The Event (Complete Works, volume 71) is part of a series of Heidegger's private writings in response to Contributions.

There's a reason Emmeline Frothingham left her hometown of Creek Water, Missouri as soon as humanly possible. That reason is small-minded, judgmental people who wouldn't know the truth if it was coughed up on them like an errant furball.After graduating from college, Emmie gets her dream job in New York City. As the head buyer at Silver Spoons--a high-end boutique, and single girl about town, her life is ideal. That is, until the night of The Event, her company's annual award's ball at the Metropolitan Museum of Art. Nerves plus too much tequila leave Emmie dealing with a wicked hangover, the unemployment line, and a surprise to end all surprises.Facing the repercussions of her wild night, Emmie is forced to go home to work in her family's business. But her return puts her dead in the sights of the gossipy country club harpies who drove her away in the first place.Will Emmie make peace with her past and embrace the love of her family? Will she discover that the man who seems to be judging her most has a secret of his own? Find out in this deliciously fun romantic comedy, sure to put a smile on your face!

We live in a world of breaking news, where at almost any moment our everyday routine can be interrupted by a faraway event. Events are central to the way that individuals and societies experience life. Even life’s inevitable moments—birth, death, love, and war—are almost always a surprise. Inspired by the cataclysmic events of September 11, Robin Wagner-Pacifici presents here a tour de force, an analysis of how events erupt and take off from the ground of ongoing, everyday life, and how they then move across time and landscape. What Is an Event? ranges across several disciplines, systematically analyzing the ways that events emerge, take shape, gain momentum, flow, and even get bogged down. As an exploration of how events are constructed out of ruptures, it provides a mechanism for understanding eventful forms and flows, from the micro-level of individual life events to the macro-level of historical revolutions, contemporary terrorist attacks, and financial crises. Wagner-Pacifici takes a close look at a number of cases, both real and imagined, through the reports, personal narratives, paintings, iconic images, political posters, sculptures, and novels they generate and through which they live on. What is ultimately at stake for individuals and societies in events, Wagner-Pacifici argues, are identities, loyalties, social relationships, and our very experiences of time and space. What Is an Event? provides a way for us all—as social and political beings living through events, and as analysts reflecting upon them—to better understand what is at stake in the formations and flows of the events that mark and shape our lives.

Events are “generative moments” in at least three senses: events are created by and condense larger-scale social structures; as moments, they spark and give rise to new social processes; in themselves, events may also serve to analyze social situations and relationships. Based on ethnographic studies from around the world—varying from rituals and meetings over protests and conflicts to natural disasters and management—this volume analyzes generative moments through events that hold the key to understanding larger social situations. These events—including the Ashura ritual in Bahrain, social cleavages in South Africa, a Buddhist cave in Nepal, drought in Burkina Faso, an earthquake in Pakistan, the cartoon crisis in Denmark, corporate management at Bang & Olufsen, protest meetings in Europe, and flooding and urban citizenship in Mozambique—are not simply destructive disasters, crises, and conflicts, but also generative and constitutive of the social.

The Event of Art presents, in fifty-two modular chapters and over eight hundred pages and images, the works of artist Marc Lafia. The book interweaves essays, notes, photographic archives, and a host of exhibitions wherein Lafia traverses his wide body of work and examines how his early strategies of cultural reading of photography and film, of interface, network culture, and social media, transform into an investigation of materiality itself. If his interest was once the way media becomes the message, his interest later becomes the realm of the sensible and the sensate in themselves. Here he presents art as the medium itself, giving us wide permission to explore and examine our deepest feelings and senses, our world and its becoming. The book is introduced by two essays. The first is by curator and art dealer Mathieu Borysevicz, where he recounts meeting Lafia at his first artist residency, and the many projects they would go on to do together. He introduces Lafia's interest in recording as it becomes digital and computational where "recording is not only memory, and a data structure, but a permutational instrument and ever-changing horizon of iterations." The other introductory essay is by critic Daniel Coffeen, who writes, "while Lafia may not have a traditional medium - there is no such thing anymore - he does in fact have one consistent medium: imaging making itself, its apparati of creation, consumption, and circulation. In fact Lafia's medium is the discourse of art - what it is, how it comes to be, how we experience it." The Event of Art presents the work of art as a complex material and societal event. The event is multiple, a continual becoming of perception, being, materiality, participation, a coming to the senses and the making, shaping and opening to them, not only of one's self, but the world becoming.

An Italian magician exposed as a charlatan flees to Argentina where he marries a woman eager to help him experiment in telepathy. Unfortunately marriage chores and a pregnancy get in the way.

An essential guide to designing, conducting, and analyzing event-related potential (ERP) experiments, completely updated for this edition. The event-related potential (ERP) technique, in which neural responses to specific events are extracted from the EEG, provides a powerful noninvasive tool for exploring the human brain. This volume describes practical methods for ERP research along with the underlying theoretical rationale. It offers researchers and students an essential guide to designing, conducting, and analyzing ERP experiments. This second edition has been completely updated, with additional material, new chapters, and more accessible explanations. Freely available supplementary material, including several online-only chapters, offer expanded or advanced treatment of selected topics. The first half of the book presents essential background information, describing the origins of ERPs, the nature of ERP components, and the design of ERP experiments. The second half of the book offers a detailed treatment of the main steps involved in conducting ERP experiments, covering such topics as recording the EEG, filtering the EEG and ERP waveforms, and quantifying amplitudes and latencies. Throughout, the emphasis is on rigorous experimental design and relatively simple analyses. New material in the second edition includes entire chapters devoted to components, artifacts, measuring amplitudes and latencies, and statistical analysis; updated coverage of recording technologies; concrete examples of experimental design; and many more figures. Online chapters cover such topics as overlap, localization, writing and reviewing ERP papers, and setting up and running an ERP lab.

This concise and accessible book is the perfect introduction to Badiou’s thought. Responding to Tarby’s questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science. In all these domains, events occur that bring to light possibilities that were invisible or even unthinkable; they propose something to us. Everything then depends on how the possibility opened up by the event is grasped, elaborated and embedded in the world – this is what Badiou calls a ‘truth procedure’. The event creates a possibility but there then has to be an effort – a group effort in the case of politics, an individual effort in the case of love or art – for this possibility to become real and inscribed in the world. As he explains his thinking on politics, love, art and science, Badiou takes stock of his major works, reflects on their central themes and arguments and looks forward to the questions he plans to address in his future writings. The book concludes with a short introduction to Badiou’s philosophy by Fabien Tarby. For anyone wishing to understand the work of one of the most widely read and influential philosophers writing today, this small book will be an indispensable guide.

This elegantly translated collection of Heidegger’s private later writings is “illuminating to some of his most difficult discussions.” (Phillip Braunstein, Loyola Marymount College). Martin Heidegger’s The Event offers the most in-depth articulation of his later work’s most foundational concept, as well as his most substantial self-critique of his Contributions to Philosophy: Of the Event. Written between 1936 and 1944, and published posthumously as volume 71 of his Complete Works, The Event collects Heidegger’s private writings in response to his Contributions. Richard Rojcewicz’s faithful and straightforward translation offers the English-speaking reader intimate contact with the author’s process of formulating some of his most important concepts. This book lays out how the Event is to be understood and ties it closely to looking, showing, self-manifestation, and the self-unveiling of the gods.

The ships came at dawn. Dean's wife is dead. Her last words: When the ships come...wear the necklace. Then the ships arrived. Cities all around the world reported strange alien vessels descending. Some saw them as the heralds of a new age; others fired everything they had at them. All were taken as the beams lashed down and drew them into the sky. Dean was left behind, seemingly the last man on Earth. A trail of clues left by his dead wife guide Dean on a perilous journey across America and beyond, to learn the truth behind the mysterious ships and save humanity from its doom. But not everything is as it seems. The Event is the epic first novel by Nathan Hystad, creator of the bestselling Explorations anthology series.