During the period of disintegration of Tibet, in 923, the Water-Sheep year, Kyide Nyimagon, the undisputed lineage-holder of the Three Great Kings of Tibet, went first to Pureng Ralairu. In 934 of the Wood-horse year, Rala Kharmar was built. Gradually, Nyizung Kukhar was built, and after introducing a new law, Purang, Guge, Maryul and other areas were brought under his control. His son Thri Tashi Gon built Guge fort after carving the blue slate hill of Guge. Since then, 26 Kings ruled there for more than 700 years forming thereby a Guge kingdom of what came to be known as the Cap-size Small Kingdom in Upper Tibet. The author was born in Ruchang, Ngari of Tibet. He escaped in 1959 and sought political asylum in 1960. Graduated from Tibet Homes Foundation in 1973 and obtained BA Degree from Punjab University in 1977. He joined CTA as a junior clerk on 15th June 1977 and at the time of his retirement from CTA on 15th December 2012, he was working as general secretary. He has also authored other books like History of Ngari, Rosary of white Pearl a youngster’s ornament in Tibetan and Mount Kailash the White Mirror, Ngari Tibet in English.

Get ready for the journey of a lifetime in the first book of an all-new, captivating fantasy series from thrilling debut author Gillian Grant. A world without gods. A dangerous quest. And a secret that will shake Eith to its very core. As a hunter, Evren Hanali of Orenlion has probably seen it all and done even more, even though she likes to fade into the background. She prefers a solitary existence, doing the jobs she’s commissioned for and not much else. But fate has other plans. It seems she has a destiny—one she is only beginning to unravel. And unlikely companions and exotic places are only the beginning of her journey. When circumstances beyond her control—and gravity—send her plummeting to what she fears may be her death, walking away unscathed opens a world of possibilities. Somehow, she becomes the leader of a motley crew of allies with a shared mission. Only it’s not clear what anyone’s end goal is, and trust is hard-earned. Still, the merry band of adventurers finds solace and friendship along the way—not to mention dangers galore. In the instance of the Yawning Deep, as above is not as below. Add magic and mayhem to the mix, and Evren has the fight of her life on her hands. When one hard-fought win leads to revelations of lies, deceit, and murder, Evren and company must be willing to fight for what they believe—and each other. Or die trying.

Beginning with Robert Flaherty's Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of "The Arctic" as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic's representation.

Originally published 1549-1552, this modern edition features an introduction by Bishop Gibson.