The elusive search for stability is the subject of Professor D. George Boyce's Nineteenth-Century Ireland, the fifth in the New Gill History of Ireland series. Nineteenth-century Ireland began and ended in armed revolt. The bloody insurrections of 1798 were the proximate reasons for the passing of the Act of Union two years later. The 'long nineteenth century' lasted until 1922, by which the institutions of modern Ireland were in place against a background of the Great War, the Ulster rebellion and the armed uprising of the nationalist Ireland. The hope was that, in an imperial structure, the ethnic, religious and national differences of the inhabitants of Ireland could be reconciled and eliminated. Nationalist Ireland mobilised a mass democratic movement under Daniel O'Connell to secure Catholic Emancipation before seeing its world transformed by the social cataclysm of the Great Irish Potato Famine. At the same time, the Protestant north-east of Ulster was feeling the first benefits of the Industrial Revolution. Although post-Famine Ireland modernised rapidly, only the north-east had a modern economy. The mixture of Protestantism and manufacturing industry integrated into the greater United Kingdom and gave a new twist to the traditional Irish Protestant hostility to Catholic political demands. In the home rule period from the 1880s to 1914, the prospect of partition moved from being almost unthinkable to being almost inevitable. Nineteenth-century Ireland collapsed in the various wars and rebellions of 1912–22. Like many other parts of Europe than and since, it had proved that an imperial superstructure can contain domestic ethnic rivalries, but cannot always eliminate them. Nineteenth-Century Ireland: Table of Contents Introduction - The Union: Prelude and Aftermath, 1798–1808 - The Catholic Question and Protestant Answers, 1808–29 - Testing the Union, 1830–45 - The Land and its Nemesis, 1845–9 - Political Diversity, Religious Division, 1850–69 - The Shaping of Irish Politics (1): The Making of Irish Nationalism, 1870–91 - The Shaping of Irish Politics (2): The Making of Irish Unionism, 1870–93 - From Conciliation to Confrontation, 1891–1914 - Modernising Ireland, 1834–1914 - The Union Broken, 1914–23 - Stability and Strife in Nineteenth-Century Ireland

Intro -- Series Editor's Preface -- Acknowledgements -- Introduction -- Part I Necessary and Unnecessary Anachronisms -- Chapter 1 Realism and the Institution of the Nineteenth-Century Novel -- Part II Forgetting and Remembrance -- Chapter 2 William Carleton's and Charles Kickham's Ethnographic Realism -- Chapter 3 George Eliot's Anachronistic Literacies -- Part III Untimely Improvement -- Chapter 4 Charles Dickens's Reactionary Reform -- Chapter 5 George Moore's Untimely Bildung -- Coda: Inhabiting Institutions -- Bibliography -- Index.

This collection challenges the view that national identification or religious affiliation provided such a strong focus in the lives of individuals as to render unimportant ties, such as those of geography, class, social background, or sectional interest. Power, wealth, and influence were distributed in myriad ways in the 19th century, and often through localized elites or social networks. County clubs, old school networks, and voluntary and charitable organizations appeared throughout the century, vying for the attention of the established elite and the rising middle classes, alongside political parties, freemasonry, and sports and social clubs. Aspirational behavior was evident at many levels of society and affected Irish men and women of all religious backgrounds. Contents include: architectures of gentility in 19th-century Ireland * building Victorian Dublin: Meade & Son and the expansion of the city * elites, ritual, and the legitimation of power on an Irish landed estate, 1855-1890 * elite women as household managers in late 19th-century Ireland * solicitors as elites in mid-19th-century Irish landed society * elites in politics and journalism in Ireland, 1870-1918 * influence of book club members on Belfast's civic identity in the 19th century * the Big House at play: archery as an elite pursuit from the 1830s to the 1870s * Lady Gregory's fans: the Irish Protestant landed class and negotiations of power * the emergence of an Irish middle class in 19th-century Manchester * Irish tourists and the definition of a national elite * a new role for Irish Anglicans in the later 19th century * visual parody and political commentary: John Doyle and Daniel O'Connell * Jeremiah Jordan, Methodist and Nationalist MP * the Irish revival, elite competition, and the First World War (Series: Nineteenth-Century Ireland)

A comprehensive cultural history of childhood in nineteenth-century Ireland, which explores how the notion of childhood fluctuated depending on class, gender, and religious identity, and presents invaluable new insights into Irish boarding schools, the material culture of childhood, and the experience of boys and girls in education.

Through analysis of eight English novels of the Nineteenth century, this work explores the ways in which the novel contributes to the formation of ideology regarding the family, and, conversely, the ways in which changing attitudes toward the family shape and reshape the novel.

We think of economic theory as a scientific speciality accessible only to experts, but Victorian writers commented on economic subjects with great interest. Gordon Bigelow focuses on novelists Charles Dickens and Elizabeth Gaskell and compares their work with commentaries on the Irish famine (1845–1852). Bigelow argues that at this moment of crisis the rise of economics depended substantially on concepts developed in literature. These works all criticized the systematized approach to economic life that the prevailing political economy proposed. Gradually the romantic views of human subjectivity, described in the novels, provided the foundation for a new theory of capitalism based on the desires of the individual consumer. Bigelow's argument stands out by showing how the discussion of capitalism in these works had significant influence not just on public opinion, but on the rise of economic theory itself.

From Jane Austen's Persuasion to George Eliot's Middlemarch, the nineteenth century marks the rise of the novel as the dominant form of Western literature. This engaging text offers readers a close analysis of novels that are uniquely representative of the time period, including the work of Austen, Eliot, Scott, Thackeray, Gaskell, Dickens, Trollope, Braddon, and the Brontë sisters. An indispensable resource for students and teachers alike, this accessible guidebook: Places strong emphasis on the distinctive perspectives and discursive practices of narrators Provides in-depth analyses of individual passages Highlights the differences between the assumptions and experiences of the era in which the novels were written and those of the modern reader Draws key distinctions between novelists Explores significant theoretical approaches such as Foucauldian, New Historicist, Postcolonial, and feminist criticism Offers an overview of the social, economic, and political change that was influenced by the fiction of the time.

The Maamtrasna Murders of 1882--in which three men who spoke only Irish were wrongfully sentenced to death after a trial conducted fully in English--stand as one of the gravest miscarriages of justice in Irish history. In this book, Margaret Kelleher uses the Maamtransa case, notorious for its failure to interpretive and translation services to monoglot Irish speakers, as a starting point for an investigation into broader sociolinguistic issues. Uncovering archival materials not previously consulted, this book illuminates a story that has proven to be a much messier social narrative than previously recognized. Kelleher show that, although the wrongful execution of monolingual Irishmen have historically been the best-known feature of the case, the complex significance of language use in an isolated region mirrors the dynamics that continue to influence the fates of monolingual and bilingual people today.

A collection of essays, based on original research delivered at one of the Society for the Study of Nineteenth-Century Ireland's recent annual conferences.--Back book cover.

This book examines Irish portraits during the long nineteenth century in which figures read or hold a book. Reading fiction was cast as unmanly, while 'silent reading' allowed women of means to read widely and privately. Portraits of such women helped construct the idea of the 'New Woman' in Ireland.