Joe Flood is the professional assassin known as “the Slugger.” He’s made a career out of murder for hire, but only those who deserve it. Then a routine physical turns into a reckoning. Joe has cancer, his doctor tells him, with maybe six months to live. Joe decides to take fate into his own hands. Accessing the underground network of fellow hit men, he puts out a contract on himself: six million dollars from a Swiss bank account to the professional who will end his suffering quickly. The money and bragging rights for putting away one of the world’s most accomplished assassins draws his colleagues from around the world. The killer’s game is on. But then Joe gets a follow-up from his doctors. He was misdiagnosed. It’s not cancer; he should have many years to live. Except that now there’s no way to call off the hit. Armed with only a few dollars and a credit card, Joe is on the run from a formidable lineup of talented killers. Will the Slugger have what it takes to outrun the competition? “Serious entertainment, a high-octane romp with a suitably cataclysmic climax and a deliciously exotic cast of international assassins.”—The Times (London)

The second book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. Billy grinned. "Oh, New York," he whispered. "We're gonna have so much fun." I Hunt Killers introduced the world to Jazz, the son of history's most infamous serial killer, Billy Dent. In an effort to prove murder didn't run in the family, Jazz teamed with the police in the small town of Lobo's Nod to solve a deadly case. And now, when a determined New York City detective comes knocking on Jazz's door asking for help, he can't say no. The Hat-Dog Killer has the Big Apple--and its police force--running scared. So Jazz and his girlfriend, Connie, hop on a plane to the big city and get swept up in a killer's murderous game. Both the stakes and the body count are higher in this suspenseful and unstoppable sequel from acclaimed author Barry Lyga.

From the author of Undead and Unfed comes a completely gripping, psychological whodunnit that will keep readers guessing to the last page. At Cate’s isolated boarding school, Killer Game is a tradition. Only a select few are invited to play. They must avoid being ‘killed’ by a series of thrilling pranks, and identify the ‘murderer’. But this time, it’s different: the game stops feeling fake and starts getting dangerous—and Cate’s the next target. Can they find the culprit … before it’s too late?

It was just a game...until it wasn't. Will Cate discover the assassin before it's too late? Perfect for fans of teen mystery books! TAG. You're It... At Cate's isolated boarding school Killer is more than a game—it's an elite secret society. Members must avoid being "killed" during a series of thrilling pranks—and only the Game Master knows who the "killer" is. When Cate's finally invited to join The Guild of Assassins, she thinks it's her ticket to finally feeling like she belongs. But when the game becomes all too real, the school threatens to shut it down. Cate will do anything to keep playing and save The Guild. But can she find the real assassin—before she's the next target? "An intriguing, tightly wound mystery. The game is on!" —Hannah Jayne, author of Truly, Madly, Deadly and Twisted Perfect for those looking for: Teen books for girls ages 11–14 Secret societies in fiction Psychological thrillers

-- Written rules, emphasizing safety, for the popular live "assassination" game. -- Always a hit with college customers! Each player becomes an assassin, stalking one or all of the other players with safe weapons like dart guns, until only one remains alive!

It is a duel to the death as ruthless as any ever waged on the field of honor―but with a difference. The setting is a Pennsylvania Dutch farm and surrounding woods. The antagonists are a fighting cock and a hawk.

The evolution of the video game is incredible; from a two-colored screen with paddle and pong to fully immersive alternate playing worlds, it is one technology that seems to be constantly evolving. This volume explains the history of video games, the considerations of their impact on players and society, and how they can be used as educational tools. Readers will learn about the future of video games as well.

An eleven-year-old boy strangled an elderly woman for the equivalent of five dollars in 2007, then buried her body under a thin layer of sand. He told the police that he needed the money to play online videogames. Just a month later, an eight-year-old Norwegian boy saved his younger sister's life by threatening an attacking moose and then feigning death when the moose attacked him--skills he said he learned while playing World of Warcraft. As these two instances show, videogames affect the minds, bodies, and lives of millions of gamers, negatively and positively. This book approaches videogame addiction from a cross-disciplinary perspective, bridging the divide between liberal arts academics and clinical researchers. The topic of addiction is examined neutrally, using accepted research in neuroscience, media studies, and developmental psychology.

Rising stars Olivia Cuartero-Briggs (Mary Shelley Monster Hunter) and Roberta Ingranata (Witchblade, Doctor Who) present a new kind of game where even murder is much more than it seems . . . Returning to school after the unsolved disappearance of her mother, teenager Jill Estrada can’t wait for things to return to normal . . . even as her friends become obsessed with Box Killers, a true-crime subscription game where each month’s “unsolved case” is custom-tailored to the life of its player. There’s only one catch: Jill’s game seems to be all too real—and when her clues begin to connect the dots to a very real series of disappearances in her hometown, Jill and her friends must conquer their fears and own personal struggles to solve the case. But can they find the killer before one of their own becomes the next victim?

The 21st Century in 100 Games is an interactive public history of the contemporary world. It creates a ludological retelling of the 21st century through 100 games that were announced, launched, and played from the turn of the century. The book analyzes them and then uses the games as a means of entry to examine both key events in the 21st century and the evolution of the gaming industry. Adopting a tri-pronged perspective — the reviewer, the academic, and an industry observer — it studies games as ludo-narratological artefacts and resituates games in a societal context by examining how they affect and are engaged with by players, reviewers, the gaming community, and the larger gaming industry. This book will be a must read for readers interested in video games, new media, digital culture (s), culture studies, and history.