Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.

The Type Project Book brings together a collection of typographically-focused design projects for all beginning to intermediate-level graphic designers. Renowned design instructor Nigel French approaches each project from both technical and aesthetic points of view, showing the starting state and milestones along the way to the finished deliverable. Wherever appropriate, French discusses historical precedent and professional examples of meeting the same challenge. French describes the assets required and the software used, without presenting screenshots that may quickly become outdated. This guide’s self-contained projects build on examples French first created in his popular courses for Lynda.com/LinkedIn Learning. Its extensively illustrated, attractive format will also appeal to users who just want to dip in and out for specific knowledge and skills. Ideal for independent self-study and exploration by working designers who want to expand their skills and build their portfolios, The Type Project Book has also been crafted to support graphic design students who need a strong foundation in typography.

Creating fonts is a complex task that requires expert knowledge in a variety of domains. Often, this knowledge is not held by a single person, but spread across a number of domain experts. A central concept needed for designing fonts is the glyph, an elemental symbol representing a readable character. Required domains include designing glyph shapes, engineering rules to combine glyphs for complex scripts and checking legibility. This process is most often iterative and requires communication in all directions. This report outlines a platform that aims to enhance the means of communication, describes our prototyping process, discusses complex font rendering and editing in a live environment and an approach to generate code based on a user’s live-edits. Die Erstellung von Schriften ist eine komplexe Aufgabe, die Expertenwissen aus einer Vielzahl von Bereichen erfordert. Oftmals liegt dieses Wissen nicht bei einer einzigen Person, sondern bei einer Reihe von Fachleuten. Ein zentrales Konzept für die Gestaltung von Schriften ist der Glyph, ein elementares Symbol, das ein einzelnes lesbares Zeichen darstellt. Zu den erforderlichen Domänen gehören das Entwerfen der Glyphenformen, technische Regeln zur Kombination von Glyphen für komplexe Skripte und das Prüfen der Lesbarkeit. Dieser Prozess ist meist iterativ und erfordert ständige Kommunikation zwischen den Experten. Dieser Bericht skizziert eine Plattform, die darauf abzielt, die Kommunikationswege zu verbessern, beschreibt unseren Prototyping-Prozess, diskutiert komplexe Schriftrendering und -bearbeitung in einer Echtzeitumgebung und einen Ansatz zur Generierung von Code basierend auf direkter Manipulation eines Nutzers.

When the designer in a small production company disappears, Marusu is forced to take over the job of creating logos. Unfortunately, Marusu is a sales rep who doesn't know the first thing about fonts. Luckily, Helvetica, the personification of that font, appears to guide Marusu into the world of typeface and design. Learn about typography in this fun manga story with anthropomorphic fonts as your guide!

The folktales and myths of the Iroquois and their Algonquian neighbors rank among the most imaginatively rich and narratively co-herent traditions in North America. Inspired by these wondrous tales, Anthony Wonderley explores their significance to Iroquois and Algonquian religions and worldviews. Mostly recorded around 1900, these oral narratives preserve the voice and something of the outlook of autochthonous Americans from a bygone age, when storytelling was an important facet of daily life. Grouping the stories around shared themes and motifs, Wonderley analyzes topics ranging from cannibal giants to cultural heroes, and from legends of local places to myths of human origin. Approached comparatively and historically, these stories can enrich our understanding of archaeological remains, ethnic boundaries, and past cultural interchanges among Iroquois and Algonquian peoples.

Sometimes more, sometimes less, Christians find in their liturgy the shaping of their spirit. We have much to ponder: the words and gestures we make at prayer together, the texts of scripture, the writings of those who lived in this house of the church before us. This book explores these abundant sources in brief reflections that become dialogues with the reader. Gail Ramshaw unfolds a liturgical spirituality, standing with us - the not-yet-baptized and the long-since-baptized - beside our baptism font. It is a good place to be. For personal reflection or for group discussion, Gail Ramshaw's essays gather round them scripture texts, the wisdom of our tradition, provocative questions, and simple prayers.