“A novella compresses the world with a short story’s focus, but it explores that smaller space with a novel’s generosity.”—Josh Weil, author of The New Valley: Novellas While the novella has existed as a distinct literary form for over four hundred years, Writing the Novella is the first craft book dedicated to creating this intermediate-length fiction. Innovative, integrated journal prompts inspire and sustain the creative process, and classic novellas serve as examples throughout. Part 1 defines the novella form and steers early decision-making on situation, character, plot, and point of view. Part 2 provides detailed directions for writing the scenic plot points that support a strong but flexible narrative arc. Appendix materials include a list of recommended novellas, publishing opportunities, and blank templates for the story map, graphs, and charts used throughout the book. By turns instructive and inspirational, Writing the Novella will be a welcome resource for new and experienced writers alike.

The Craft of Scientific Presentations, 2nd edition aims to strengthen you as a presenter of science and engineering. The book does so by identifying what makes excellent presenters such as Brian Cox, Jane Goodall, Richard Feynman, and Jill Bolte Taylor so strong. In addition, the book explains what causes so many scientific presentations to flounder. One of the most valuable contributions of this text is that it teaches the assertion-evidence approach to scientific presentations. Instead of building presentations, as most engineers and scientists do, on the weak foundation of topic phrases and bulleted lists, this assertion-evidence approach calls for building presentations on succinct message assertions supported by visual evidence. Unlike the commonly followed topic-subtopic approach that PowerPoint leads presenters to use, the assertion-evidence approach is solidly grounded in research. By showing the differences between strong and weak presentations, by identifying the errors that scientific presenters typically make, and by teaching a much more powerful approach for scientific presentations than what is commonly practiced, this book places you in a position to elevate your presentations to a high level. In essence, this book aims to have you not just succeed in your scientific presentations, but excel. About the Author Michael Alley has taught workshops on presentations to engineers and scientists on five continents, and has recently been invited to speak at the European Space Organization, Harvard Medical School, MIT, Sandia National Labs, Shanghai Jiao Tong University, Simula Research Laboratory, and United Technologies. An Associate Professor of engineering communication at Pennsylvania State University, Alley is a leading researcher on the effectiveness of different designs for presentation slides.

Make Every Word Memorable! To be remembered for your words, you need to write with skill and style. Whether you're crafting a novel, composing an e-mail, or creating a technical report, Mastering the Craft of Writing presents 52 practical techniques to improve your prose. Spend a week with each technique, or use this book as a go-to reference. Either way, you'll have the tools to enliven your writing and delight your readers. • Write with economy: Eliminate wordiness, use strong verbs to drive your sentences, and don't trust modifiers. • Write with emphasis: Use punctuation for effect, structure sentences and paragraphs for coherency and flow, and employ repetition to make your point. • Write with distinction: Use your imagination to create the unexpected, add a light-hearted touch to your writing, and go beyond clarity to eloquence and grace. With exercises, entertaining asides, and a wealth of useful information, Mastering the Craft of Writing is an invaluable resource for any writer. Once you master these techniques, you'll want to use them in everything you write.

Let's face it: Christian fiction is fun. Even if you're writing a serious-minded study of man's inhumanity to man, there is something exhilarating about story; about creating people and worlds and events; about telling a tale that keeps readers enraptured and maybe - just maybe - leaves them fortified in their walk with Jesus. But for all of the fun, it's also hard work. There is skill involved in writing excellent Christian fiction. There is craftsmanship to be learned. And there are the long hours pounding away on a manuscript that, by the time you're done with it, has you convinced it's the worst piece of garbage ever penned by man. That's not even talking about trying to get your book published. It's a wonder anyone would choose such a way to spend otherwise useful time. So maybe you put your novel away for awhile. You've tried to do more sensible things with your spare moments. You've attempted to be engaged with workaday matters, laundry, and bills. But one day, a new story idea will pop into your head or you won't be able to stop hearing the voice of a character demanding to be written about. On that day, you'll be right back where you were, counting the cost of writing Christian fiction â€" and loving it like nothing else.

Arnold Bennett's 'The Elusive Craft of Writing' is a comprehensive guide to the art of writing, exploring the nuances of storytelling, character development, and narrative structure. Bennett's engaging literary style and meticulous attention to detail make this book a must-read for aspiring writers looking to enhance their craft. Set in the early 20th century, Bennett's work is reflective of the Modernist movement, blending traditional storytelling techniques with innovative approaches to narrative construction. Arnold Bennett, a prolific British author known for his insightful novels and essays, draws upon his own experiences as a writer to provide practical advice and inspiration in 'The Elusive Craft of Writing.' As a contemporary of writers such as Virginia Woolf and James Joyce, Bennett's perspective offers a unique insight into the challenges and rewards of the writing process. I highly recommend 'The Elusive Craft of Writing' to anyone interested in honing their writing skills and gaining a deeper understanding of the creative process. Bennett's timeless wisdom and valuable insights make this book a valuable resource for writers of all levels, from novices to seasoned professionals.

The Craft of Professional Writing, 2nd edition is the most complete manual ever written for every form of professional (and professional quality) writing. Its chapters range from toasts and captions to every form of journalism to novel writing, book authorship and screenplays. The book offers techniques for the writing of each form, sample templates, and the advice on navigating a career in each writing field, including public relations and commercial writing, journalism in all media and self-employment as a freelancer. It also offers sections on the tools of writing, including pacing, editing, pitching, invoicing and managing the highs and lows of the different writing careers.

An elegant and intimate insight into the personal and practical processes of writing, Andrew Cowan’s The Art of Writing Fiction draws on his experience as a prize-winning novelist and his work with emerging writers at the University of East Anglia. As illuminating for the recreational writer as for students of Creative Writing, the twelve chapters of this book correspond to the twelve weeks of a typical university syllabus, and provide guidance on mastering key aspects of fiction such as structure, character, voice, point of view, and setting, as well as describing techniques for stimulating creativity and getting the most out of feedback. This new edition offers extended consideration to structure, point of view, and the organisation of time in the novel, as well as the conduct of the Creative Writing workshop in the light of the decolonising the curriculum movement. It features additional writing exercises, as well as an afterword with invaluable advice on approaching agents and publishers. The range of writers surveyed is greatly expanded, finding inspiration and practical guidance in the work of Margaret Atwood, Ayanna Lloyd Banwo, Richard Beard, Tsitsi Dangarembga, Richard Ford, Ashley Hickson-Lovence, Anjali Joseph, James Joyce, James Kelman, Ian McEwan, Arundhati Roy, Sam Selvon, Vikram Seth, and Ali Smith, among many others. With over 80 writing exercises and examples taken from dozens of novels and short stories, the new edition of The Art of Writing Fiction is enriched by the author’s own experience as a novelist and lecturer, making it an essential guide for readers interested in the theory, teaching, and practice of Creative Writing.

The Art of Writing Drama is an indispensable textbook for wherever writing for the stage is taught, but also serves as a foundational book for any student taking courses in performance media - radio, television and film. Coupling theory with practice, the book opens with a survey of the current methodologies of teaching playwriting and of textual analysis. The theories of Bakhtin, Foucault and Derrida are examined as are the agendas of play reviewers from the national press. In the second section of the book, a wealth of guidance with practical exercises on the skills of writing for the stage is provided. Throughout the text, Wandor draws on her extensive experience as both playwright and teacher of creative writing to provide a guide that is both a scholarly and an immensely practical guide to writing for the theatre.