This book is the first English translation of the German architect Bruno Taut’s early twentieth-century anthology Die Stadtkrone (The City Crown). Written under the influence of World War I, Taut developed The City Crown to promote a utopian urban concept where people would live in a garden city of ’apolitical socialism’ and peaceful collaboration around a single purpose-free crystalline structure. Taut’s proposal sought to advance the garden city idea of Ebenezer Howard and rural aesthetic of Camillo Sitte’s urban planning schemes by merging them with his own ’city crown’ concept. The book also contains contributions by the Expressionist poet Paul Scheerbart, the writer and politician Erich Baron and the architectural critic Adolf Behne. Although the original German text was republished in 2002, only the title essay of The City Crown has previously been translated into English. This English translation of Taut’s full anthology, complete with all illustrations and supplementary texts, fills a significant gap in the literature on early modern architecture in Germany and the history of urban design. It includes a translators’ preface, introduction and afterword to accompany the original composition of essays, poems, designs and images. These original texts are accompanied by illustrations of Taut’s own designs for a utopian garden city of 300,000 inhabitants and over 40 additional historic and contemporary examples. The new preface to The City Crown explains the premise for the English translation of Taut’s anthology, its organization and the approaches taken by the translators to maintain the four different voices included in the original work. Matthew Mindrup’s introduction critically examines the professional and intellectual developments leading up to and supporting Bruno Taut’s proposal to advance the English garden city concept with a centralized communal structure of glass, the city crown. Through the careful examination of original

This book is the first English translation of the German architect Bruno Taut’s early twentieth-century anthology Die Stadtkrone (The City Crown). Written under the influence of World War I, Taut developed The City Crown to promote a utopian urban concept where people would live in a garden city of ’apolitical socialism’ and peaceful collaboration around a single purpose-free crystalline structure. Taut’s proposal sought to advance the garden city idea of Ebenezer Howard and rural aesthetic of Camillo Sitte’s urban planning schemes by merging them with his own ’city crown’ concept. The book also contains contributions by the Expressionist poet Paul Scheerbart, the writer and politician Erich Baron and the architectural critic Adolf Behne. Although the original German text was republished in 2002, only the title essay of The City Crown has previously been translated into English. This English translation of Taut’s full anthology, complete with all illustrations and supplementary texts, fills a significant gap in the literature on early modern architecture in Germany and the history of urban design. It includes a translators’ preface, introduction and afterword to accompany the original composition of essays, poems, designs and images. These original texts are accompanied by illustrations of Taut’s own designs for a utopian garden city of 300,000 inhabitants and over 40 additional historic and contemporary examples. The new preface to The City Crown explains the premise for the English translation of Taut’s anthology, its organization and the approaches taken by the translators to maintain the four different voices included in the original work. Matthew Mindrup’s introduction critically examines the professional and intellectual developments leading up to and supporting Bruno Taut’s proposal to advance the English garden city concept with a centralized communal structure of glass, the city crown. Through the careful examination of original

Leaving her Dominican Order to stand by a cousin who has been condemned to death by Henry VIII, novice Joanna Stafford and her father are arrested and ordered by the Bishop of Winchester to recover a religious artifact believed to hold a sacred power.

Bestselling author Jennifer Estep returns to her Crown of Shards world with an all-new trilogy and a bold new heroine who protects her kingdom from magic, murder, and mayhem by moonlighting as a spy. Gemma Ripley has a reputation for being a pampered princess who is more interested in pretty gowns, sparkling jewelry, and other frivolous things than learning how to rule the kingdom of Andvari. But her carefully crafted persona is just an act to hide the fact that Gemma is a powerful mind magier—and a spy. Gemma is undercover, trying to figure out who is stealing large amounts of tearstone from one of the Ripley royal mines when she encounters Prince Leonidas Morricone of Morta—her mortal enemy. Gemma tries to steer clear of the handsome prince, but when she finds herself behind enemy lines, she reluctantly joins forces with Leo. Also coming to Gemma’s aid is Grimley, her beloved gargoyle. Despite the fact that Andvari and Morta are old, bitter enemies, a dangerous attraction sparks between Gemma and Leo. Further complicating matters is Leo’s murderous family, especially Queen Maeven Morricone, the mastermind behind the infamous Seven Spire massacre. The closer Gemma gets to the stolen tearstone, the more deadly plots she uncovers. Everyone is trying to capture the crown, but only one queen can sit on the throne …

The Crown's Servants is a major new study of English central government and the royal court from the Restoration of the monarchy in 1660 to the death of Charles II in 1685. A sequel to the author's two earlier studies, of royal officials under Charles I (1625-1642) and office-holders under the Commonwealth and the Cromwellian Protectorate (1649-1660), it sets out to explore the extent to which the restoration of the monarchy undid the changes brought about under the Republic. The author looks at the institutions of government, its methods and procedures, the terms and conditions of service, and its personnel both collectively and individually. He considers the policies, tasks, successes, and failures of the regime, and relates these to the process of state formation and to the impact of the state on society. This is both the culmination of a lifetime's work and a crucial contribution in its own right to the history of seventeenth century England and the development of English government.

With rare maps, prints, and photographs, this unique volume explores the dramatic history of the Americas through the birth and development of the hemisphere's great cities. Written by award-winning author David F. Marley, Historic Cities of the Americas covers the hard-to-find information of these cities' earliest years, including the unique aspects of each region's economy and demography, such as the growth of local mining, trade, or industry. The chronological layout, aided by the numerous maps and photographs, reveals the exceptional changes, relocations, destruction, and transformations these cities endured to become the metropolises they are today. Historic Cities of the Americas provides over 70 extensively detailed entries covering the foundation and evolution of the most significant urban areas in the western hemisphere. Critically researched, this work offers a rare look into the times prior to Christopher Columbus' arrival in 1492 and explores the common difficulties overcome by these European-conquered or -founded cities as they flourished into some of the most influential locations in the world.