Marrying two exceptionally popular topics—needlework and women's history—this book provides an authoritative yet entertaining discussion of the diversity and importance of needlework in Victorian women's lives. Victorian Needlework explores these ubiquitous pastimes—their practice and their meaning in women's lives. Covering the period from 1837–1901, the book looks specifically at the crafts themselves examining quilting, embroidery, crochet, knitting, and more. It discusses required skills and the techniques women used as well as the technological innovations that influenced needlework during this period of rapid industrialization. This book is unique in its comprehensive treatment of the topic ranging across class, time, and technique. Readers will learn what needlework meant to "ladies," for whom it was a hobby reflecting refinement and femininity, and discover what such skills could mean as a "suitable" way for a woman to make a living, often through grueling labor. Such insights are illustrated throughout with examples from women's periodicals, needlework guides, pattern books, and personal memoirs that bring the period to life for the modern reader.

In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.

Darbury, England, 1814. Amelia Barrett gave her word. Keeping it could cost her everything.

War is a hard, stern teacher, and its lessons are bitter in the learning; yet some of its teaching we badly needed—and not the least important of its many lessons is the one it inculcated on the criminality of waste. To so many of us "waste" was a word with a comparative meaning. What was waste in one woman was not necessarily waste in another, we argued. It was wrong for the factory girl to let her skirts drop off her for lack of mending; but not wrong for better-off women to discard their clothes directly they showed the least sign of wear, because they could afford to buy more, we said; and, besides, it made it good for trade—that was a favorite argument used by the extravagant to excuse their wanton waste. But we have all learnt the value of economy of recent years: and we have seen how the saving and thrift of individuals may mean the salvation of the State. It will be a long time before we can ever return to that condition of easy-going plenty that we knew before the war. In any case the cost of all commodities will remain higher in price. The woman who can utilize oddments and make things with her own hands is the woman who will be making money, as she will be supplying one of the most expensive items of modern times—personal labor. The hints in this book are intended as suggestions, which can be developed in many new directions.