From the New York Times bestselling author of Start With Why and Leaders Eat Last, a bold framework for leadership in today’s ever-changing world. How do we win a game that has no end? Finite games, like football or chess, have known players, fixed rules and a clear endpoint. The winners and losers are easily identified. Infinite games, games with no finish line, like business or politics, or life itself, have players who come and go. The rules of an infinite game are changeable while infinite games have no defined endpoint. There are no winners or losers—only ahead and behind. The question is, how do we play to succeed in the game we’re in? In this revelatory new book, Simon Sinek offers a framework for leading with an infinite mindset. On one hand, none of us can resist the fleeting thrills of a promotion earned or a tournament won, yet these rewards fade quickly. In pursuit of a Just Cause, we will commit to a vision of a future world so appealing that we will build it week after week, month after month, year after year. Although we do not know the exact form this world will take, working toward it gives our work and our life meaning. Leaders who embrace an infinite mindset build stronger, more innovative, more inspiring organizations. Ultimately, they are the ones who lead us into the future.

We are all captivated and puzzled by the infinite, in its many varied guises; by the endlessness of space and time; by the thought that between any two points in space, however close, there is always another; by the fact that numbers go on forever; and by the idea of an all-knowing, all-powerful God. In this acclaimed introduction to the infinite, A. W. Moore takes us on a journey back to early Greek thought about the infinite, from its inception to Aristotle. He then examines medieval and early modern conceptions of the infinite, including a brief history of the calculus, before turning to Kant and post-Kantian ideas. He also gives an account of Cantor’s remarkable discovery that some infinities are bigger than others. In the second part of the book, Moore develops his own views, drawing on technical advances in the mathematics of the infinite, including the celebrated theorems of Skolem and Gödel, and deriving inspiration from Wittgenstein. He concludes this part with a discussion of death and human finitude. For this third edition Moore has added a new part, ‘Infinity superseded’, which contains two new chapters refining his own ideas through a re-examination of the ideas of Spinoza, Hegel, and Nietzsche. This new part is heavily influenced by the work of Deleuze. Also new for the third edition are: a technical appendix on still unresolved questions about different infinite sizes; an expanded glossary; and updated references and further reading. The Infinite, Third Edition is ideal reading for anyone interested in an engaging and historically informed account of this fascinating topic, whether from a philosophical point of view, a mathematical point of view, or a religious point of view.

“There are at least two kinds of games,” states James P. Carse as he begins this extraordinary book. “One could be called finite; the other infinite. A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.” Finite games are the familiar contests of everyday life; they are played in order to be won, which is when they end. But infinite games are more mysterious. Their object is not winning, but ensuring the continuation of play. The rules may change, the boundaries may change, even the participants may change—as long as the game is never allowed to come to an end. What are infinite games? How do they affect the ways we play our finite games? What are we doing when we play—finitely or infinitely? And how can infinite games affect the ways in which we live our lives? Carse explores these questions with stunning elegance, teasing out of his distinctions a universe of observation and insight, noting where and why and how we play, finitely and infinitely. He surveys our world—from the finite games of the playing field and playing board to the infinite games found in culture and religion—leaving all we think we know illuminated and transformed. Along the way, Carse finds new ways of understanding everything, from how an actress portrays a role to how we engage in sex, from the nature of evil to the nature of science. Finite games, he shows, may offer wealth and status, power and glory, but infinite games offer something far more subtle and far grander. Carse has written a book rich in insight and aphorism. Already an international literary event, Finite and Infinite Games is certain to be argued about and celebrated for years to come. Reading it is the first step in learning to play the infinite game.

For as long as she can remember, Wren Gray’s goal has been to please her parents. But as high school graduation nears, so does an uncomfortable realization: Pleasing her parents once overlapped with pleasing herself, but now . . . not so much. Wren needs to honor her own desires, but how can she if she doesn’t even know what they are? Charlie Parker, on the other hand, is painfully aware of his heart’s desire. A gentle boy with a troubled past, Charlie has loved Wren since the day he first saw her. But a girl like Wren would never fall for a guy like Charlie—at least not the sort of guy Charlie believes himself to be. And yet certain things are written in the stars. And in the summer after high school, Wren and Charlie’s souls will collide. But souls are complicated, as are the bodies that house them . . . Sexy, romantic, and oh-so-true to life, this is an unforgettable look at first love from one of young adult fiction’s greatest writers. Praise for The Infinite Moment of Us STARRED REVIEW "The scenes of sexual intimacy are described with innocently erotic frankness, offering an ideal (if not idealized) model for readers on the cusp; this is Forever... for a new generation, offering character depth Cath and Michael never achieved. Summer love has never been so good." —Kirkus Reviews, starred review "In contrast to unhealthy depictions of sex and relationships that teenagers (and adults) are often exposed to in media and entertainment, Myracle offers up a passionate romance built on a bedrock of love, respect, and trust. And it’s difficult to see that as a bad thing." —Publishers Weekly "Two mature recent high school graduates fall in love and bring out the best in each other in Lauren Myracle's thoughtful exploration of an intimate relationship...the relationship between Wren and Charlie always remains realistic and involving." —Shelf Awareness "This charming romance has multidimensional characters, straightforward sexuality, and a pace that lets readers fall in love with the main characters. Myracle expertly captures the intense connection of first love, from the need to spend every moment together to trying to figure out how to communicate with one another." —School Library Journal "The single-focus intensity of Wren and Charlie’s feelings is spot-on for the age group... chapters move between both their perspectives as they grow into the relationship, offering readers of both sexes a rather compelling example of the how-to’s of intimacy." —The Bulletin of The Center for Children’s Books

When I looked up, I shivered. How many stars were in the sky? A million? A billion? Maybe the number was as big as infinity. I started to feel very, very small. How could I even think about something as big as infinity? Uma can't help feeling small when she peers up at the night sky. She begins to wonder about infinity. Is infinity a number that grows forever? Is it an endless racetrack? Could infinity be in an ice cream cone? Uma soon finds that the ways to think about this big idea may just be . . . infinite.

Most scholars would agree that there is an epochal threshold between the world of the Middle Ages and the modern world. Agreement on the nature and dynamic structure of that threshold is harder to come by. Hans Blumenberg's original and compelling account of the transition from medieval to modern, given in his 1966 work The Legitimacy of the Modern Age, has received wide attention. Elizabeth Brient begins her own account of the transition with an extensive, critical assessment of central aspects of Blumenberg's work. She elucidates his "dialogical" method of historical explanation, then discusses the shortcomings of his defense of the "legitimacy" of modernity. The transition to the modern world is marked by the process of making infinite the finite medieval cosmos. Whereas Blumenberg focused on the spatial infinitization of the universe, Brient claims that the process must be understood intensively as well as extensively. In the now-infinite universe of the new science, the problem of finding a measure for man's self-assertive activity, and for human knowledge, comes to the fore. The second half of the book focuses on the way in which this difficulty is addressed with conceptual resources developed in the tradition of late medieval Neoplatonism, in particular in the speculative thought of Meister Eckart and Nicholas of Cusa. Specific attention is given to the way in which Cusanus' notion of the immanence of the infinite in the finite responds to the need for a regulative ideal for human knowing. This is the first book-length treatment of Blumenberg to appear in English and will be a most welcome resource for readers engaged by debates concerning the status of modernity. It will be of equal interest to students of Eckhart and Cusanus, and to those generally concerned with the transition between the medieval and the modern world. ABOUT THE AUTHOR: Elizabeth Brient is Assistant Professor of philosophy at The University of Georgia. PRAISE FOR THE BOOK: "Blumenberg could not have wished for a more reverent critique of his achievements or a more exacting textual exegesis regarding the sources of their philosophical content, all written in a lucid style that is forthright in the defense of the depth of thought during the Middle Ages but also pleasing in its subtle irony with respect to Blumenberg's and the author's own metaphysical creed."- Walter F. Veit, Speculum "Brient's analysis of Blumenberg's philosophy sheds significant light in the debate concerning modernity. . . ." --Albrecht Classen, University of Arizona, German Studies Review

For a thousand years, infinity has proven to be a difficult and illuminating challenge for mathematicians and theologians. It certainly is the strangest idea that humans have ever thought. Where did it come from and what is it telling us about our Universe? Can there actually be infinities? Is matter infinitely divisible into ever-smaller pieces? But infinity is also the place where things happen that don't. All manner of strange paradoxes and fantasies characterize an infinite universe. If our Universe is infinite then an infinite number of exact copies of you are, at this very moment, reading an identical sentence on an identical planet somewhere else in the Universe. Now Infinity is the darling of cutting edge research, the measuring stick used by physicists, cosmologists, and mathematicians to determine the accuracy of their theories. From the paradox of Zeno’s arrow to string theory, Cambridge professor John Barrow takes us on a grand tour of this most elusive of ideas and describes with clarifying subtlety how this subject has shaped, and continues to shape, our very sense of the world in which we live. The Infinite Book is a thoroughly entertaining and completely accessible account of the biggest subject of them all–infinity.

From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.