FOR DISTRIBUTION OUTSIDE THE USA. In The Land Between, author Jeff Manion uses the biblical story of the Israelite's journey through Sinai desert as a metaphor for being in undesired, transitional space. After enduring generations of slavery in Egypt, the descendants of Jacob travel through the desert (the land between) toward their new home in Canaan. They crave the food of their former home in Egypt and despise their present environment. They are unable to go back and incapable of moving forward. The Land Between explores the way in which their reactions can provide insight and guidance on how to respond to God during our own seasons of difficult transition. The book provides fresh biblical insight for people traveling through undesired transitions (e.g. foreclosure, unemployment, parents in declining health, post-graduate uncertainty, business failure, etc.) who are looking for hope, guidance, and encouragement. While it is possible to move through transitions and learn little, they provide our greatest opportunity for spiritual growth. God desires to meet us in our chaos and emotional upheaval, and he intends for us to encounter his goodness and provision during these upsetting seasons.

Ursula Schulz-Dornburg's The Land in Between presents the complex bond between landscape and human civilization, exploring the construction of power though the built environment and its inevitable impermanence. By looking back at areas of past historical or political importance her images highlight how conflict, destruction, time and decay transforms the landscape. Many of Schulz-Dornburg's projects derive from a relatively confined geographic location, encompassing ancient civilizations alongside areas of modern strategic importance. Historically referred to as both a gateway and a cross roads, or the "land in-between", the area was often defined not by its content but by what lies on either side, between Europe and Asia, east and west, old and new. Over a thirty-year period, Schulz-Dornburg travelled to this region, visiting Armenia, Georgia, Iran, Iraq, Saudi Arabia and Yemen. Documenting ruins of the now abandoned Ottoman railway project in Saudi Arabia, decaying Soviet era bus stops in Armenia, and temporary marsh dwellings in Mesopotamia. Most recently, in 2010, she travelled to Syria to photograph the ancient city of Palmyra. Her images now form some of the last visual documentation of the area prior to its recent destruction.

A Land Between tells the stories of the people who have lived in the valley and uncovers the marks they have left on the land.

This is the first book to explore the relationship between the people and the environment of Mexico. Featuring a dozen essays by leading scholars, it heralds the arrival of environmental history as a major area of study in the field of Mexican history and introduces a new book series: “Latin American Landscapes.”

"These essays recount Tom Sleigh's experiences working as a journalist during several tours in Africa and in the Middle Eastern region once called Mesopotamia, "the land between two rivers." Sleigh asks three central questions: What did I see? How could I write about it? Why did I write about it? The first essays focus on the lives of refugees in Syria, Lebanon, Jordan, Kenya, Somalia, and Iraq. Under the conditions of military occupation, famine, and war, their stories can be harrowing, even desperate. But unlike their depiction in mass media, their stories are often laced with an undeluded hopefulness. The second part of this book explores how writing might be capable of honoring the texture of these individuals' experiences while remaining faithful to political emotions, rather than political convictions. The final essays meditate on youth, restlessness, illness, and Sleigh's motivations for writing his own experiences in order to move out into the world."--Back cover.

Christopher Pastore traces how Narragansett Bay’s ecology shaped the contours of European habitation, trade, and resource use, and how littoral settlers in turn, over two centuries, transformed a marshy fractal of water and earth into a clearly defined coastline, which proved less able to absorb the blows of human initiative and natural variation.

History and collective memories influence a nation, its culture, and institutions; hence, its domestic politics and foreign policy. That is the case in the Intermarium, the land between the Baltic and Black Seas in Eastern Europe. The area is the last unabashed rampart of Western Civilization in the East, and a point of convergence of disparate cultures. Marek Jan Chodakiewicz focuses on the Intermarium for several reasons. Most importantly because, as the inheritor of the freedom and rights stemming from the legacy of the Polish-Lithuanian/Ruthenian Commonwealth, it is culturally and ideologically compatible with American national interests. It is also a gateway to both East and West. Since the Intermarium is the most stable part of the post-Soviet area, Chodakiewicz argues that the United States should focus on solidifying its influence there. The ongoing political and economic success of the Intermarium states under American sponsorship undermines the totalitarian enemies of freedom all over the world. As such, the area can act as a springboard to addressing the rest of the successor states, including those in the Caucasus, Central Asia, and the Russian Federation. Intermarium has operated successfully for several centuries. It is the most inclusive political concept within the framework of the Commonwealth. By reintroducing the concept of the Intermarium into intellectual discourse the author highlights the autonomous and independent nature of the area. This is a brilliant and innovative addition to European Studies and World Culture.

The time is ten thousand years ago and the place is the shores of Lake Champlain, a land inhabited by Abenaki communities who hunt, gather, and follow the cycles of their unspoiled natural world in relative harmony. Joseph Bruchac, a nationally renowned storyteller and writer of Native American tales, uses this setting not just to spin a compelling adventure yarn but also to re-create with grace, fullness, and clarity the cultural, social, and spiritual systems of these pre-contact Native Americans. In this third novel of his trilogy about the "people of the dawnland," the lake they call Petonbowk -- "the waters between" Vermont's Green Mountains and New York's Adirondacks -- holds both sustenance and danger, and Young Hunter, the "young, broad-shouldered man whose heart was good for all the people," is called upon to confront a dual menace. A "deepseer" or shaman, he must use his full powers first to comprehend the threats and then to defeat them. The lake, it seems, holds a huge water-snake monster that makes it impossible to reap the waters' bountiful harvest of fish and game. And, worse, a tortured outcast, Watches Darkness, has turned against his tribe and is using his deepseer's knowledge to perpetrate horrible acts of senseless evil: he destroys whole villages out of sheer malevolence; he literally eats his victims' hearts to absorb their powers; he kills his own grandmother without remorse. As the tension between hunter and hunted mounts, Bruchac seamlessly weaves stories within the story, the lore that connects the people to each other and to their heritage, so that the novel becomes not just an archetypal battle of good versus evil but a vivid depiction of traditional New England Indian culture in pre-Columbian times. Richly atmospheric, resonant with Native American spirituality, melodious with the rhythms of the Abenaki language, The Waters Between paints both an epic quest and a colorful portrait of "the lives of people living as human beings were told to live by the Talker. Never perfect, often failing, but always growing, always part of something larger than themselves, their varied heartbeats meshing together to make the one great, healthy heartbeat which was the Only People."

WINNER OF THE 2017 PULITZER PRIZE: from Man Booker Prize and National Book Critics Circle Award finalist Hisham Matar, a memoir of his journey home to his native Libya in search of answers to his father's disappearance. In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." Winner of the 2017 Pulitzer Prize for biography/autobiography, the PEN/Jean Stein Book Award, France's Prix du livre étranger, and a finalist for the Orwell Book Prize and the 2016 National Book Critics Circle Award, The Return is a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.