The deadliest ride-or-die chicks in Memphis have a new rival. But when all’s said and done, only one gang can reign supreme... The streets of the Dirty South have never been meaner as the ruthless women of warring hoods are just a few body bags away from total domination. Determined to rain bullets on Shotgun Row, lieutenant Lucifer teams up with Profit, head gangsta of the Vice Lords and a man bent on revenge. Good girl gone bad Ta’shara sets her sights on knocking her evil sister off the throne—but she’s unprepared for what’s ahead. Qiana’s deal with the devil to take ambitious Yolanda out of the picture plants her at the center of a manhunt that will jeopardize her own position. And as Queen G LeShelle’s list of enemies multiplies, the final knockout may come from the last person she expects. While the war zone expands, these gangsta divas take no prisoners for the chance to rule it all...

Curtis Mozie, known on the streets as C-Webb is without a doubt a leader in Washington DC. He spends every waking moment trying to prevent gangs and gun violence on the streets of DC. With the creation of Tale of the Tape Foundation, Curtis produces films that document the lives and death of 65 of his friends murdered by gun violence. He has been a catalyst for positive change for over twenty years, earning the trust of both police officers and gang members having been a police officer himself, its incredible that gangs have allowed him to intimately explore their violent and brutal world. His video camera captures their day-to-day lives playing basketball and also their candidness in interviews at his apartment, which is known as the Safe House, a place where at risk youth come to be mentored on life skills, and to have someone hear their problems and concerns. When one of them gets killed or injured in gang violence, Curtis is there to mourn the lost with family members. He then creates a montage of their lives and deaths in a video tribute-lessons learned. Curtis without a doubt is a unique individual a community hero for DC Mothers, and Fathers. Hes appeared on numerous news media outlets across the world. His message is an unfaltering dedication and commitment to making the streets of DC safer for everyone. He now works at the Kennedy Recreation Center for the Department of Parks & Recreation working with youth and serving the community.

Welcome to Gangstaville magazine, the Hood #1 source for music, entertainment and urban news,

Welcome to Gangstaville Mag, the hood #1 source for indie hip hop and RnB music. We showcase the hottest upcoming artists and models. Gangstaville Mag is the voice of the streets, discussing topics that effect our community and supporting black owned business.

In the late 1980s, gansta rap music emerged in urban America, giving voice to, & making money for, a social group widely believed to be in crisis: young, poor, black men. Quinn probes the origins of the genre, & follows its development, focusing on artists such as Ice Cube & Tupac Shakur.

Numbers...A Gangstas Child, based on true events, is a fascinating story about a young southern girl who leaves her parents home to seek success on Wall Street. While she pursues the American dream, a chain of events leads her into the underworld of organized crime, a dark and dangerous place where she is challenged by men in power. Against all odds STEELE rises to the top of her game as a MOB BOSS.

The Saga Continues from critically acclaimed author, Leo Sullivan, it's the long awaited Essence Best Seller, A Gangsta's Chick 3. When self-made gangsta and millionaire , Jack Lemon, finds himself desperately to get out of Cuba, he encounters some of the most ruthless foes he's ever faced. Deeply amid the original Cuban thugs, Jack races against time to get state side and save Gina. Will he make it? Or is he finally too late. Once again, Gina finds herself in the mix of mayhem and murder. Except this time, it's a deadly plot ...... designed to bring her down.

Street gangs are a major concern for residents in many inner-city communities. However, gangs’ secretive and, at times, delinquent tendencies limit most people’s exposure to the realities of gang life. Based on eighteen months of qualitative research on the streets of Indianapolis, Real Gangstas provides a unique and intimate look at the lives of street gang members as they negotiate a dangerous peer environment in a major midwestern city. Timothy R. Lauger interviewed and observed a mix of fifty-five gang members, former gang members, and non-gang street offenders. He spent much of his fieldwork time in the company of a particular gang, the “Down for Whatever Boyz,” who allowed him to watch and record many of their day-to-day activities and conversations. Through this extensive research, Lauger is able to understand and explain the reasons for gang membership, including a chaotic family life, poverty, and the need for violent self-assertion in order to foster the creation of a personal identity. Although the book exposes many troubling aspects of gang life, it is not a simple descriptive or a sensationalistic account of urban despair and violence. Steeped in the tradition of analytical ethnography, the study develops a central theoretical argument: combinations of street gangs within cities shape individual gang member behavior within those urban settings. Within Indianapolis, members of rival gangs interact on a routine basis within an ambiguous and unstable environment. Participants believe that many of their contemporaries claiming gang affiliations are not actually “real” gang members, but instead are imposters who gain access to the advantages of gang membership through fraud and pretense. Consequently, the ability to discern “real” gang members—or to present oneself successfully as a real gang member—is a critical part of gangland Indianapolis. Real Gangstas offers an objective and fair characterization of active gang members, successfully balancing the seemingly conflicting idea that they generally seem like normal teenagers, yet are abnormally concerned with—and too often involved in—violence. Lauger takes readers to the edge of an actual gang conflict, providing a rare and up-close look at the troubling processes that facilitate hostility and violence.

In Shaded Lives, Beretta Smith-Shomade sets out to dissect images of the African American woman in television from the 1980s. She calls their depiction "binaristic," or split. African American women, although an essential part of television programming today, are still presented as distorted and deviant. By closely examining the television texts of African-American women in comedy, music video, television news and talk shows (Oprah Winfrey is highlighted), Smith-Shomade shows how these voices are represented, what forces may be at work in influencing these images, and what alternate ways of viewing might be available.