Green Eyes will drum up a heist of a lifetime and will cross enemy territory to do it.

Poetry. "So focused, so distilled the articulation of these poems-the details of country matters so strangely noticed, the dreams so strongly nourished-that initially we are at a loss (though quite happy to be there) to know what to make of this new diction..Though spoken out of a solitude and into one, Cantwell's fresh-cut verses achieve a sort of community of perception, 'untethered from familiar darkness, ' as the poet says. This new poet says it all. Anew" -Richard Howard

Our eyes see flies. Our eyes see ants. Sometimes they see pink underpants. Oh, say can you see? Dr. Seuss’s hilarious ode to eyes gives little ones a whole new appreciation for all the wonderful things to be seen!

When your Dad can crash his airplane into two water buffalo, life is unlikely to go according to plan. Even so, Emily Joy puts on her rose-tinted glasses, leaves behind her comfortable life as a doctor in Britain, and heads off for two years to a remote hospital in Sierra Leone. There she finds the oranges are green, the bananas are black, and her patients are very ill. There's no water, no electricity, no oxygen, no amputation saw—and Dr. Em is no surgeon. And there's no chocolate to treat her nasty case of unrequited love. Dr. Em's problems are tiny compared to those faced by the people of Sierra Leone on a daily basis. If they can remain so optimistic, what's Em's excuse? Our green doctor is a bit of a yellow-belly, often red-faced, trying to fight the blues. But green oranges give sweet orange juice. Never judge a fruit by its color.

Against the dramatic backdrop of the French Revolution, historian Scurr tracks Robespierre's evolution from lawyer to revolutionary leader. This is a fascinating portrait of a man who identified with the Revolution to the point of madness, and in so doing changed the course of history.

Considered the definitive text in its field, revisions of the 2nd Edition reflect the latest advances in new technologies and most recent uses of ultrasound for intraocular and orbital lesions. Additional chapters delve into the use of high resolution ultrasound in identifying inflammatory diseases, tumors and glaucoma as well as color Doppler for diagnosing vascular disease. New illustrations in examination chapters will more fully explain and demonstrate techniques making this the most comprehensive source available.

In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli

From monocles to pince-nez and goggle-eyes, a cultural and technological history of glasses in fact and fiction. This book examines those who wore glasses through history, art, and literature, from the green emerald through which Emperor Nero watched gladiator fights to Benjamin Franklin’s homemade bifocals, and from Marilyn Monroe’s cat-eye glasses to the famed four-eyes of Emma Bovary and Harry Potter. Spectacles are objects that seem commonplace, but In the Blink of an Eye shows that because they fundamentally changed people’s lives, glasses were the wellspring of a quiet social, cultural, and economic revolution. Indeed, one can argue that modernity itself began with the paradigm shift that transformed poor eyesight from a severely limiting disease—treated with pomades and tinctures—into a minor impairment that can be remedied with mechanisms constructed from lenses and wire.

To an outsider, the hedonistic lifestyle of university students can seem an enviable one. But right now Danny Thorn - enrolled at Billings College Cambridge - can see little to be jealous of. Danny's got woman troubles - his ex, Julie, won't leave him alone and the beguiling Stella doesn't seem to be interested in him. But as the term progresses, getting a date for the May Ball will be the least of his worries. A rapist, who's been preying on female students for months, is still at large. And a potentially deadly case of the green-eyed monster is about to rear its ugly head. As events take increasingly bizarre and shocking turns, Danny's mother, Rosa, arrives in Cambridge. There to film a TV series and see her son, instead she finds herself desperately trying to restore some sort of order. But she could never be prepared for just how terrifying things are about to get...

The Green Halo is a highly readable introduction to the vast field of contemporary ecological thought. It is a basic education in environmental philosophy and a welcome propadeutic for understanding the most crucial problem facing humankind in the coming century: How can humans live on this earth so that they do not destroy the preconditions for their own existence?