This collection of essays, first published in 1886, represent Moore's interpretation of life in Ireland in the early 1880s. Moore, the eldest son of a Catholic landlord and Home Rule MP, spares neither landlords nor tenants, priests or nationalists in his narratives. His depictions of the Irish landscape are often lyrical and memorable and he gives a vivid impression of the atmosphere of the country in the short period between the Land War and the Plan of Campaign. -- Publisher description.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

A truly cosmopolitan Irish writer, George Moore (1852-1933) was a fascinating figure of the fin de siècle, moving between countries, crossing genre and medium boundaries, forever exploring and promulgating aesthetic trends and artistic developments: Naturalism in the novel and the theatre, Impressionism in painting, Decadence and the avant-garde, Literary Wagnerism, the Irish Literary Revival, New Woman culture. This volume on border-crossings offers a variety of critical perspectives to approach Moore’s multifaceted oeuvre and personality. The essays by Contributors from various national backgrounds and from a wide range of disciplines establish original points of contact between literary creation, art history, Wagnerian opera, gender studies, sociology, and altogether reposition Moore as a major representative of European turn-of-the-century culture.

Confessions of a Young Man is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emerging French Impressionists; for its literary criticism; and depictions of bohemian life in Paris during the 1870s and 1880s.

In George Moore's 'A Mere Accident,' the story is set in Thornby Place, an English countryside home owned by Mrs Norton. The novel begins with a detailed description of the house and its mix of architectural styles, and the protagonist, John Norton's, dislike of its ordered and tidy interior. The book portrays Mrs Norton as a determined woman who values order and efficiency, which is in contrast to John Norton's feelings about the house's design.