From the author of the award-winning debut crime novel Good Neighbors-a white-knuckle thriller about the lengths a man will go to for his daughter. The phone rings. It's your daughter. She's been dead for four months. So begins East Texas police dispatcher Ian Hunt's fight to get his daughter back. The call is cut off by the man who snatched her from her bedroom seven years ago, and a basic description of the kidnapper is all Ian has to go on. What follows is a bullet-strewn cross-country chase from Texas to California along Interstate 10- a wild ride in a 1965 Mustang that passes through the outlaw territory of No Country for Old Men and is shot through with moments of macabre violence that call to mind the novels of Thomas Harris.

Winner of the 2018 Lexi Rudnitsky Editor’s Choice Award, Cameron Awkward-Rich’s intimate second book of poems attempts to reckon with and withstand American violence. Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people’s flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry’s (and humanity’s) possibilities.

(Play It Like It Is). This talented Boston trio combines funk, rap, metal, rock and even reggae to create their own unique sound. This songbook features note-for-note guitar transcriptions with tab for 17 stellar songs: Bang Bang * Bats in the Belfry * Bullet Holes * Cover This * Elias * Even * Flying Horses * The General * Here We Go * Lightning * Mission * Open Up * Prince of Spades * Time Served * Two Coins * Walk with You * and Whirlwind, with detailed notes on the background of each.

THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. It stars Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, and Owen Wilson.

The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazine. In this latest one-volume entry in The Wes Anderson Collection series—the only book to take readers behind the scenes of The French Dispatch—everything that goes into bringing Anderson's trademark style, meticulous compositions, and exacting production design to the screen is revealed in detail. Written by film and television critic and New York Times bestselling author Matt Zoller Seitz, The Wes Anderson Collection: The French Dispatch presents the complete story behind the film’s conception, anecdotes about the making of the film, and behind-the-scenes photos, production materials, and artwork.

A richly illustrated exploration of the national and international importance of the early modern Exeter cloth trade.

Dayr, decrypt this word squirt with the protocol we used in EllGray-3. Your mom always said you were porous, but I think you’ll remember. I need you to know about Vie and Wil. I know our friendship was a long time ago for you now, but it’s still pretty recent for me. Things here are poggs. Thalinraya is spiraling into its sun. And so you know, I never intended to kill myself. I’m only doing this because I have to. See you soon. —Tab Terminal Dispatch is set in a meticulously drawn future with complex characters and heart-pounding battles. This is the first installment in the Dispatch Sequence, a riveting new series that explores transhumanism, artificial intelligence, and the price of our drive to survive.

"Dispatch Volume is a new photo-journal based on the premise of promoting not just the long form photo-essay but also under recognized photojournalists and photographers who work in the long form. Published by photojournalist and author Brent Kollock in the United States, Dispatch Volume searches out and publishes visual stories about interesting and compelling places, events and people from around the world. In the first edition, available now, two visual essays from Mexico; one featuring images from the traditional Mexican rodeo, the Charreada, and a second essay about small town carnivals in western Mexico, both shot in Mexico by Brent Kollock." -- Publisher's website.

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.

In this dystopian trilogy opener, an elderly scientist reminisces, wondering why both the planet and his family fell apart. Part Field Notes from a Catastrophe, part 1984, part World War Z, this striking dystopian novel takes us deep into the battered, shattered world of 2050. The European Union has broken apart. Multiethnic great powers like Russia and China have shriveled. America’s global military footprint has virtually disappeared, and the United States remains united in name only. Nationalism has proven the century’s most enduring force as ever-rising global temperatures have supercharged each-against-all competition and conflict among the now three hundred-plus members of an increasingly feeble United Nations. As he navigates the world of 2050, Julian West offers a roadmap for the path we’re already on, a chronicle of impending disaster, and a faint light of hope. He may be humanity’s last best chance to explain how the world unraveled—if he can survive the savage beauty of the Splinterlands. Praise for Splinterlands “In a chilling, thoughtful, and intuitive warning, foreign policy analyst Feffer . . . takes today’s woes of a politically fragmented, warming Earth and amplifies them into future catastrophe . . . . This novel is not for the emotionally squeamish or optimistic; Feffer’s confident recitation of world collapse is terrifyingly plausible, a short but encompassing look at world tragedy.” —Publishers Weekly, Starred Review “Feffer’s book is a wild ride through a bleak future, casting a harsh, thought-provoking light on that future’s modern-day roots.” —Foreword Reviews “A startling portrait of a post-apocalyptic tomorrow that is fast becoming a reality today. Fast-paced, yet strangely haunting, Feffer’s latest novel looks back from 2050 on the disintegration of world order told through the story of one broken family—and offers a disturbing vision of what might await us all if we don’t act quickly.” —Barbara Ehrenreich, New York Times–bestselling author of Nickel and Dimed and Had I Known, and founder of the Economic Hardship Reporting Project