Edited by David Larkin. Two talented artists explore the world of faeries in myths, legends, and folklore.

Henry thinks he is simply saving a butterfly from being eaten by Mr Fogarty's cat - but he is in fact saving the life of a misdirected exiled fairy prince. A prince who has to get back to his own land in order to thwart a threatened attack by the Faeries of the Night. But time is against Pyrgus Malvae and soon he is relying on Henry and Mr Fogarty not just to get him home but also to solve the puzzle that surrounds his exile. A wonderful, gripping, page-turning read full of the kind of detail that will ensure that this fabulous fantastic novel will have readers young and old holding their breath as the story unfolds.

This exquisite anthology welcomes you into an enchanted realm rich with myth, mystery, romance, and abounding natural beauty. Gorgeous fine art and photographs, literature, essays, do-it-yourself projects, and recipes provide hours of reading, viewing, and dreaming pleasure along with a multitude of ideas for modern-day living and entertaining with a distrinctive fairy touch.

Despite all of his acknowledged greatness, almost no one reads Edmund Spenser (1552-99) anymore. Roy Maynard takes the first book of the 'Faerie Queene, ' exploring the concept of Holiness with the character of the Redcross Knight, and makes Spenser accessible again. He does this not by dumbing it down, but by deftly modernizing the spelling, explaining the obscurities in clever asides, and cuing the reader towards the right response. In today's cultural, aesthetic, and educational wars, Spenser is a mighty ally for twenty-first century Christians. Maynard proves himself a worthy mediator between Spenser's time and ours. (Gene Edward Veith)

Debut novelist Kiki Hamilton takes readers from the gritty slums and glittering ballrooms of Victorian London to the beguiling but menacing Otherworld of the Fey in this spellbinding tale of romance, suspense, and danger. The year is 1871, and Tiki has been making a home for herself and her family of orphans in a deserted hideaway adjoining Charing Cross Station in central London. Their only means of survival is by picking pockets. One December night, Tiki steals a ring, and sets off a chain of events that could lead to all-out war with the Fey. For the ring belongs to Queen Victoria, and it binds the rulers of England and the realm of Faerie to peace. With the ring missing, a rebel group of faeries hopes to break the treaty with dark magic and blood—Tiki's blood. Unbeknownst to Tiki, she is being watched—and protected—by Rieker, a fellow thief who suspects she is involved in the disappearance of the ring. Rieker has secrets of his own, and Tiki is not all that she appears to be. Her very existence haunts Prince Leopold, the Queen's son, who is driven to know more about the mysterious mark that encircles her wrist. Prince, pauper, and thief—all must work together to secure the treaty...

These cantos, published posthumously, are general agreed to contain some of the finest poetry in "The Faerie Queene", and are of central importance in the study of philosophic and religious beliefs in the late sixteenth century.

As in Shakespeare's Midsummer Night's Dream, Auberon has become the King of Faerie. His rise to the ultimate high office is told in this story, a tale teeming with errant elves, sinister sprites and treacherous trolls.

Framed in Spenser's distinctive, opulent stanza and in some of the trappings of epic, Book One of Spenser's The Faerie Queene consists of a chivalric romance that has been made to a typical recipe--fierce warres and faithfull loves--but that has been Christianized in both overt and subtle ways. The physical and moral wanderings of the Redcrosse Knight dramatize his effort to find the proper proportion of human to divine contributions to salvation--a key issue between Protestants and Catholics. Fantastic elements like alien humans, humanoids, and monsters and their respective dwelling places are vividly described.

Young Baytel, overshadowed by his imperious father, King Vokat, and by his increasingly demonic twin brother, Ravek, is being tutored by a Tree Faerie, Cyr. Fueled with idealistic courage and no knowledge of the land outside his father’s realm, Baytel abandons his birthright and duties and begins a journey to fulfill the destiny he senses within himself. His quest leads him to become a Citadel Druid, skilled in the healing arts and self-reliance. He devotes himself to enabling peaceful coexistence among the many sects of humanity who inhabit the One Land. All of this is in grave conflict with his father’s and brother’s plans of conquest. Through mysteries and battles that leave him severely at odds with his father’s ideas of domination, Baytel’s quest leads him to learn of his grandfather he had never met, his ancestry in a powerful sect, and a magic of the ages emerging within him. His adventures unite him with a group of men and women with particular individual skills and resourcefulness. To bring peace requires violent counter-action, brilliant quick thinking, steadfastness, a bit of humor, and magical happenings, all enveloped in their devotion to the quest and the ripening of friendships. Baytel’s globe is breathtakingly real, in an era of castles, blacksmiths, pulsing forests and swamps, magic and spirits, self-sustaining villages, and diverse beings and creatures--a living earth with individuals of honor and evil.

These paired Arthurian legends suggest that erotic desire and the desire for companionship undergird national politics. The maiden Britomart, Queen Elizabeth's fictional ancestor, dons armor to search for a man whom she has seen in a crystal ball. While on this quest, she seeks to understand how one can be chaste while pursuing a sexual goal, in love with a man while passionately attached to a woman, a warrior princess yet a wife. As Spenser's most sensitively developed character, Britomart is capable of heroic deeds but also of teenage self-pity. Her experience is anatomized in the stories of other characters, where versions of love and friendship include physical gratification, torture, mutual aid, competition, spiritual ecstasy, self-sacrifice, genial teasing, jealousy, abduction, wise government, sedition, and the valiant defense of a pig shed.