birthday, a group of distinguished friends and colleagues have written this important series of original and perceptive essays on the twin themes of making and remaking Christian doctrine. The topics covered in this thought-provoking collection range from the notion of divine action in Hebrew Wisdom literature to reflections on the nature of the ministry, from the concept of God and the doctrines of Christology and of the Trinity to the character of theological reflection, and from revelation and tradition to the "lex orandi," the nature of interpretation in religion and the historical basis of theological understanding.

Meet Maximus Todd! He's the kid who can't sit still! Clever Max invents a game to keep his Super Fidgets at bay for the day. Too bad his arch enemy Mandy Beth discovers what he's up to and tries to trip him up! Will Max win at his secret game? Max finds that while it's not always easy being a kid -- especially if you're a bit different -- there is often humour, kindness and love in the most unexpected places.

The study of Maximus the Confessor’s thought has flourished in recent years: international conferences, publications and articles, new critical editions and translations mark a torrent of interest in the work and influence of perhaps the most sublime of the Byzantine Church Fathers. It has been repeatedly stated that the Confessor’s thought is of eminently philosophical interest. However, no dedicated collective scholarly engagement with Maximus the Confessor as a philosopher has taken place—and this volume attempts to start such a discussion. Apart from Maximus’ relevance and importance for philosophy in general, a second question arises: should towering figures of Byzantine philosophy like Maximus the Confessor be included in an overview of the European history of philosophy, or rather excluded from it—as is the case today with most histories of European philosophy? Maximus’ philosophy challenges our understanding of what European philosophy is. In this volume, we begin to address these issues and examine numerous aspects of Maximus’ philosophy—thereby also stressing the interdisciplinary character of Maximian studies. Contributors include: Fr. Maximos Constas, Justin Shaun Coyle, Vladimir Cvetković, Natalie Depraz, Demetrios Harper, Michael Harrington, Georgi Kapriev, Karolina Kochańczyk-Bonińska, Nicholas Loudovikos, Andrew Louth, John Panteleimon Manoussakis, Michail Mantzanas, Smilen Markov, Sotiris Mitralexis, Marcin Podbielski, Dionysios Skliris, Georgios Steiris, Stoyan Tanev, Torstein Theodor Tollefsen, Jordan Daniel Wood

This volume includes a translation of four spiritual treatises of Maximus the Confessor (c. 580-662), plus an account of his trial. Included are The Four Hundred Chapters of Love, Commentary on the Lord's Prayer, Chapters on Knowledge, The Church's Mystagogy, and Trial of Maximus.

Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.

Beyond the headlines of the world's most beloved sporting events Brazil hosted the 2016 men's World Cup at a cost of $15 billion to $20 billion, building large, new stadiums in cities that have little use for them anymore. The projected cost of Tokyo's 2020 Summer Olympic Games is estimated to be as high as $30 billion, much of it coming from the public trough. In the updated and expanded edition of his bestselling book, Circus Maximus: The Economic Gamble Behind Hosting the Olympics and the World Cup, Andrew Zimbalist tackles the claim that cities chosen to host these high-profile sporting events experience an economic windfall. In this new edition he looks at upcoming summer and winter Olympic games, discusses the recent Women's World Cup, and the upcoming men's tournament in Qatar. Circus Maximus focuses on major cities, like London, Rio, and Barcelona, that have previously hosted these sporting events, to provide context for future host cities that will bear the weight of exploding expenses, corruption, and protests. Zimbalist offers a sobering and candid look at the Olympics and the World Cup from outside the echo chamber.

“Can I just be Marissa, please? I want to be hilarious and sexy and smart and insanely knowledgeable about wine.” —Mindy Kaling A fresh, fun, and unpretentious guide to wine from Marissa A. Ross, official wine columnist for Bon Appétit. Does the thought of having to buy wine for a dinner party stress you out? Is your go-to strategy to pick the bottle with the coolest label? Are you tired of choosing pairings based on your wallet, instead of your palate? Fear not! Bon Appétit wine columnist and Wine. All The Time. blogger Marissa A. Ross is here to help. In this utterly accessible yet comprehensive guide to wine, Ross will walk you through the ins and outs of wine culture. Told in her signature comedic voice, with personal anecdotes woven in among its lessons, Wine. All the Time. will teach you to sip confidently, and make you laugh as you're doing it. In Wine. All The Time., you’ll learn how to: • Describe what you’re drinking, and recognize your preferences • Find the best bottle for you budget and occasion • Read and understand what’s written on a wine label • Make the perfect pairings between what you’re drinking and what you’re eating • Throw the best damn dinner party your guests will ever attend • And much more

While spending the day in the Robinson household, Wilbur’s best friend Lewis helps search for Grandfather Robinson’s missing false teeth in this classic picture book from William Joyce that inspired the Disney animated sci-fi comedy, Meet the Robinsons! No need to knock, just step right in. You’re just in time to two-step with Grandfather Robinson and his dancing frog band. Cousin Laszlo is demonstrating his new antigravity device. And Uncle Art’s flying saucer is parked out back. It seems like all the Robinson relatives are here, so be prepared. And keep your head down…Uncle Gaston is testing out the family cannon. Oh, and watch where you sit, Grandpa’s lost his teeth again. Welcome to the Robinson’s.