"Frank's Chapman's engaging life story, from his young years in St Louis on the streets, to being imprisoned, to writing and teaching Marxism with fellow inmates, to winning his freedom, to organizing with the Communist Party, to his current life as a fighter for community control of the police in Chicago. A powerful story that will open many eyes"--Amazon.com.

A biography of an unconventional Southern writer who illuminated gay life in the South In The Damned Don't Cry—They Just Disappear, literary historian and Lamba Award-winning novelist Harlan Greene has created a portrait of a nearly forgotten southern writer, unearthing information from archives, rare books, film libraries,and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view to the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first century readers can decipher them easily. Greene also discusses Hervey's travel books and successful Hollywood scriptwriting, as well as his use of exotic elements from Asian cultures. The iconic film Shanghai Express, starring Marlene Dietrich, was based on one of his original stories. He also wrote some of the first travel books on Indochina, with descriptions of male and female prostitution and allusions to his own sexual adventures, which still make for sensational reading today. Despite Hervey's output and his perseverance in presenting gay characters and themes as openly as he could, he has not been included in any survey of twentieth-century gay writers. Greene now rectifies this omission, providing the first book-length study of Hervey's life and work and the first scholarly attention to him in more than fifty years. It furthers our understanding of gay life in the South, as well as the impact of gay artists on popular culture in the first half of the twentieth century.

Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone.

The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”

The vivid history of the French Foreign Legion--from the deserts of North Africa to the jungles of Vietnam. Created by King Louis Phillipe in 1831 to fight in conquest of Algeria, the Foreign Legion has been comprised ever since of society's misfits: refugees, criminals, and poets. Here is the story of the infamous fighting unit that has become the stuff of legends.

Life is full of ups and downs. Gary Powell reflects on a secure but challenging start in life followed by a police career that took him all over the United Kingdom and the world, witnessing the aftermath of many significant events. These reflections are often in verse ranging from crime and riot to the lighter side of life featuring everyday issues that concern us all be it: the lack of high street banks to the taxman or the need for an English national anthem to the magnificence of St Paul’s Cathedral. The poems will make you laugh or shed a tear; and reflect life in modern-day Britain.

Once one of Nazi Germany's most vaunted cruise liners, the Wilhelm Gustloff packed her decks with some 6,500 refugees in January 1945 and made her way out of the Gulf of Danzig just before the Russian army swept in. Scores of SS officers, top-ranking Nazi officials, members of the German Women's Naval Service, and hundreds of wounded German soldiers, fragmented army units, and fleeing peasants were on board when the ship was hit by torpedoes twelve miles off shore. Panic broke out, and more than 6,000 passengers were lost - making it the greatest sea disaster ever recorded. The author of this book, Arthur V. Sellwood, a journalist known for his action-filled naval stories, draws on interviews with some of the survivors and official documents to assure the authenticity of his account.

Set in a chillingly realistic far-future world, and featuring a gritty antihero even more frightening than the evil empire he serves as soldier and assassin, Death’s Head is sure to be one of the most talked-about novels of the year. David Gunn is loaded—and he shoots to kill. At the top of the galactic pecking order is the United Free, a civilization of awe-inspiring technological prowess so far in advance of other space-faring powers as to seem untouchable gods. Most of the known universe has fallen under their inscrutable sway. The rest is squabbled over by two empires: one ruled with an iron fist by OctoV, a tyrant who appears to his followers as a teenage boy but is in reality something very different, the other administered by the Uplifted, bizarre machinelike intelligences, and their no-longer-quite-human servants, cyborgs known as the Enlightened. Sven Tveskoeg, an ex-sergeant demoted for insubordination and sentenced to death, is a vicious killer with a stubborn streak of loyalty. Sven possesses a fierce if untutored intelligence and a genetic makeup that is 98.2 percent human and 1.8 percent . . . something else. Perhaps that “something else” explains how quickly he heals from even the worst injuries or how he can communicate telepathically with the ferox, fearsome alien savages whose natural fighting abilities regularly outperform the advanced technology of their human enemies. Perhaps it is these unique abilities that bring Sven to the attention of OctoV. Drafted into the Death’s Head, the elite enforcers of OctoV’s imperial will, Sven is given a new lease on life. Armed with a SIG diabolo–an intelligent gun–and an illegal symbiont called a kyp, Sven is sent to a faraway planet, the latest battleground between the Uplifted and OctoV. There he finds himself in the midst of a military disaster, one that will take all his courage—and all his firepower—to survive. But an even deadlier struggle is taking place, a struggle that will draw the attention of the United Free. Sven knows he is a pawn, and pawns have a bad habit of being sacrificed. But Sven is nobody’s sacrifice. And even a pawn can checkmate a king. Praise for Death's Head “The finest military science-fiction debut in years.”—Kirkus Reviews “Hardboiled, laser-blasting science fiction as it’s meant to be.”—Charlie Huston, author of Caught Stealing and Already Dead

From rank outsiders to pop stardom a decade later, The Damned blazed an anarchic trail through punk rock to achieve massive chart success. A beacon for the Sex Pistols and The Clash to follow, they flung down the musical gauntlet in 1976 with Britain’s first punk single ‘New Rose’. Smashing It Up: A Decade of Chaos with The Damned is their definitive biography, drawing on new, in-depth research and interviews with associates and band members – including founders Brian James, Chris Millar (Rat Scabies), Raymond Burns (Captain Sensible) and David Lett (David Vanian). Conflict was rife: managers and labels came and went; bridges were burnt; opportunities squandered; and Kieron Tyler reveals how – and why – the wayward, wild and wilful Damned are the punk band that survived, and why they truly led the British Punk movement and outshone their contemporaries.