Daniel is desperate for a fresh start. So when a mysterious figure slides a note under his door offering the position of groundskeeper at an ancient estate, he leaps at the chance, even though it seems too good to be true. Alarm bells start ringing when he arrives at Craven Manor. The abandoned mansion is straight out of those old gothic mysteries: the front door hangs open, and leaves and cobwebs coat the marble foyer. It's clear no one has lived here in a long time... but he has nowhere else to go. Against his better judgment, he moves into the groundskeeper's cottage tucked away behind the old family crypt. But when a candle flickers to life in the abandoned tower window, Daniel realizes he isn't alone after all. Something awful happened here long ago, and it's a paranormal mystery Daniel is afraid to solve. Because Craven Manor is hiding a terrible secret... One that threatens to bury him with it.

How far will she go to save the damned? Keira is caught in a deadly battle. Her ability to help ghosts move on from the mortal world has made her a threat to Artec, a powerful corporation intent on trapping the tortured dead for profit. They've been tracking her for years and now, finally, there's nowhere left for her to run. Artec fears Keira and everything she's capable of. They will stop at nothing to eliminate her―including sending armed men after everyone she holds dear. Desperate and quickly running out of time, Keira races to hone her abilities as she searches for a way to destroy the twisted organization for good. But at least now she's no longer alone. Her friends have offered to follow wherever she leads, even if that means a direct strike deep into the heart of Artec's central base...and to the certain death waiting for them there.

Shiver at the story of the malevolent apparition of 50 Berkeley Square no one has survived seeing. Listen for the tapping cane, when Jeremy Bentham’s mummified body walks through the corridors of University College. Watch out for the Roman centurion who still patrols the causeway linking Mersea Island to Essex. Shudder at the ghosts of kings and queens that keep returning to their old home at Windsor. Beware the black dog of Shap Fell: a sighting presages fatal accidents. England’s history echoes with stories of unquiet spirits and hauntings, of headless highwaymen and grey ladies, of premonitions of death and indelible blood-stains. Here, county by county and place by place, Jennifer Westwood and Jacqueline Simpson gather together all the most interesting supernatural tales from The Lore of the Land. From a ghostly army marching across Cumbria to landlords’ appeals against rates (because no one will rent their haunted house), from the phantom hitchhiker of the Blackwall Tunnel to Francis Drake’s drum summoning him when England is in danger, these fascinating and unforgettable stories are part of our legendary past – and present.

Nancy Atherton's twenty-second cozy mystery in the beloved, nationally bestselling Aunt Dimity series. It's early April in the small English village of Finch. Lori Shepherd's husband and sons are spending Easter break camping, and Lori is perfectly happy to be left at home with Bess, spared a week of roughing it with a curious toddler. The two attend a village events committee meeting and Lori is astonished when the elderly, soft-spoken widow Mrs. Annabelle Craven stands to make an announcement: she's decided to hold a quilting bee in the old schoolhouse. At the quilting bee, Lori ends up seated beside Mrs. Craven, delighted at the opportunity to learn more about her neighbor's life in the village of Old Cowerton. But dear, sweet Mrs. Craven's stories reveal a startling secret about her first husband's death. With Aunt Dimity's advice, Lori sets out to learn the truth about what the residents of Old Cowerton refer to as the "widow's curse"--and the deeper she digs, the more horrifying the tale becomes, until she discovers the most astounding revelation of all. Watch out for Atherton's latest, Aunt Dimity and the King's Ransom, coming out in July 2018!

This collection of ten original (and one reprinted) essays provides an in-depth examination of one of America's foremost contemporary playwrights. Established critics as well as younger scholars examine well-known works such as Getting Out, 'night, Mother, The Laundromat, and the adaptation of The Secret Garden. Lesser known plays such as The Holdup, Sarah and Abraham, Traveler in the Dark, and Loving Daniel Boone are also discussed. This casebook includes an interview with Norman commenting on her work and her place in American theater as well as a review of 'night, Mother by drama critic Robert Brustein. The essays analyze Norman's works in comparison to the works of other playwrights and examine the mother/daughter relationships of the characters as well as Norman's sense of a woman's place within a patriarchal culture.

Truly powerful vocal performance in musical theater is more than just the sum of good vocal tone and correct notes. As experienced teacher, director, and performer Mark Ross Clark lays out in The Broadway Song, powerful performance communicates the central function of a song within the context of the surrounding narrative, or the "truth" of a song. Because unstaged performances of a song, such as auditions, are key to the success of all aspiring singers, Clark provides here the essential practical manual that will help performers choose the right pieces for their vocal abilities and identify the key truths of them. Clark begins by walking readers conceptually through how a song's truth is based in contexts: what show is a song from? Which character sings it? When in the show does it occur? Answering these questions will lead readers to more convincing performances that are grounded in the text, music, character, context, and larger environment (setting, time frame, and circumstances). The Broadway Song provides a comprehensive guide to the formal characteristics of key Broadway songs on a song-by-song basis, including main voice type, secondary voice qualities (such as soprano-lyric or alto-comic), range and tessitura, as well as larger contextual materials about the source -- from the musical's background, information about the character singing, and synoptic narrative information for the song -- that provide the performer a way into the character. Clark moreover brings his wide-ranging and extensive experience as a director, performer, and teacher to bear in his performance notes on the individual pieces. Additionally, he includes excerpts from short interviews with artists that provide insight into the song from the perspective of those who first created (or re-created) it. The interviews, conducted with composers, lyricists, performers, and -- in one case -- book collaborators, are snapshots into the creative process, and act as conduits to further study of the selected songs.