**Winner of the Transmission Prize 2019** THE OLD GODS ARE DYING. Giant corporations collapse overnight. Newspapers are being swallowed. Stock prices plummet with a tweet. NEW IDOLS ARE RISING IN THEIR PLACE. More crime now happens online than offline. Facebook has grown bigger than any state, bots battle elections, coders write policy, and algorithms shape our lives in more ways than we can imagine. The Death of the Gods is an exploration of power in the digital age, and a journey in search of the new centres of control. From a cyber-crime raid in British suburbia to the engine rooms of Silicon Valley, pioneering technology researcher Carl Miller traces how power is being transformed, fought over, lost and won. ‘A timely and incisive book that grapples with some of the most significant issues of our time.’ Wired 'Uncovers the fascinating and often hidden characters that are changing the world. Essential reading.' Jamie Bartlett, author of The People vs Tech ‘A magisterial guide to the impact of the digital revolution on our institutions and our lives.’ Anthony Giddens

One of the oldest religious text "Book of the Dead" of ancient Egypt dates back more than 3000 BC and it speaks of interstellar space travel. The first scribes and artists who wrote and drawn what the priests spelled, but they hardly understood the significance of sacred texts. Now 5,000 years later we shall try to understand what "Book of the Dead" and more recent religious texts such as New and Old Testament and Quran are really trying to teach us.

An island in the Mediterranean, a traveler's dream destination, and a nightmare for those involved in a deep-rooted crime. Philine, interpreter, single mother, and bankrupt, is forced to sell her one asset, her beloved cottage on Ibiza, when she runs into even more problems: her best friend has disappeared, a fire breaks out-and, on top of all, she is confronted with Adam, a man she, for good reason, never wanted to see again. He'd flown in from Texas to bury his sister, who supposedly committed suicide on the island, though he suspects she was murdered. When a connection between her death, Phil's disappeared friend, and more fatalities are revealed, the two ex-lovers reluctantly collaborate. "Verena Mahlow's Island of Dead Gods combines a meticulously constructed international thriller with her extensive personal exploration of Ibiza, long a magnet for bohemians, speculators and sybarites of all nationalities. Mahlow's intelligently devised, twisting plot includes much local color-cuisine, ancient sites, modern ambience-and diverse characters, an arcane coterie of goddess-worshipping proto-feminists and men treating themselves to easy, sleazy sex. Mahlow deftly moves these players toward an unexpected, explosive climax." Barbara Bamberger Scott, A Woman's Write

The electrifying, "cutting-edge" (USA Today) debut work of fiction from Ron Currie, author of the forethcoming novel The One-Eyed Man (March 2017) Ron Currie’s gutsy, funny book is instantly gripping: If God takes human form and dies, what would become of life as we know it? Effortlessly combining outlandish humor with big questions about mortality, ethics, and human weakness, Ron Currie, Jr., holds a funhouse mirror to our present-day world. God has inhabited the mortal body of a young Dinka woman in the Sudan. When she is killed in the Darfur desert, he dies along with her, and word of his death soon begins to spread. Faced with the hard proof that there is no supreme being in charge, the world is irrevocably transformed, yet remains oddly recognizable.

Discover how the ancient Egyptians controlled their immortal destiny! This book, edited by Foy Scalf, explores what the Book of the Dead was believed to do, how it worked, how it was made, and what happened to it.

Featuring some of Moorcock's earliest works, MOORCOCK'S MULTIVERSE contains the seeds of the overarching concepts that tie all of his varied worlds together. Here, in THE SUNDERED WORLDS, THE FIRECLOWN and THE TWILIGHT MAN, the multiverse is introduced and various aspects of the eternal champion, Moorcock's great and enduring creation, are explored. In THE FIRECLOWN, a totalitarian regime is enraged by the appearance of the fireclown, a man from the lower levels of the great city whose pyroclastic displays threaten to enflame the subdued population. In THE SUNDERED WORLDS, we are introduced to the concept of the multiverse, as Count Renark von Bek seeks to save the human race from the collapse of the universe itself. And in THE TWILIGHT MAN, the last man born on earth dares to leave for the stars, in search of a cure for the malaise inflicting the remaining members of mankind.

Robert Johnson. Brian Jones. Jimi Hendrix. Janis Joplin. Jim Morrison. Kurt Cobain. Amy Winehouse. They were inspirational, controversial, talismanic and innovative. They lead lives full of myth, scandal, sex, drugs and some of the most glorious music that has ever heard. Though each of their lives were cut tragically short at the age of 27, they would all leave the world having changed it irrevocably. Chris Salewicz tells, in intimate detail, the stories behind these compelling figures. From Robert Johnson and his legendary deal with the devil, to Jimi Hendrix appearing like a psychedelic comet on the London scene, through to Amy Winehouse's blazing talent and her savage appetite for self-destruction.

The origins of modern religion in human sacrifice, ritual cannibalism, visionary intoxication, and the Cult of the Dead • Explores ancient practices of producing sacred hallucinogenic foods and oils from the bodies of the dead for ritual consumption and religious anointing • Explains how these practices are deeply embedded in the symbolism, theology, and sacraments of modern religion, specifically Christianity and the Eucharist • Documents the rites of Cults of the Dead from the prehistoric Minoans on Crete to the ancient Egyptians, Greeks, and Hebrews to early and medieval Christian sects such as the Cathars Long before the beginnings of civilization, humans have been sacrificed and their flesh used to produce sacred foods and oils for use in religious rites. Originating with the sacred harvest of hallucinogenic mushrooms from the corpses of shamans and other holy men, these acts of ritual cannibalism and visionary intoxication are part of the history of all cultures, including Judeo-Christian ones, and provided a way to commune with the dead. These practices continued openly into the Dark Ages, when they were suppressed and adapted into the worship of saintly bones--or continued in secret by a few “heretical” sects, such as the Cathars and the Knights Templar. While little known today, these rites remain deeply embedded in the symbolism, theology, and sacraments of modern religion and bring a much more literal meaning to the church’s “Holy Communion” or symbolic consumption of the body and blood of Christ. Documenting the sacrificial, cannibalistic, and psychoactive sacramental practices associated with the Cult of the Dead from the prehistoric Minoans on Crete to the ancient Egyptians and Hebrews and onward to early and medieval Christian sects, Earl Lee shows how these religious rites influenced the development of Western religion. In particular, he reveals how Christianity originated with Jesus’s effort to restore the sacred rites of Moses, including the Marzeah, or Feast for the Dead. Examining the connections between these rites and the mysterious funeral of Father Sauniere in Rennes-le-Château, the author explains why the prehistoric Cult of the Dead has held such power over Western civilization, so much so that its echoes are still heard today in our literature, film, and arts.

An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young fantasy writers. The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy. Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov's oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov's cruel reign may not yet be over.

Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...