An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.

G.W.M. Reynolds (1814-1879) had a major impact on the mid-Victorian era that until now has been largely unacknowledged. A prolific novelist whose work had a massive circulation, and an influential journalist and editor, he was a man of contradictions in both his life and writing: a middle-class figure who devoted his life to working class issues but seldom missed a chance to profit from the exploitation of current issues; the founder of the radical newspaper Reynolds Weekly, as well as a bestselling author of historical romances, gothic and sensation novels, oriental tales, and domestic fiction; a perennial bankrupt who nevertheless ended his life prosperously. A figure of such diversity requires a collaborative study. Bringing together a distinguished group of scholars, this volume does justice to the full range of Reynolds's achievement and influence. With proper emphasis on new work in the field, the contributors take on Reynolds's involvement with Chartism, serial publication, the mass market periodical, commodity culture, and the introduction of French literature into British consciousness, to name just a few of the topics covered. The Mysteries of London, the century's most widely read serial, receives the extensive treatment this long-running urban gothic work deserves. Adding to the volume's usefulness are comprehensive bibliographies of Reynolds's own writings and secondary criticism relevant to the study of this central figure in mid-nineteenth-century Britain.

This volume examines the emergence of modern popular culture between the 1830s and the 1860s, when popular storytelling meant serial storytelling and when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, Popular Culture—Serial Culture offers a transnational perspective on border-crossing serial genres from the roman feuilleton and the city mystery novel to abolitionist gift books and world’s fairs.

The stunning new crime mystery from Solomon Carter. DETECTIVE INSPECTOR JOE HOGARTH UNCOVERS THE TRUTH BEHIND A NIGHTCLUB MURDER. AND HOGARTH HAS A SORDID SECRET OF HIS OWN. SOME SECRETS ARE SO DARK, SO DEADLY, THEY CAN'T BE HIDDEN WITHOUT CONSEQUENCES... DI Hogarth, DS Sue Palmer and DC Simmons are called to a murder at a seaside nightclub. Jake Drummond, a big man with a reputation for extortion, has been stabbed to death. No one saw the killer strike. A young man disappeared from the scene moments before the murder. The young man has no clear motive, and was gone seconds before Drummond was killed. But Hogarth can't let go of his suspicions. He decides to track down the missing youth... And soon discovers the motive for the murder is far older, and far darker than he could have imagined. One man goes missing and a ghost from the past reappears as the darkest lies of two generations are ruthlessly exposed. One cop takes justice into her own hands. And another may pay the ultimate price. AS HOGARTH AND THE TEAM PEEL BACK THE LAYERS OF CRIME, THE BODYCOUNT STARTS TO CLIMB... DI Hogarth's reputation hangs in the balance. And one cop's life hangs by a thread. Secret Affairs. Lies and Betrayal. Murder. And Hogarth's personal life is heading for a crisis. In an epic conclusion, DI Hogarth and his team race against time to stop a killer who watches their every move. Perfect for fans of Angela Marsons, Ian Rankin, Val McDermid and Ruth Rendell, Helen Durrant, Joy Ellis and LJ Ross. If you love to read gripping detective thrillers with flawed characters and police procedurals with shocking twists and a noir flavour, then the DI Hogarth Darkest series is for you. Readers have described the Darkest series as a best fit for fans of British crime thrillers, Female detective novels, British crime mysteries, Police Procedurals, Heist crime thrillers and Noir crime thrillers. A detective murder mystery packed with danger and thrills - The Darkest Lies is a crime novel you won't want to put down. Setting: Southend-on-sea: Just over an hour from London. A tough and densely-packed suburban town. A place where wealth and glamour sit cheek-by-jowl with addiction, poverty and crime, sandwiched between the sparkling Thames Estuary and a semi-rural hinterland of fields and marshes. When he transferred to the Essex coast, ex-Met Detective Joe Hogarth might have imagined he was signing up for sun, sea and semi-retirement. But the merry hell of Southend might just have him beat. It's a good thing this DI doesn't know when to quit... THE DI HOGARTH DARKEST SERIES THE DARKEST LIES THE DARKEST GRAVE THE DARKEST DEED THE DARKEST TRUTH (coming soon). NOVEL SERIES BY SOLOMON CARTER: LONG TIME DYING series featuring private investigators Eva Roberts and Dan Bradley THE LAST LINE LUCK AND JUDGMENT LONDON CALLING THE FINAL TRICK For more information visit SolomonCarter.net

George Reynolds is arguably the most prolific of all nineteenth-century English novelists, reaching an enormous audience through his thirty-six novels. Often selling in very large numbers in weekly one-penny installments, his works were known as by the most popular English novelist ever. Yet today, he remains almost unknown in the canon of English Literature. A serious radical, strongly pro-woman, and a leading Chartist seeking the vote for all men, Reynolds’ vigorous heroines differ notably from the Victorian novelists’ timid norm. He was strongly pro-Jewish and pro-Gypsy, very interested in French and Italian society, but wrote for ordinary English working people. Dickens thought him a dangerous leftist: for all these reasons, he was excluded from the elite literary world. G. W. M. Reynolds: The Man Who Outsold Dickens reestablishes Reynolds as a major figure of mid-nineteenth-century fiction and an author of European range and status. This book examines his massive popularity and notable concern with the problems of ordinary people, especially women, in the complex and often dangerous new world of the modern city. With the support of his wife Susannah, Reynolds’ enormous influence would also make a contribution to the cause of mass political education through his role in the development of popular fiction and journalism. This book is a major innovation in the field of Victorian literary studies, with relevance to popular cultural studies, the politics of literature, and publishing history, presenting properly a much overlooked major English novelist.

Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)

George W.M. Reynolds (1814–79) was one of the biggest-selling novelists of the Victorian era. He was the author of over 58 novels and short stories and his “penny blood” The Mysteries of London, serialised in weekly numbers between 1844 and 1848, sold over a million copies. A controversial figure in his lifetime, Reynolds’s Mysteries, and its follow-up The Mysteries of the Court of London (1849–56), contained tales of crime, vice, and highly sexualised scenes. For this reason Charles Dickens remarked that Reynolds’s name was one “with which no lady’s, and no gentleman’s, should be associated.” Yet Reynolds was much more than just a novelist; he was lauded by the working classes as their champion and campaigned for universal suffrage. To further the working classes’ cause, he established two newspapers: Reynolds’s Political Instructor and Reynolds’s Weekly Newspaper. The latter newspaper, as Karl Marx recognized, became the principal organ of radical and labour politics. This book provides a biography of Reynolds and reproduces his editorials from Reynolds’s Political Instructor as well as excerpts from his fiction.