Gabrielle Civil mines black dreams and black time to reveal a vibrant archive of black feminist creative expressions. Emerging from the intersection of pandemic and uprising, the déjà vu activates forms both new and ancestral, drawing movement, speech, and lyric essay into performance memoir. As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life. With intimacy, humor, and verve, the déjà vu blurs boundaries between memory, grief, and love; then, now, and the future.

True crime meets ecopoetry at the level of the soil, bringing together life and death. A decaying psychogeography unfurls the landscapes of the 1967–69 Michigan Murders, the 2019 Detroit serial killer, and the COVID-19 lockdown in this visceral poetry collection. Author, performance artist, and disability culture activist Petra Kuppers dissects traces of violence in the richness of the soil while honoring lost community members. Dynamic and somatic poems traverse the realms of urban space, wild rivers, and the hinterlands of suburbia, glimpsing the decay of bodies, houses, carpets, hair, and bones by way of ecopoetry. Poems like "Reintegration" and "Earth Séance" delve into cycles of decomposition and decreasing biodiversity across the micro- and macroworlds. Others such as "Dancing Princesses" tie timeless fairy-tale tropes of violence toward women to modern murders and lived experience. Moments in lockdown are embodied through somatic exploration of nature and self in works like "Dear White Pine in My Garden." This evocative entanglement of life and death, joy and horror, natural and artificial processes and particles offers an intriguing lyrical and poetic quality as well as unique perspectives through the lenses of feminist, queer, and disability studies.

Literary Nonfiction. Poetry. Drama African & African American Studies. Latinx Studies. Women's Studies. Winner of the 2019 Gold Line Press Nonfiction Chapbook Contest. How can you return to where you've never been? ( GHOST GESTURES ) conjures diaspora hauntings and traces black bodies across space and time. In Dakar and Banjul, Detroit and Montreal, Tlaxcala and Río Piédras, Gabrielle Civil showcases black bodies dancing, hiding, and re-emerging. In performance writing, she invokes the doll, the queen, and the ghost to explore where black women have never and always been. She plays hide-and-seek with her own transforming body and tackles history, identity, art, and desire. "bring this here / bring this back / keep this here / bring us back / bring us here / bring us back to this." Incorporating chants, notations, images, and scores, ( GHOST GESTURES ) will spirit you away.

Advance Praise for Dream-Singers "You will find a great storehouse of folk and literary treasures in this ambitious book that speaks to anyone who has ever thought about his or her dreams. It's a wonderful adventure and I highly recommend it."-Clarence Major, author of Configurations and Juba to Jive Acclaim for Dream Reader also by Anthony Shafton "A book so unique in its combination of scholarship, clarity, and down-to-earth feeling about dreams that I find it hard to fully express the excitement and satisfaction I felt on reading it."-Montague Ullman, M.D., Clinical Professor Emeritus of Psychiatry, Albert Einstein College of Medicine, Author of Working with Dreams and Dream Telepathy "Breathtaking . . . the single most complete and thorough analysis of contemporary dream theories yet written . . . Shafton has a keen sense for what people most want to know about dreams, and an admirable ability to explain difficult concepts without oversimplifying them."-Kelly Bulkeley, Ph.D., Past President, The Association for the Study of Dreams, Author of The Wilderness of Dreams

In culture and scholarship, science-fictional worlds are perceived as unrealistic and altogether imaginary. Seo-Young Chu offers a bold challenge to this perception of the genre, arguing instead that science fiction is a form of “high-intensity realism” capable of representing non-imaginary objects that elude more traditional, “realist” modes of representation. Powered by lyric forces that allow it to transcend the dichotomy between the literal and the figurative, science fiction has the capacity to accommodate objects of representation that are themselves neither entirely figurative nor entirely literal in nature. Chu explores the globalized world, cyberspace, war trauma, the Korean concept of han, and the rights of robots, all as referents for which she locates science-fictional representations in poems, novels, music, films, visual pieces, and other works ranging within and without previous demarcations of the science fiction genre. In showing the divide between realism and science fiction to be illusory, Do Metaphors Dream of Literal Sleep? sheds new light on the value of science fiction as an aesthetic and philosophical resource—one that matters more and more as our everyday realities grow increasingly resistant to straightforward representation.

Now is the time to take your joy off layaway! In this practical and informative guide, Monique Greenwood offers easy-to-follow, down-to-earth advice and anecdotes for creating the life you really want. From financial freedom to finding or enjoying a healthy relationship, Greenwood covers all the bases. She charts her own incredible journey from anonymity to the top of the Essence masthead, from an unfit size-eighteen body to a shapely size twelve, from a cramped rental apartment to a mansion of her own, from countless bad relationships to a sweet union. Her bootstrapping strategies work! Having What Matters offers: Inspiration for defining success on your own terms Methods for identifying the illusions that hold you back Steps for putting yourself at the top of your-to-do list Guidance on how to say no to what drains you and yes to what drives you Techniques for accumulating and sustaining wealth Tips for finding or appreciating your sexy soul mate ... and more

A young boy's dreams of glory and war turn into a bitter nightmare as his father's kingdom is overrun by an invading army. Lost and alone in the woods, he finds an ancient sword that promises him the ability to claim his vengeance. As he begins to take that vengeance, he comes to realize the price that the sword will demand of him. Enemies soon become allies and strange bedfellows abound as the prophesies of an age swirl into chaos.

On Black Sisters Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives. Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. Pledged to the fierce Madam and a mysterious pimp named Dele, the girls share an apartment but little else—they keep their heads down, knowing that one step out of line could cost them a week’s wages. They open their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home or save up for her own future. Then, suddenly, a murder shatters the still surface of their lives. Drawn together by tragedy and the loss of one of their own, the women realize that they must choose between their secrets and their safety. As they begin to tell their stories, their confessions reveal the face in Efe’s hidden photograph, Ama’s lifelong search for a father, Joyce’s true name, and Sisi’s deepest secrets—-and all their tales of fear, displacement, and love, concluding in a chance meeting with a handsome, sinister stranger. On Black Sisters Street marks the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors. Raw, vivid, unforgettable, and inspired by a powerful oral storytelling tradition, this novel illuminates the dream of the West—and that dream’s illusion and annihilation—as seen through African eyes. It is a story of courage, unity, and hope, of women’s friendships and of bonds that, once forged, cannot be broken.

“An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.” —Virginia Woolf, Orlando: A Biography, 1928 About Time: Fashion and Duration traces the evolution of fashion, from 1870 to the present, through a linear timeline of iconic garments, each paired with an alternate design that jumps forward or backward in time. These unexpected pairings, which relate to one another through shape, motif, material, pattern, technique, or decoration, create a unique and disruptive fashion chronology that conflates notions of past, present, and future. Virginia Woolf serves as “ghost narrator”: excerpts from her novels reflect on the passage of time with each subsequent plate pairing. A new short story by Michael Cunningham, winner of the Pulitzer Prize for Fiction for The Hours, recounts a day in the life of a woman over a time span of 150 years through her changing fashions. Scholar Theodore Martin analyzes theoretical responses to the nature of time, underscoring that time is not simply a sequence of historical events. And fashion photographer Nicholas Alan Cope illustrates 120 fashions with sublime black and-white photography. This stunning book reveals fashion’s paradoxical connection to linear notions of time.