A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.

The simple fabric face mask is a key agent in the fight against the global spread of COVID-19. However, beyond its role as a protective covering against coronavirus infection, the face mask is the bearer of powerful symbolic and political power and arouses intense emotions. Adopting an international perspective informed by social theory, The Face Mask in COVID Times: A Sociomaterial Analysis offers an intriguing and original investigation of the social, cultural and historical dimensions of face-masking as a practice in the age of COVID. Rather than Beck’s ‘risk society’, we are now living in a ‘COVID society’, the long-term effects of which have yet to be experienced or imagined. Everything has changed. The COVID crisis has generated novel forms of sociality and new ways of living and moving through space and time. In this new world, the face mask has become a significant object, positioned as one of the key ways people can protect themselves and others from infection with the coronavirus. The face mask is rich with symbolic meaning as well as practical value. In the words of theorist Jane Bennett, the face mask has acquired a new ‘thing-power’ as it is coming together with human bodies in these times of uncertainty, illness and death. The role of the face mask in COVID times has been the subject of debate and dissension, arousing strong feelings. The historical and cultural contexts in which face masks against COVID contagion are worn (or not worn) are important to consider. In some countries, such as Japan and other East Asian nations, face mask wearing has a long tradition. Full or partial facial coverings, such as veiling, is common practice in regions such as the Middle East. In many other countries, including most countries in the Global North, most people, beyond health care workers, have little or no experience of face masks. They have had to learn how to make sense of face masking as a protective practice and how to incorporate face masks into their everyday practices and routines. Face masking practices have become highly political. The USA has witnessed protests against face mask wearing that rest on ‘sovereign individualism’, a notion which is highly specific to the contemporary political climate in that country. Face masks have also been worn to make political statements: bearing anti-racist statements, for example, but also Trump campaign support. Meanwhile, celebrities and influencers have sought to advocate for face mask wearing as part of their branding, while art makers, museums, designers and novelty fashion manufacturers have identified the opportunity to profit from this sudden new market. Face masks have become a fashion item as well as a medical device: both a way of signifying the wearer’s individuality and beliefs and their ethical stance in relation to the need to protect their own and others’ health. The Face Mask in COVID Times: A Sociomaterial Analysis provides a short and accessible analysis of the sociomaterial dimensions of the face mask in the age of COVID-19. The book presents seven short chapters and an epilogue. We bring together sociomaterial theoretical perspectives with compelling examples from public health advice and campaigns, anti-mask activism as well as popular culture (news reports, blog posts, videos, online shopping sites, art works) to illustrate our theoretical points, and use Images to support our analysis.

Diving is an exciting sport as well as a requirement of some vocations such as commercial diving, military diving, public safety diving, and scientific diving. In sport diving, most learn to dive with a half mask to cover their eyes and nose. A second stage regulator supplies their breathing gas (air). This method of diving is safe, simple, and time-tested over the last half century. The diving scenarios that appear throughout this guide are actual situations that occurred to divers. The author spoke with these divers and recorded their experiences for the educational benefit of the reader. The scenarios are described as the author interpreted each of the experiences. All the divers and the people that might be associated with their dive experience should not be faulted for any bad situations they came to be in. Every person has had some type of mishap in life, and the purpose for sharing these scenarios is to teach and help avoid future incidents that might cost someone their life.

Make Your Own Homemade Cloth Face Masks and Protect Yourself and Your family. A super easy design that is highly protective against viruses, bacteria, and other particles. FANTASTIC BONUSES included for making your own Sanitizing spray you can use to disinfect your own hands and your face cloth masks. ANOTHER BONUS FOR BOOSTING YOUR IMMUNE SYSTEM AND YOUR HEALTH INCLUDED! Step by step design with detailed pictures.

DIY (Do It Yourself) Face Mask: Glow with the Tropics Do you want to know exactly what you are putting on your skin for treatment? Do you want to avoid synthetic ingredients like parabens? Are you eager to see the difference in formulating natural fresh organic face masks? Learn how to create your own organic fresh tropical fruit facial masks! Masks are effective skin treatments meant to be used 1-3 Xs a week as they are more potent with the nutrients and vitamins penetrating deep into your pores. You’re concentrated, effective face mask recipes can be tailored and customized to skin types and conditions for a personalized experience! Organic fresh fruit mask use natural ingredients free from harsh chemicals and preservatives that may be less irritating and avert potential side effects. From pineapples to papayas, escape to a tropical paradise with a DIY mask and glow with the tropics!

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object. By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.

Mask Making Techniques: Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV, introduces and demonstrates a variety of mask making materials, techniques, and styles to bring extraordinary characters to life. A foundation reference for mask making and design, the book features over 700 color photos and illustrations of different masks, as well as diagrams of construction and finishing techniques. It provides a wealth of practical information about material options, safety, how to build large- and small-scale masks, how to build armatures for appendages, options for coverings, and finishing techniques. Readers will learn how to use a wide range of materials, including latex, paper and fabric mâché, cold foam, thermoplastics, urethane, ethylene vinyl acetate (EVA) foam, resin, found objects, and organic materials. The book also provides tips on topics such as how to create rigid polyfoam head forms and three different ways to create eyes, as well as step-by-step instructions to construct 13 different masks. Mask Making Techniques is written for intermediate mask makers, students of theatrical mask making, costume crafts, and prop making courses, as well as prop builders, costume designers, and artists who create Halloween and cosplay costumes.

A dictionary, an encyclopedia, an enthnographic overview of Native tribes and their social life and customs, arts, people, villages, languages, and topics of all kinds. Includes a summary of treaties signed ; descriptions and location of Indian [Native, Aboriginal, First Nations] tribes and locations, explanation of terminology, etc. "Synonymy" section includes various spellings of Indian names, tribes and people, etc.

The title, Let My People Breathe!, is adapted from the Exodus when God sent Moses to Pharoah with His demand: "Let my people go!" When you read this book, you will understand the urgency that is reflected in the title. Let My People Breathe! examines science and Scripture to answer two questions regarding mask mandates: (1. Do masks work (what does the science say), and (2. Are mask mandates moral, do they violate personal liberties (what do the Scriptures say)? Dr. Scheidbach is known among his peers and his radio/podcast followers of the Brain Massage® show as a fastidious researcher of high integrity. In preparation for writing this book, he examined 964 scientific and technical studies searching for the answer to question No. 1 — do masks work? He discovered that while many late studies purport to support public masking to control the spread, not one provides scientific proof that surgical or cloth masks offer adequate protection against infection by something so small as a virus. Furthermore, he discovered our natural filtration provides far superior protection than the masks recommended by CDC, WHO, and Fauci. And disturbingly, he discovered masks can interfere with natural filtration and actually facilitate infection. He documents his research thoroughly in his book and provides his readers access to every article he examined, along with his extensive research notes (over 800 pages), in separate downloadable files. (Free to all who purchase Let My People Breathe!) On the second question, what does the Bible say about mask mandates, Dr. Scheidbach brings to his readers over 50 years of extensive biblical studies, including formal training culminating in an earned Doctorate in Theological Studies (graduating summa cum laude). He addresses questions about a Christian's responsibility to obey governments with biblical integrity and refreshing candor. He shows what the Bible actually says about the purpose and limits of government. His explanation of Romans 13 is worth the price of this book! In this section of Let My People Breathe!, Dr. Scheidbach reveals that the mask mandate issue has far-reaching political and spiritual implications. Let My People Breathe! could be one of the most important books you read this year!