The neighborhoods of New Orleans have given rise to an extraordinary outpouring of important writing. Over the last century and a half or so, these stories and songs have given the city its singular place in the human imagination. This book leads the reader along five thoroughfares that define these different parts of town – Royal, St. Claude, Esplanade, Basin, and St. Charles – to explore how the writers who have lived around them have responded in closely related ways to the environments they share. On the outskirts of New Orleans today, the city's precarious relation to its watery surroundings and the vexed legacies of race loom especially large. But the city's literature shows us that these themes have been near to hand for New Orleans writers for several generations, whether reflected through questions of masquerade, dreams of escape, the innocence of children, or the power of money or of violence or of memory.

Report and speeches at the [third] annual meeting of the Church Pastoral-aid Society, May 8, 1838.

The two Books of Homilies, along with the Book of Common Prayer and the Ordinal, have long been basic documents of the Church of England, and are valuable in showing how Anglican doctrine shifted during the Reformation, as well as being of considerable historical importance.The first book, published in 1547, early in the reign of Edward VI, was partly, though not entirely, the work of Archbishop Thomas Cranmer, and the inspiration appears to have been his. This was intended to raise the standards of preaching by offering model ser mons covering particular doctrinal and pastoral themes, either to be read (particularly by unlicensed clergy) or to provide preachers with additional material for their own sermons.The success of the venture led Bishop EdmundBonner, who had contributed to Cranmer's book, to produce his own Book of Homilies in 1555, during the reign of Queen Mary. The Second Book of Homilies, published in 1563 (and in a revised form in 1571) appears in turn to have been influenced by both Cranmer's and Bonner's books.The present edition brings together all three books, edited and introduced by Revd Dr Gerald Bray.

The early 1890s through the late 1920s saw an explosion in serious long fiction by women in the United States. Considering a wide range of authors--African American, Asian American, white American, and Native American--this book looks at the work of seventeen writers from that period: Frances Ellen Harper, Charlotte Perkins Gilman, Sarah Orne Jewett, Alice Dunbar-Nelson, Kate Chopin, Pauline Hopkins, Gertrude Stein, Mary Austin, Sui Sin Far, Willa Cather, Humishuma, Jessie Fauset, Edith Wharton, Ellen Glasgow, Anzia Yezierska, Edith Summers Kelley, and Nella Larsen. The discussion focuses on the differences in their work and the similarities that unite them, particularly their determination to experiment with narrative form as they explored and voiced issues of power for women. Analyzing the historical context that both enabled and limited American women writers at the turn of the century, Ammons provides detailed readings of many texts and offers extensive commentary on the interaction between race and gender. This book joins the deepening discussion of modern women writers' creation of themselves as artists and raises fundamental questions about the shape of American literary history as it has been constructed in the academy.

Reproduction of the original: Paris by William Walton

Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.