With contributions from a distinguished group of world-builders, including academics, writers, and designers, this anthology of essays describes the process and discusses the nature of subcreation and the construction of worlds. From Oz to MUD, Walden to Rockall, all the worlds featured in this volume share one thing in common: they began in someone’s imagination, grew from there, and became worlds built with the assistance of multiple authors and a variety of different ideas and media, including designs, imagery, sound, music, stories, and more. The book examines this development, with examples and discussions pertaining to the process and the final product of the building of imaginary worlds, including some transmedial worlds. World-Builders on World-Building is a fascinating deep dive into the practical problems of world-building as well as its theoretical aspects. It is ideal for students, scholars, and even practitioners interested in media studies, game studies, subcreation studies, franchise studies, transmedia studies, and pop culture.

Science fiction constitutes one of the largest and most widely read genres in literature, and this reference provides bibliographical data on some 20,000 science fiction, fantasy, and horror fiction books, as well as nonfiction monographs about the literature. A companion to Reginald's Science Fiction and Fantasy Literature, 1700-1974 (Gale, 1979), the present volume is alphabetically arranged by approximately 10,000 author names. The entry for each individual work includes title, publisher, date and place published, number of pages, hardbound or paperback format, and type of book (novel, anthology, etc.). Where appropriate, entries also provide translation notes, series information, pseudonyms, and remarks on special features (such as celebrity introductions). Includes indexes of titles, series, awards, and "doubles" (for locating volumes containing two novels). Annotation copyright by Book News, Inc., Portland, OR.

Forty-six years later those words still ring true: there has since been no book that has brought to life early Calgary the way that Eye Opener Bob does. Perhaps more importantly, it's the closest we'll ever get to Robert Chambers Edwards—Eye Opener Bob —the irrepressible editor of Calgary's most singular newspaper, and the city's most singular denizen. Bob Edwards was a true Canadian original, the prototypical hard-drinking, pull-no-punches editor of the Calgary Eye Opener—at the time the largest paper between Vancouver and Toronto, with a circulation of over 30,000 copies. A paper with the power to elect or dethrone governments, to bring the mighty CPR to reform its ways, and to skewer the pretensions of society like few before or since. Eye Opener Bob brings this fascinating character to life in all his glorious self-contradictions. MacEwan arrived in the city at just the right time to write Eye Opener Bob—the old Sandstone City hadn't yet been whitewashed over by the new money from the Leduc gusher, and there were still living people who had known Edwards. MacEwan ferreted out their stories as only he could do, combined the interviews with hard research, and the result is Grant MacEwan's best book by a country mile. Eye Opener Bob can be enjoyed on its own or as a companion piece to the new compilation of Edwards's writing, Irresponsible Freaks, Highball Guzzlers, and Unabashed Grafters: A Bob Edwards Chrestomathy.

Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"

Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"