Originally published in 1900, this book was the first investigation of the devil and the Vice as dramatic figures, and a study of these figures led to a new view of the subject: it is, in brief, that the appearance of the devil in the non-dramatic as well as in the dramatic literature is limited to a definite range. As a dramatic figure the devil falls more and more into the background and the Vice is distinct in origin and function from the devil.

An A to Z reference guide to religious terms, concepts and references in Shakespeare.

Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.

WINNER OF THE "BEST NEW MEXICO BOOK" AWARD FROM THE NEW MEXICO-ARIZONA BOOK AWARDS A RT TIMES BOOK REVIEW REVIEWER'S CHOICE AWARDS NOMINEE FOR BEST CONTEMPORARY MYSTERY An intriguing contemporary mystery that exposes the dark side of life in historic Santa Fe by Hillerman Prize-winner Christine Barber Christine Barber's acclaimed mysteries explore not just the folklore, Indian heritage, and colonial history that draws people to Santa Fe each year, but also the lives of locals, from the rich retirees to the families that have lived there for generations. These mysteries take place in a modern city that still has strong, unforgettable connections to its history. In her new novel, When the Devil Doesn't Show, a housefire leads to the discovery of not just the bodies of the homeowners, but also a third, unidentified corpse. The search for the man's identity will lead Detective Gil Montoya not too far from Santa Fe to one of its notorious but rarely discussed neighbors, the Los Alamos National Laboratory. A DNA test reveals that the unknown victim is a native of Northern New Mexico, but Montoya has reason to believe that his ties to the infamous nuclear testing facility hold the solution. And when a second housefire is found to contain more bodies, he's determined to find out the answer no matter the cost. "The insights that Barber, an Albuquerque resident, offers heighten the pleasure of reading her mysteries and give a fresh take on why Santa Fe is called the City Different." —The Albuquerque Journal

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."