"Poignant and powerful."--Publishers Weekly (starred review) The Lost Manuscript is a charming epistolary novel about the love of books and magical ability they have to bring people together. Sometimes a book has the power to change your life... When Anne-Lise Briard books a room at the Beau Rivage Hotel for her vacation on the Brittany coast, she has no idea this trip will start her on the path to unearthing a mystery. In search of something to read, she opens up her bedside table drawer in her hotel room, and inside she finds an abandoned manuscript. Halfway through the pages, an address is written. She sends pages to the address, in hopes of potentially hearing a response from the unknown author. But not before she reads the story and falls in love with it. The response, which she receives a few days later, astonishes her... Not only does the author write back, but he confesses that he lost the manuscript 30 years prior on a flight to Montreal. And then he reveals something even more shocking—that he was not the author of the second half of the book. Anne-Lise can’t rest until she discovers who this second mystery author is, and in doing so tracks down every person who has held this manuscript in their hands. Through the letters exchanged by the people whose lives the manuscript has touched, she discovers long-lost love stories and intimate secrets. Romances blossom and new friends are made. Everyone's lives are made better by this book—and isn't that the point of reading? And finally, with a plot twist you don't see coming, she uncovers the astonishing identity of the author who finished the story.

*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

The minute I saw the letter, I knew it was hers. There was no mistaking it: the salutation, the tiny, precise handwriting, the date, the content itself, all confirmed its ancient status and authorship… Samantha McDonough cannot believe her eyes--or her luck. Tucked in an uncut page of a two-hundred-year old poetry book is a letter she believes was written by Jane Austen, mentioning with regret a manuscript that "went missing at Greenbriar in Devonshire." Could there really be an undiscovered Jane Austen novel waiting to be found? Could anyone resist the temptation to go looking for it? Making her way to the beautiful, centuries-old Greenbriar estate, Samantha finds it no easy task to sell its owner, the handsome yet uncompromising Anthony Whitaker, on her wild idea of searching for a lost Austen work--until she mentions its possible million dollar value. After discovering the unattributed manuscript, Samantha and Anthony are immediately absorbed in the story of Rebecca Stanhope, daughter of a small town rector, who is about to encounter some bittersweet truths about life and love. As they continue to read the newly discovered tale from the past, a new one unfolds in the present--a story that just might change both of their lives forever.

Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).

Features the unknown and unpublished manuscript by the prophet Nostradamus, as found by the members of the Italian National Library in 1994 buried in their archives.

The portrait of a very young Bob Dylan on the cover of 'The Times They Are a Changin' is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history. Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.

On a summer day in 1828, Book of Mormon scribe and witness Martin Harris was emptying drawers, upending furniture, and ripping apart mattresses as he desperately looked for a stack of papers he had sworn to God to protect. Those pages containing the only copy of the first three months of the Joseph Smith's translation of the golden plates were forever lost, and the detailed stories they held forgotten over the ensuing years--until now. In this highly anticipated work, author Don Bradley presents over a decade of historical and scriptural research to not only tell the story of the lost pages but to reconstruct many of the detailed stories written on them. Questions explored and answered include: Was the lost manuscript actually 116 pages? How did Mormon's abridgment of this period differ from the accounts in Nephi's small plates? Where did the brass plates and Laban's sword come from? How did Lehi's family and their descendants live the Law of Moses without the temple and Aaronic priesthood? How did the Liahona operate? Why is Joseph of Egypt emphasized so much in the Book of Mormon? How were the first Nephites similar to the very last? What message did God write on the temple wall for Aminadi to translate? How did the Jaredite interpreters come into the hands of the Nephite kings? Why was King Benjamin so beloved by his people? Despite the likely demise of those pages to the sands of time, the answers to these questions and many more are now available for the first time in nearly two centuries in The Lost 116 Pages: Reconstructing the Book of Mormon's Missing Stories.

Is The Book of Mormon a Great American Novel? Avi Steinberg thinks so. In this quirky travelogue—part fan nonfiction, part personal quest—he follows the trail laid out in Joseph Smith’s book. From Jerusalem to the ruined Mayan cities of Central America to upstate New York and, finally, to Jackson County, Missouri—the spot Smith identified as the site of the Garden of Eden—Steinberg traces The Book’s unexpected path and grapples with Joseph Smith’s demons—and his own. Literate and funny, personal and provocative, the genre-bending The Lost Book of Mormon boldly explores our deeply human impulse to write books, and affirms the abiding power of story.

Following Susan Cox’s Minotaur Books/Mystery Writers of America First Crime Novel award-winning debut, The Man in the Microwave Oven is her next delightfully quirky mystery featuring San Francisco transplant Theo Bogart. Fleeing from a murder and family tragedy in her native England, where she was the scandal du jour for the tabloid press, Theo Bogart changed her name and built an undercover life in a close-knit San Francisco neighborhood. She didn’t expect to find love and friendship there, and now she doesn’t know how—or if—to reveal the truth. After a confrontation with a difficult neighbor, Theo fears her secrets are about to be uncovered after all. When the woman who threatened to expose her is murdered, Theo is embroiled in the kind of jeopardy she crossed an ocean to escape. Worse yet, dangerous family secrets have followed her. Theo’s grandfather unveils a glimpse of the shadowy world he once inhabited as an agent for the British Secret Service, bringing an even bigger breed of trouble—and another death—to Theo’s doorstep. She finds herself fighting to protect herself, her family, and her new friends, aware that one of them might be a murderer. Susan Cox has once again painted a delightfully quirky portrait of a colorful San Francisco neighborhood and a woman finding her way through exactly the kind of scandalous mystery she was trying to leave behind.

Though widely read by early Christians, the book of Enoch was banned by the church in the fourth century and considered lost for 1,600 years. A mention of it in the New Testament led 19th-century scholars to a manuscript of the Enoch story in Hebrew and Aramaic verse, and a theological study of the manuscript in English followed in 1912. Yet it too eventually disappeared from public view. This edition of the lost biblical book is re-written in contemporary English and recounts the apocalyptic vision revealed to Enoch, the father of Methuselah, when he was taken to heaven by archangels who showed him the future of mankind as he looked down upon the world.