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Excerpt from The Life of Saint Columba (Columb-Kille) A. D. 521-597: Founder of the Monastery of Iona and First Christian Missionary to the Pagan Tribes of North Britain The basis upon which all must work who edit or translate St. Adamnan's Columea must be the famous edition of the text printed from the manu script, written early in the eighth century by one Dorbbene, formerly preserved in the Monastery of Reichenan, and now in the public library of Schafi'hausen, collated with Six other manuscripts, and edited by Dr. William Reeves, in 18 57, for the Irish Archaological Society, of Dublin, and the Bannatyne Club, of Edinburgh. It is an un rivalled monument of scholarship and erudition. As Dr. Skene says in his edition (1874) of Dr. Reeves's work (which includes the translation made by the Bishop of Brechin), Adamnan's Life of St. Columea has always excited interest from its undoubted authenticity, its early date, and its connection with the introduction of Christianity into Northern Britain. But, he adds, until the appearance of Dr. Reeves's edition in 1857, the real character of Adamnan's work and of the monastic establishment of Iona was little under stood, and when his edition appeared the accuracy of its learning, the thorough research displayed in it and its wealth of illustration, placed the subject beyond the reach of controversy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 2: Medieval Meets Medievalism deals with the influence of the tale in nineteenth- and early-twentieth-century Europe and America, and the development of literary medievalism at this time. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.