Available for the first time in paperback, the Journals of Andr Gide are remarkable literary works in their own right--they are unfailingly honest, endlessly fascinating, and a feast for the mind, enhanced by a new introduction by the Pulitzer Prize-winning poet, Richard Howard.

This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze’s work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications.

Joseph Csaky (1888-1971), a neglected pioneer of early Modernism, was a native of Hungary who became a dedicated member of the Parisian avant-garde. He took part in the 1912 Section d'Or Exhibition, considered by many to mark the high point of the Cubist movement. He was an intimate friend of such innovative giants as Picasso, Braque, & Lager. One of the first artists to apply Cubist principles to sculpture, Csaky produced a substantial body of work comparable in quality to that of Brancusi & Archipenko; yet he spent the last 30 years of his life in obscurity & was virtually destitute at his death. This ground breaking study includes a detailed discussion of his career, over 100 illus. of his major sculpture, & a translation of the artist's autobio. that provides a wealth of new info. about the early Parisian avant-garde.

Provocative essays on language, literature, and the aesthetics of embodiment.

Stuart Brisley is a pioneering multi-media and performance artist who developed performance art as a form of social action in the 1960s and 1970s. This book assesses his seminal influence on British art through a focus on his lifelong engagement with the histories and imaginaries of revolution. Linking revolutionary history with material from a critical dialogue established with Brisley over the last decade, the book recognises Brisley's corpus as a fascinating stage for addressing important questions about the relationship of art, politics and history. How do we make sense of politically committed art in a contemporary context where revolution has supposedly died or is deemed impossible? What can the afterlives of performance art tell us about the historical past, including the promises and contradictions of revolutionary time?

The renowned biographer offers a tale of intellectual and romantic rivalry in this “dazzling portrait of Sartre and De Beauvoir’s relationship” (The Guardian). Jean-Paul Sartre and Simone de Beauvoir were two of the twentieth century’s most prominent authors and philosophers, and the story of their decades-long relationship is one of the most famous literary romances of all time. From the corridors of the Sorbonne to the cafés of Paris’s Left Bank, Sartre and de Beauvoir were intimate rivals in both intellectual debate and sexual conquest. In A Dangerous Liaison, Carole Seymour-Jones vividly describes how the beautiful and gifted de Beauvoir fell in love with the squinting, arrogant, hard-drinking Sartre. We learn about that first summer of 1929, filled with heated debates and dangerous ideas that led them to experiment with new ways of living. We hear how Sartre compromised with the Nazis and fell into a Soviet honey-trap. And, thanks to recently discovered letters written by the avowed feminist de Beauvoir, Seymour-Jones reveals the full story behind the couple’s philosophy of free love, including de Beauvoir’s lesbianism and her pimping of younger girls for Sartre in order to keep his love.