The first thing of interest Cray Dawson saw upon riding into Crabtown, Montana, on his way to stake his claim in Black’s Cut, was a sign outside the barber shop, with a long line of miners, townsfolk, business people and saddle tramps strung along the boardwalk waiting their turn to view Lawrence Shaw in his coffin. FAST LARRY SHAWL DEAD IN HIS COFFIN, 50 CENTS While He Lasts... (below it in pencil) *Preview of Ralph Cotton's Hangman's Choice and Killing Texas Bob at the back of this book.

For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.

Clint is tracked down by an outlaw who, in his fifties, finds that his gun is slowing down. He wants Clint to use his gunsmithing abilities to make him a new gun, one that will increase his speed and, hopefully, shave a few years off his gun hand. Months later, Clint learns he's been made a fool of. The outlaw is using his newfound speed and accuracy with a gun to settle some old scores—and some new ones. It falls to Clint to stop him, and to see if the outlaw's abilities with a gun match his own.

These nine new essays on Homer's epics deal not only with major Homeric themes of time (honor), kleos (fame), geras (rewards), the psychology of Homeric warriors, and the re-evaluation of type scenes, but also with Homer's influence on contemporary film. Following the introduction and an essay which sets the historical background for the epics, four essays are devoted to fresh analysis of key passages and themes while another four turn to a discussion of the film Troy and Homer's influence on two other genres of American cinema.

Clint Adams isn't one to refuse a call for help, especially when it's from the United States Government. Though what the Secret Service tells him sounds mighty odd indeed. They say someone down in the Southwest territory has been training killers-for-hire and the star pupils are the fastest guns alive. And while the Gunsmith knows that fast draws are born, not made, he agrees to check out the rumors. Traveling in disguise and under the name Wes Bellman, it's only a matter of time before Clint's hip-deep in fast guns and faster women...

About the Book The Making of a Fast Gun: The Story of Colt McCoy is the exciting tale of both violence and redemption. It tells the story of Colt, who gets caught up in circumstances that are beyond his control. Colt stood up for his friend, which then made him a target for every fast gun that wanted to enhance their own reputation. This takes him on a violent journey that appears to have no escape, and all Colt wants is to be home with his family and the girl that he loves. About the Author Thompson Burnside was born and raised in West Virginia, which he refers to as “almost heaven.” He loves God, his country, and his family. He has a deep concern and love for others. He enjoys hunting and fishing in the beautiful Allegheny Mountains.

A tale of adventure and courage that invites the reader on a journey across the treacherous Atlantic to 19th Century America, where our hero Denim Armstrong struggles to make his mark in a land of opportunity and violence. The story takes us across the landscape of the Wild West, where we witness revenge killings, showdowns and turns of fortune with memorable, and sometimes notorious, historical characters shaping Denim's destiny.

Actors, writers, directors and producers who helped define the genre offer unique insight about western movies from the early talkies to the present. Interviewed here are Glenn Ford, Warren Oates, Virginia Mayo, Andrew V. McLaglen, Harry Carey, Jr., Julie Adams, A.C. Lyles, Burt Kennedy, Edward Faulkner, Aldo Sambrell, Jack Elam, Andrew J. Fenady, and Elmore Leonard. Movies they discuss include Red River, The Searchers, 3:10 to Yuma, High Noon, Bend of the River, Rio Bravo, The Wild Bunch, and The Good, the Bad, and the Ugly, among many others.

When Seth Copeland returns home to Kentucky after the Civil War, he is a different man. Having expanded his horizons during the war, he finds himself suddenly restless, his mind filled with the tales of his fellow soldiers in arms about the wide-open spaces and cheap lands of Texas. Packing up his family and earthly belongings, he sets out on a daunting trek across three states. The journey is perilous and filled with many obstacles, including fighting off cougars and sneaky mule thieves who plague the post-Civil War South. Deeper into Texas is worse, a land of fearless Comanches and ruthless bandits, but Seth and the family forge on. Certain of their belief that if they make it, they will become one of the big cattle-baron families of the Lone Star State. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Film and television Westerns are most often associated with physical bravery. However, many--especially those produced during the "Golden Age" of Westerns from the late 1940s through the early 1960s--also demonstrate moral bravery (the willingness to do the right thing even when met with others' disapproval) and psychological bravery (the ability to overcome one's fear and inner conflict to bring out the best in oneself and others). Through a close examination of Westerns displaying all three types of bravery, the author shows us how courage can lead to, and even enrich, other virtues like redemption, authenticity, love, friendship, allegiance to one's community, justice, temperance, and growing up and growing old successfully.