The textile art from northern Borneo, made by the Iban, Kantu, Ketungau, and Mualang tribes, is highly distinctive and extraordinarily rich. In this remarkable book, more than 150 full-page brilliant color photographs of textiles from one of the world’s outstanding private collections shed new light on this timeless tradition. The works are ceremonial textiles used in rites of passage—birth, marriage, death—dyed with natural colors and woven in traditional ikat techniques; many have never been published before. Clothing worn during those ceremonies is also represented. As unmistakable as it is colorful, this Southeast Asian textile tradition remains influential for contemporary textile artists and designers.

Twenty-year-old Ratai is proud and strong for she is the eldest child of Nuing, the Iban warrior who went to the invisible world and returned alive, and the granddaughter of Bujang Maias, the great headhunter who was raised by apes. Despite her pedigree, however, she is frustrated and confused. Although a more successful hunter than the men her age she has still not managed to master the weave necessary to prove her feminine skills and win a man’s heart. After a bad omen befalls her longhouse, Ratai feels compelled to join a war party to take enemy heads and save her people. The longhouse is against her joining the headhunting expedition but Ratai is stubborn because she has been adopted by Kumang, the goddess of the weave and the patroness of headhunters. Ratai must overcome deadly tasks, both in the forests of Borneo and in the Iban dream world, and she must find a balance between her desire to be the perfect Iban woman and her lust for adventure. Iban Woman is the third in the Iban Dream series of standalone novels by Golda Mowe, the most prolific Iban novelist in English of her generation and a descendant of the erstwhile headhunters of Borneo. In this her latest book, readers are once again immersed in Iban culture, learning the art of the weave, how to interpret omens in nature and how to hunt for animals … and human heads.

Orphaned as a young boy in the rainforests of Borneo, Bujang is brought up by a family of orangutans, but his adult future has already been decided for him by Sengalang Burong, the Iban warpath god. On reaching adulthood, Bujang must leave his ape family and serve the warpath god as a warrior and a headhunter. Having survived his first assignment — to kill an ill-tempered demon in the form of a ferocious wild boar — subsequent adventures see Bujang converse with gods, shamans, animal spirits and with the nomadic people of Borneo as he battles evil spirits and demons to preserve the safety of those he holds dear to him. But Bujang’s greatest test is still to come and he must rally a large headhunting expedition to free his captured wife and those of his fellow villagers. In this unique work of fantasy fiction, author Golda Mowe — herself an Iban from Borneo — uses real beliefs, taboos and terminology of the Iban (a longhouse-dwelling indigenous group of people from Borneo who, until very recently, were renowned for practising headhunting) to weave an epic tale of good versus evil.

The author describes his experiences living among the Iban, and recounts his attempts to understand their culture.

Though his father, Bujang, loves him, Nuing runs away from home because the people of the longhouse reject him. Following a failed war expedition, Bunsu Jugam, the spirit of the youngest sun bear, rescues Nuing and brings him into the invisible world where he tells him that Bujang has been kidnapped by K’lansat demons. The python spirit of his father’s trophy head spits on Nuing and causes his skin to burn and swell until he looks like a deformed rhinocerous. He manages to rescue his father and on their return they are attacked by four men. Bujang kills one, and Nuing three. When the thick skin finally comes off and the people learns that their hero is Nuing, they grudgingly accepts him back, believing that the curse of his birth is nullified by the power of the three heads he took. Iban Journey is volume two in this unique series of fantasy fiction — that includes Iban Dream — in which author Golda Mowe, herself an Iban from Borneo, uses real beliefs, taboos and terminology of the Iban (a longhouse-dwelling indigenous group of people from Borneo who, until very recently, were renowned for practising headhunting) to weave epic tales of good versus evil.

With the end of the Cold War and the proliferation of civil wars and "regime changes," the question of nation building has acquired great practical and theoretical urgency. From Eastern Europe to East Timor, Afghanistan and recently Iraq, the United States and its allies have often been accused of shirking their nation-building responsibilities as their attention — and that of the media -- turned to yet another regional crisis. While much has been written about the growing influence of television and the Internet on modern warfare, little is known about the relationship between media and nation building. This book explores, for the first time, this relationship by means of a paradigmatic case of successful nation building: Malaysia. Based on extended fieldwork and historical research, the author follows the diffusion, adoption, and social uses of media among the Iban of Sarawak, in Malaysian Borneo and demonstrates the wide-ranging process of nation building that has accompanied the Iban adoption of radio, clocks, print media, and television. In less than four decades, Iban longhouses ('villages under one roof') have become media organizations shaped by the official ideology of Malaysia, a country hastily formed in 1963 by conjoining four disparate territories.

Once headhunters under the rule of White Rajahs and briefly colonised before independence within Malaysia, the Iban Dayaks of Borneo are one of the world's most extraordinary indigenous tribes, possessing ancient traditions and a unique way of life. As a young man Erik Jensen settled in Sarawak where he lived with the Iban for seven years, learning their language and the varied rites and practices of their lives. He was also witness to the great and often shattering changes they faced then and continue to face today. The plentiful harvests, abundant game and rivers teeming with fish of their remembered past have long since disappeared - destroyed by restrictions on settlement and, ironically, by forest conservation. The Iban's animist beliefs are slowly being replaced by the imported religions of Christianity and Islam and their traditional ways by modern schooling and medicine. In this compelling and beautifully-wrought memoir, Erik Jensen reveals the challenges facing the Iban as they adapt to another century, whilst fighting to preserve their identity and singular place in the world. Haunting, yet hopeful, Where Hornbills Fly opens a window onto a vanishing world and paints a remarkable portrait of this fragile tribe, which continues to survive deep in the heart of Borneo.