Europe's great powers formed two powerful coalitions against France, yet force of numbers, superior leadership and the patriotic fervour of France's citizen-soldiers not only defeated each in turn, but closed the era of small, professional armies fighting for limited political objectives. This period produced commanders whose names remain a by-word for excellence in leadership to this day, Napoleon and Nelson. From Italy to Egypt Napoleon demonstrated his strategic genius and mastery of tactics in battles including Rivoli, the Pyramids and Marengo. Nelson's spectacular sea victories at the Nile and Copenhagen were foretastes of a century of British naval supremacy.

Napoleon has escaped from Elba – the Hundred Days have begun.

Edmond Rostand's six-act play "L'Aiglon" follows the life of Napoleon II, the son of Emperor Napoleon I, and his second wife, Empress Marie Louise. The title of the play is derived from Napoleon II's nickname, the French word for "eaglet".

This narrative account of three Napoleonic battles adheres rather closely to the Aristotelian configuration of evolving tragedy. The historian succeeds in presenting herein events and character not only in historical reality but also in unities employed by the artist or tragedian. For a beginning of this lively, military story, Harold T. Parker chooses a portrayal of Napoleon at the height of his power, the battle of Friedland. The middle episode is concerned with Napoleon in his first serious personal check, the battle of Aspern-Essling. To complete the unity and to conclude the tragic progression, the author resurveys the episode of Napoleon's final defeat at the battle of Waterloo.

Europe was forged out of the ashes of the Napoleonic wars by means of a collective fight against revolutionary terror. The Allied Council created a culture of in- and exclusion, of people that were persecuted and those who were protected, using secret police, black lists, border controls and fortifications, and financed by European capital holders.