In the early 1960s, novelist and journalist John A. Williams was commissioned by Holiday magazine to test the winds of racial change across the USA. Williams set out on a cross-country tour in a shiny new car (a station wagon) and with, as the cover states, "a fistful of credit cards". This book is a searingly honest account of both the good and the bad he encountered.

This inspiring anthology it the first to convey the noteworthy experiences and contributions of women in the American military in their own words-from the Revolutionary War to the present wars in the Middle East. Serving with the Union Army during the Civil War as a nurse, scout, spy, and soldier, Harriet Tubman tells what it was like to be the first American woman to lead a raid against an enemy, freeing some 750 slaves. Busting gender stereotypes, Inga Fredriksen Ferris's describes how it felt to be a woman marine during World War II. Heidi Squier Kraft recounts her experiences as a lieutenant commander in the navy, deployed to Iraq as a psychologist to provide mental health care in a combat zone. In excerpts from their diaries, letters, oral histories, military depositions and testimonies, as well as from published and unpublished memoirs-generations of women reveal why and how they chose to serve their country, often breaking with social norms and at great personal peril.

Brilliant and engagingly written, Why Nations Fail answers the question that has stumped the experts for centuries: Why are some nations rich and others poor, divided by wealth and poverty, health and sickness, food and famine? Is it culture, the weather, geography? Perhaps ignorance of what the right policies are? Simply, no. None of these factors is either definitive or destiny. Otherwise, how to explain why Botswana has become one of the fastest growing countries in the world, while other African nations, such as Zimbabwe, the Congo, and Sierra Leone, are mired in poverty and violence? Daron Acemoglu and James Robinson conclusively show that it is man-made political and economic institutions that underlie economic success (or lack of it). Korea, to take just one of their fascinating examples, is a remarkably homogeneous nation, yet the people of North Korea are among the poorest on earth while their brothers and sisters in South Korea are among the richest. The south forged a society that created incentives, rewarded innovation, and allowed everyone to participate in economic opportunities. The economic success thus spurred was sustained because the government became accountable and responsive to citizens and the great mass of people. Sadly, the people of the north have endured decades of famine, political repression, and very different economic institutions—with no end in sight. The differences between the Koreas is due to the politics that created these completely different institutional trajectories. Based on fifteen years of original research Acemoglu and Robinson marshall extraordinary historical evidence from the Roman Empire, the Mayan city-states, medieval Venice, the Soviet Union, Latin America, England, Europe, the United States, and Africa to build a new theory of political economy with great relevance for the big questions of today, including: - China has built an authoritarian growth machine. Will it continue to grow at such high speed and overwhelm the West? - Are America’s best days behind it? Are we moving from a virtuous circle in which efforts by elites to aggrandize power are resisted to a vicious one that enriches and empowers a small minority? - What is the most effective way to help move billions of people from the rut of poverty to prosperity? More philanthropy from the wealthy nations of the West? Or learning the hard-won lessons of Acemoglu and Robinson’s breakthrough ideas on the interplay between inclusive political and economic institutions? Why Nations Fail will change the way you look at—and understand—the world.

The National Book Award Finalist and New York Times bestseller that became a guide and balm for a country struggling to understand the election of Donald Trump "A generous but disconcerting look at the Tea Party. . . . This is a smart, respectful and compelling book." —Jason DeParle, The New York Times Book Review When Donald Trump won the 2016 presidential election, a bewildered nation turned to Strangers in Their Own Land to understand what Trump voters were thinking when they cast their ballots. Arlie Hochschild, one of the most influential sociologists of her generation, had spent the preceding five years immersed in the community around Lake Charles, Louisiana, a Tea Party stronghold. As Jedediah Purdy put it in the New Republic, "Hochschild is fascinated by how people make sense of their lives. . . . [Her] attentive, detailed portraits . . . reveal a gulf between Hochchild's 'strangers in their own land' and a new elite." Already a favorite common read book in communities and on campuses across the country and called "humble and important" by David Brooks and "masterly" by Atul Gawande, Hochschild's book has been lauded by Noam Chomsky, New Orleans mayor Mitch Landrieu, and countless others. The paperback edition features a new afterword by the author reflecting on the election of Donald Trump and the other events that have unfolded both in Louisiana and around the country since the hardcover edition was published, and also includes a readers' group guide at the back of the book.

Christine Whitman offers an insider’s view of the corrosive effects—on the party and the country as a whole—of the rise of zealous conservatism. She tells many stories from the front lines of her battles with conservatives, as well as those of other moderate Republicans, and argues that the rise of this bullying faction—as opposed to being the voting juggernaut party leaders have considered it—has kept the Republican party from building a true voting majority. It has also, she argues, pushed the polarization of the electorate to an appalling extreme. Each chapter focuses on the key hot-button issues that were the most contentious battlegrounds between moderates and conservatives in 2005, and the areas where she thinks the conservatives took the party in the wrong direction: race relations, abortion rights, the environment, taxes, and international affairs. In each of these areas, Whitman tells stories about how in her own career she has been able to make great progress by taking a moderate approach—by finding what she calls “the productive middle,” such as in her unprecedented admission that racial profiling was indeed happening on New Jersey’s highways. This is a fascinating insider’s account of how politics happens on the ground and behind the closed doors, with a message that will speak powerfully to an all too silent moderate Republican majority.

NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Financial Times, The Washington Post, Time, Los Angeles Times, New York Post, Town & Country, Good Housekeeping, Kirkus Reviews “A perfect novel for these times and all times, the single textual artifact from the pandemic era I would place in a time capsule as a representation of all that is good and true and beautiful about literature.”—Molly Young, The New York Times (Editors’ Choice) Eight friends, one country house, and six months in isolation—a novel about love, friendship, family, and betrayal hailed as a “virtuoso performance” (USA Today) and “an homage to Chekhov with four romances and a finale that will break your heart” (The Washington Post) In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist; his Russian-born psychiatrist wife; their precocious child obsessed with K-pop; a struggling Indian American writer; a wildly successful Korean American app developer; a global dandy with three passports; a Southern flamethrower of an essayist; and a movie star, the Actor, whose arrival upsets the equilibrium of this chosen family. Both elegiac and very, very funny, Our Country Friends is the most ambitious book yet by the author of the beloved bestseller Super Sad True Love Story.

'I don't think I've seen a more impressive collection of Australian writers in a single book.' Stephen Romei, The Australian One of the central moral issues of our time is the question of asylum seekers, arguably the most controversial subject in Australia today. In this landmark anthology, twenty-seven of Australia's finest writers have focused their intelligence and creativity on the theme of the dispossessed, bringing a whole new perspective of depth and truthfulness to what has become a fraught, distorted war of words. This anthology confirms that the experience of seeking asylum – the journeys of escape from death, starvation, poverty or terror to an imagined paradise – is part of the Australian mindset and deeply embedded in our culture and personal histories. A Country Too Far is a tour de force of stunning fiction, memoir, poetry and essays. Edited by award-winning writers Rosie Scott and Tom Keneally, and featuring contributors including Anna Funder, Christos Tsiolkas, Elliot Perlman, Gail Jones, Raimond Gaita, Les Murray, Rodney Hall and Geraldine Brooks, this rich anthology is by turns thoughtful, fierce, evocative, lyrical and moving, and always extraordinarily powerful. A Country Too Far makes an indispensable contribution to the national debate. 'There is a passion about the book, and a moral, emotional and artistic synergy that makes for deeply satisfying reading. It is as if the contributors have themselves felt dispossessed, not of their land, but of the idea of their own country, and have seized the opportunity to reclaim it . . . A fine book like A Country Too Far, one that inspires both compassion and anger, can change the way people think and act, and encourage them to expect more from themselves and their nation.' Sydney Morning Herald 'A Country Too Far represents the varied and vibrant voice of writers speaking out as Australia contravenes its obligations to refugees. Its stories, poems, memoirs and essays collect their work into an eloquent refusal of silence in the face of, as John Tranter writes: 'this/ fetch of disparate peoples/ assigned to come possessionless into massive/ light '.' Weekend Australian 'Brilliant testimony from some of our finest writers.' Anne Deveson 'The strength of the book is its range of genres and depth of perspective . . . a book to pass on to others who don't necessarily share its perspective or those who do but need sustenance. But it's also a book for holding onto and dipping into again . . . A Country Too Far is part of a literary tradition in which authors attempt to face the social context in which they live . . . to resist political word games with other words.' The Guardian 'With asylum seekers high on Australia's moral, social and political agenda, you'll want to make room on your reading list for A Country Too Far . . . [these] 27 Australian poets, authors and journalists . . . have thoughtfully and beautifully expressed their ideas and views on the complexities of the refugee issue.' InStyle 'A stunning anthology and searing moral work that beautifully gives voice to the voiceless without preaching at any point . . . In a political era where there appears to be no bottom to the barrel of immigration policy, A Country Too Far is timely, important and wise.' readings.com.au 'Don't buy a copy of this book. Buy two. Send one to a federal politician.' Newcastle Herald 'A Country Too Far, co-edited by Rosie Scott and Tom Keneally, is a timely attempt to set the record straight about asylum seekers in Australia, to counter the negative media propaganda and to protest at the government's treatment of them. Featuring some of Australia's finest writers, it is an immensely readable, humane collection of fiction, memoir, poetry and essays.' Lucy Popescu, huffingtonpost.co.uk 'Profoundly important. It deftly and eloquently touches on so many of the key tensions and issues in this debate . . . We can only hope that this collection is widely read and that it stirs within us a desire to reclaim the compassion that we once had and demand from our leaders a more humane policy.' Sydney Review of Books 'So disturbing and awakening, it is capable of changing even the most firmly cemented opinions.' New Standpoints

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review

A 2021 Coretta Scott King Honor Book! Winner of the 2020 National Book Award for Young People's Literature! Winner of the 2020 Boston Globe-Horn Book Award for Fiction and Poetry! In a small but turbulent Louisiana town, one boy's grief takes him beyond the bayous of his backyard, to learn that there is no right way to be yourself. FOUR STARRED REVIEWS! Booklist School Library Journal Publishers Weekly The Horn Book Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live down by the bayou in their small Louisiana town. Khalid still visits in dreams, and King must keep these secrets to himself as he watches grief transform his family. It would be easier if King could talk with his best friend, Sandy Sanders. But just days before he died, Khalid told King to end their friendship, after overhearing a secret about Sandy-that he thinks he might be gay. "You don't want anyone to think you're gay too, do you?" But when Sandy goes missing, sparking a town-wide search, and King finds his former best friend hiding in a tent in his backyard, he agrees to help Sandy escape from his abusive father, and the two begin an adventure as they build their own private paradise down by the bayou and among the dragonflies. As King's friendship with Sandy is reignited, he's forced to confront questions about himself and the reality of his brother's death. The Thing About Jellyfish meets The Stars Beneath Our Feet in this story about loss, grief, and finding the courage to discover one's identity, from the author of Hurricane Child.

This inspiring anthology it the first to convey the noteworthy experiences and contributions of women in the American military in their own words-from the Revolutionary War to the present wars in the Middle East. Serving with the Union Army during the Civil War as a nurse, scout, spy, and soldier, Harriet Tubman tells what it was like to be the first American woman to lead a raid against an enemy, freeing some 750 slaves. Busting gender stereotypes, Inga Fredriksen Ferris's describes how it felt to be a woman marine during World War II. Heidi Squier Kraft recounts her experiences as a lieutenant commander in the navy, deployed to Iraq as a psychologist to provide mental health care in a combat zone. In excerpts from their diaries, letters, oral histories, military depositions and testimonies, as well as from published and unpublished memoirs-generations of women reveal why and how they chose to serve their country, often breaking with social norms and at great personal peril.