Infused with a passionate lyricism and vision, this stunning, extraordinarily insightful, autobiographical novel about life, love, and politics in contemporary Russia, written by renowned poet and political activist Yevtushenko, presages all too accurately the strife that grips Russia today.

“We Don’t Die: A Skeptic’s Discovery of Life After Death” gives credible evidence of life after death. The goal of “We Don’t Die” is to have people believe that their deceased loved ones are still near them, help them navigate through the grieving process and educate that we are ‘eternal souls having a human experience. It is unique because it teaches people about the grieving process, keeping relationships whole, gives awe inspiring exercises that the reader experiences that we must be ‘more than our bodies.’ It gets readers in touch with the purpose of their lives and gets them on the path to producing results. Readers will no longer fear death, their pain of losing someone will be lessened, they will have hope, faith, and powerful access to live a successful life.

"The Dead Do Not Die includes the full unabridged text of "Exterminate All the Brutes", called "a book of stunning range and near genius" by David Levering Lewis. In this work, Lindqvist uses Joseph Conrad's Heart of Darkness as a point of departure for a haunting tour through the colonial past, retracing the steps of Europeans in Africa from the late eighteenth century onward and thus exposing the roots of genocide via his own journey through the Saharan desert. The full text of Terra Nullius is also included, for which Lindqvist traveled 7,000 miles through Australia in search of the lands the British had claimed as their own because it was inhabited by "lower races," the native Aborigines--nearly nine-tenths of whom were annihilated by whites."--Www.Amazon.com.

It's been three months since Alexis helplessly witnessed Lydia Small's violent death, and all she wants is for her life to return to normal. But normal people don't see decaying bodies haunting photographs. Normal people don't have to deal with regular intrusions from Lydia's angry ghost, sometimes escalating to terrifying attacks. At first, it seems that Lydia wants revenge on Alexis alone. But a girl from school disappears one night, and Alexis spots one of Lydia's signature yellow roses lying on the girl's dresser the next day. Soon, it becomes clear that several of Alexis's friends are in danger, and that she's the only person who can save them. But as she tries to intervene, Alexis realizes that her enemy is a much more powerful ghost than she's ever faced before . . . and that its fate is tied to hers in ways she couldn't possibly imagine. Not even in her worst nightmares.

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

This book is designed to broaden perspectives regarding afterlife. It also promotes life extention, among other concepts. After reading: The Dead Don''t Die, the fear of death should be alleviated.

I’m Sam Quinn, the werewolf book nerd owner of the Slaughtered Lamb Bookstore and Bar. Things have been busy lately. While the near-constant attempts on my life have ceased, I now have a vampire gentleman caller. I’ve been living with Clive and the rest of his vampires for a few weeks while the Slaughtered Lamb is being rebuilt. It’s going about as well as you’d expect. My mother was a wicche and long dormant abilities are starting to make themselves known. If I’d had a choice, necromancy wouldn’t have been my top pick, but it’s coming in handy. A ghost warns me someone is coming to kill Clive. When I rush back to the nocturne, I find vamps from New Orleans readying an attack. One of the benefits of vampires looking down on werewolves is no one expects much of me. They don’t expect it right up until I take their heads. Now, Clive and I are setting out for New Orleans to take the fight back to the source. Vampires are masters of the long game. Revenge plots are often decades, if not centuries, in the making. We came expecting one enemy, but quickly learn we have darker forces scheming against us. Good thing I’m the secret weapon they never see coming.

A page-turning, spine-chilling young adult murder mystery about surviving the ghosts around us. Alexis thought she led a typically dysfunctional high school existence. Dysfunctional like her parents' marriage. Or her doll-crazy twelve-year-old sister, Kasey. Or even like her own anti-social, anti-cheerleader attitude. When a family fight results in some tearful sisterly bonding, Alexis realizes that her life is creeping from dysfunction into danger. Kasey is acting stranger than ever: her blue eyes go green, sometimes she uses old-fashioned language, and she even loses track of chunks of time, claiming to know nothing about her strange behavior. Their old house is changing, too. Doors open and close by themselves. Water boils on the unlit stove, and an unplugged air conditioner turns the house cold enough to see their breath in. Alexis wants to think that it's all in her head, but soon, what she liked to think of as silly parlor tricks are becoming life-threatening: to her, her family, and to her budding relationship with the class president. Alexis knows she's the only person who can stop Kasey—but what if that green-eyed girl isn't even Kasey anymore?

The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power. Survive the year. No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between. “A visceral, darkly haunting fever dream of a novel and an absolute page-turner.” – Libba Bray, New York Times bestselling author

“Absolutely brilliant. A quick-witted and vastly entertaining novel that takes Douglas Skelton into the crime fiction big league.” Alex Gray “If you like your humour black and your detective novels hard boiled, The Dead Don’t Boogie is a cut above the rest.” Theresa Talbot “A white-knuckle, wisecracking thriller.” Caro Ramsay A missing teenage girl should be an easy job for Dominic Queste – after all, finding lost souls is what he does best. But sometimes it’s better if those souls stay lost. Jenny Deavers is trouble, especially for an ex-cokehead like Queste. Some truly nasty characters are very keen indeed to get to Jenny, and will stop at nothing... including murder. As the bodies pile up, Queste has to use all his street smarts both to protect Jenny and to find out just who wants her dead. The trail leads him to a vicious world of brutal gangsters, merciless hitmen, dark family secrets and an insatiable lust for power in the highest echelons of politics.