Keeper of Death is quite a fitting name for a villain, and yet Lythienne finds herself as the only Fae who can save Iverbourne.Born as an Empty Fae, she is sent into the Eternal Mountain, a prison designed for the most malicious, blood thirsty and cursed creatures alive. Her crime, along with so many other creatures, is being Lesser than the grand High Fae who rule the divided lands above.Aether rules Iverbourne, a whimsical land ravaged by long held prejudices, unkind to all those without magic. The Others are a mysterious court to the south, kidnapping and murdering all those on their path through the continent. Only a Fae without Aether can wield the mysterious Harbinger, a weapon of mass destruction needed to defeat the epic evil taking over the realm. The elegant call of immense power corrupts most, especially those who have been mistreated. Dangerous lust, high stakes adventure and loyal companionship are thrust into Lyth's life, but can she be the Hero after playing the Villain for so long? After all, why would you want to save a world that wants to see you buried six feet under?Perhaps this isn't a hero saves the day story. Perhaps, this is the origin story of the Deadliest Fae alive.

Victoriana comes to Sydney, Australia in an alternative 19th Century, bringing dark Dickensian factories and even darker souls. Mages too, practising heart magic and skin magic, along with shapeshifting Earth spirits, demons, and automata. Included in this mix is a mad scientist, a touch of romance, strong female characters, diverse characters and a magic system playfully based on a real life 17th Century description of virtual reality: "The Monadology" by Gottfried Wilhelm Leibniz: A woman with the strength to rebel.? A shapeshifter who wears the souls of the dead.? Together, they face a lethal enemy.Em helped create it. Now she must craft its defeat.In a city owned by industrialists, Em sells her magic to make ends meet. The extraction procedure is brutal and potentially deadly. Desperate for change, she joins an underground resistance movement to weaponize her magic and stop the abuse of workers.Meanwhile, a mysterious voice wakes Ruk from a decades long slumber and compels him to become human. He wants to break free but is torn between his shapeshifter instincts and the needs of the soul that sustains him.On streets haunted by outcasts and predatory automatons, a new danger emerges - an ever-growing corruption of magic and science. Em and Ruk must put aside their differences and pursue it - each for their own reasons.What they discover will forever change their lives?Or end them.

The transformation of Desiderio's city into a mysterious kingdom is instantaneous: Hallucination flows with magical speed in every brain; avenues and plazas are suddenly as fertile as fairy-book forests. And the evil comes, too, as imaginary massacres fill the streets with blood, the dead return to question the living, and profound anxiety drives hundreds to suicide. Behind it all stands Doctor Hoffman, whose gigantic generators crack the immutable surfaces of time and space and plunge civilization into a world without the chains – or structures – of reason. Only Desiderio, immune to mirages and fantasy, can defeat him. But Desiderio's battle will take him to the very brink of undeniable, irresistible desire.

In a time of uncertainty, humanity has touched the stars and claimed vast worlds under the unified Nations of Earth. Yet beneath the heels of the Mother World, the colonists grow too strong. Soon after, a war unlike any seen before would last for twenty years wherever independence had a voice. Towering machines, known as Unit Fighters, were piloted by the brave as historic battles were fought. And after nine years of peace between the newly established Pride Systems of Devoir-Con passed, the scars of such a mad war were not only left on the worlds they shed blood on but on the soldiers and soon-to-be combatants of Devoir. These are just a few of their stories as, once again, the torn and gritty flag of Devoir-Con will be raised among the controversies of war, peace, love, struggle, and innocents lost.

“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.

A strikingly original exploration of what it might mean to be authentically human in the age of artificial intelligence, from the author of the critically-acclaimed Interior States. • "At times personal, at times philosophical, with a bracing mixture of openness and skepticism, it speaks thoughtfully and articulately to the most crucial issues awaiting our future." —Phillip Lopate “[A] truly fantastic book.”—Ezra Klein For most of human history the world was a magical and enchanted place ruled by forces beyond our understanding. The rise of science and Descartes's division of mind from world made materialism our ruling paradigm, in the process asking whether our own consciousness—i.e., souls—might be illusions. Now the inexorable rise of technology, with artificial intelligences that surpass our comprehension and control, and the spread of digital metaphors for self-understanding, the core questions of existence—identity, knowledge, the very nature and purpose of life itself—urgently require rethinking. Meghan O'Gieblyn tackles this challenge with philosophical rigor, intellectual reach, essayistic verve, refreshing originality, and an ironic sense of contradiction. She draws deeply and sometimes humorously from her own personal experience as a formerly religious believer still haunted by questions of faith, and she serves as the best possible guide to navigating the territory we are all entering.

In the aftermath of an interstellar war an enigmatic star is discovered, travelling towards the Solar System from the galactic core. Its appearance adds a new and dangerous factor in the turbulent politics of the inhabited worlds as the rival factions - the power-holders of the ReUnited Nations, the rebels who secretly oppose their power, and the Religious Witnesses - all see advantages to be gained. But what awesome technology started the star on its journey half a million years ago - and why?

The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.

"The Machine Stops" is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories.[1] In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies such as instant messaging and the Internet.