–Skillman and Soriano weave a twisted tale of classic noir. The story keeps you guessing until the end, and the art delivers the right blend of pitch-black shadows and crisp, sexy line work.” --Sean Phillips, artist of Criminal, Incognito, and Sleeper "Loved it. The dialogue crackles, the art's delicious, and the moral ambiguity hits you like a fist in the belly. This is noir at its best."--Charles Ardai, author of Songs of Innocence, Little Girl Lost, and publisher of the Hard Case Crime series THE WAY HE INVESTIGATES IS A CRIME IN ITSELF. Nick Archer isn't much of a detective, but he's managed to get himself one pretty sweet surveillance gig: once a week he sends a jealous millionaire the photos that prove his wife is faithful, leaving Nick plenty of free nights to spend making a liar of both himself and the client's wife. But when the client turns up dead, his cheating wife is the prime suspect and it's up to Nick to clear her-- except Nick has an agenda of his own, and connections to this case that go deeper than anyone realizes. An amazing crime noir debut!

Kevin doesn't mean to make trouble when he lies. He's just really good at it, and it makes life so much easier. But as his lies pile up, he finds himself in big—and funny—trouble with his friends, family, and teachers. He's got to find a way to end his lying streak—forever.

THE STORY: The liar of the title is one Lelio, a young Venetian of good family who returns home after a long absence and is immediately embroiled in a series of hilarious escapades. Lelio's problem is that he seems unable to speak the truth when a

The first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.

What is written lives far longer than we do -- or so we would like to think.' From unfinished novel to unsent letters, from prose to play, from Macclesfield to the New Year's Honours List, Liar's Landscape is evidence of the late great author's versatility, wit and passion for the written word. When Sir Malcolm Bradbury died in 2000, he left behind a lifetime's work; some of it published and some of it not; fiction and non-fiction; short stories and novels; completed work, work in progress, work barely begun; plans, sketches, notes, titles. Given shape and coherence by his son, Dominic, that work has now become Liar's Landscape, a book about books, about writing and writers, about being a writer and, of course, about being Malcolm Bradbury. 'Liar's Landscape is essential reading for all admirers of Malcolm Bradbury and, for those who don't know his work, an invaluable sampler of his worldly-wise humour and satirical wit' Tom Rosenthal, Independent

An extensive investigation of the forms and functions of the comic, this lively and engaging English critical edition will be welcomed by those interested in laughter, comedy, folklore, Russian literature, and specific authors such as Gogol, Pushkin, Chekhov, Rabelais, Molière, and Shakespeare. The direct, humorous, and provocative style of this work, which tackles the subject of humour with a vast array of vivid examples encountered on every page, will certainly appeal to the contemporary reader. Vladimir Propp takes various forms of laughter in literature and real life and addresses questions such as the comic of similarity, the comic of difference, parody, duping, incongruity, lying, ritual laughter, and carnival laughter. The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.

Here at last is the first genuine encyclopedia of comedy ever published. Its range is enormous. It explores the comedy behind history, the arts, language, literature, entertainments. And on almost every page you will find amusing items, from jokes to anecdotes, from wisecracks to gaglines. The thousand and one articles describe the performers of laughter--humorists, punsters, satirists, comedians, cartoonists. They also explain the science of comedy. The text mingles historical events and funny stories with thousands of specimens of wit and humor.--Jacket flap.

In this sensational New York Times bestseller, Eric Jerome Dickey explores how real people come together and fall apart in a story about a love that starts with a lie.... Dana Ann Smith has ditched New York—and a relationship gone bad—for Los Angeles, looking for a new man, a new career, and some stability. She thinks she's found it in Vincent Calvalry Browne Jr., a handsome, hardworking aerospace tech. They've offered just enough of themselves to make it the perfect romance. And they've withheld just enough to ruin it. When their secrets come to light, Dana and Vince come face-to-face with the fact that the passionate game between lovers and liars has just begun....

Warm, funny, and memorable musings on a life spent fishing. With this eclectic collection of personal essays taking him from his childhood haunts along the industrial Niagara River of the 1960s to Alaska and the saltwater flats of the Caribbean, Richard Chiappone elongates the fishing-writing genre, suggesting that he finds almost anything a fisherman does interesting—anything but the actual fishing. In one piece, he gets no farther than the curb outside his upstate New York childhood home, futilely waiting for his ride to the rivers of his dreams. In another account he describes an afternoon, standing in a midwinter snow bank, casting to house cats. With humor and self-skewering wit, Chiappone admits he can’t cast very well, ties some of the ugliest flies in the world, and spent nineteen years of his life trying to catch a permit. The essays, both funny and touching, reveal him as a writer of stark contradictions: a man who despises winter and loves living in Alaska; who laments having spent half his life just downstream from the infamous Love Canal, and simultaneously remembers those years with elegiac fondness. Lifting his gaze past the tip of his fly rod, and beyond the river and the fish all the way into his own heart, he portrays everything from a sentimental memory of his mother to his doubts about the adequacy of his grief over a dead daughter, making this compilation a kind of memoir in linked essays—a fisherman’s life examined. Skyhorse Publishing is proud to publish a broad range of books for fishermen. Our books for anglers include titles that focus on fly fishing, bait fishing, fly-casting, spin casting, deep sea fishing, and surf fishing. Our books offer both practical advice on tackle, techniques, knots, and more, as well as lyrical prose on fishing for bass, trout, salmon, crappie, baitfish, catfish, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.