From its foundation, the city of Constantinople dominated the Byzantine world. It was the seat of the emperor, the centre of government and church, the focus of commerce and culture, by far the greatest urban centre; its needs in terms of supplies and defense imposed their own logic on the development of the empire. Byzantine Constantinople has traditionally been treated in terms of the walled city and its immediate suburbs. In this volume, containing 25 papers delivered at the 27th Spring Symposium of Byzantine Studies held at Oxford in 1993, the perspective has been enlarged to encompass a wider geographical setting, that of the city’s European and Asiatic hinterland. Within this framework a variety of interconnected topics have been addressed, ranging from the bare necessities of life and defence to manufacture and export, communications between the capital and its hinterland, culture and artistic manifestations and the role of the sacred.

The glory of the Italian Renaissance came not only from Europe's Latin heritage, but also from the rich legacy of another renaissance - the palaeologan of late Byzantium. This nexus of Byzantine and Latin cultural and ecclesiastical relations in the Renaissance and Medieval periods is the underlying theme of the diverse and far-ranging essays in Constantinople and the West.

This publication brings to a wider audience important new findings in the fields of medieval pottery and archaeometry. The new data that materials analysis provides about Byzantine ceramics and their production at times supports, modifies, and even contradicts conclusions derived from traditional archaeological methods.

This is the first official translation of Baedeker's "Konstantinopel und Kleinasien" by Michael Wild, Baedeker chronicler and historian. This title, published in 1914, covers not only Constantinople but also Budapest, Belgrade, Bucharest, Sofia and the route down the Danube to the Black Sea, as well as the railway routes. The Asia Minor section deals with Troy, Smyrna, Pergamon, Ephesus and the Greek islands including Rhodes. There is a useful introduction with tips for the traveller and essays on Byzantine & Turkish art, along with a comprehensive historical survey from 1500 B.C. to 1913 A.D.

Focusing on mosaics, sculpture, paintings, jewelry, and silk, the author examines this artistic style as an expression of religious thought

Reproduction of the original: The Story of Constantinople by William Holden Hutton

This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.